The Return of the Native. Ð¢Ð¾Ð¼Ð°Ñ Ð¥Ð°Ñ€Ð´Ð¸
be very glad to ask her in wedlock, if she'd hae me and take the risk of her wild dark eyes ill-wishing me,” said Grandfer Cantle staunchly.
“Don't ye say it, Father!” implored Christian.
“Well, be dazed if he who do marry the maid won't hae an uncommon picture for his best parlour,” said Fairway in a liquid tone, placing down the cup of mead at the end of a good pull.
“And a partner as deep as the North Star,” said Sam, taking up the cup and finishing the little that remained. “Well, really, now I think we must be moving,” said Humphrey, observing the emptiness of the vessel.
“But we'll gie 'em another song?” said Grandfer Cantle. “I'm as full of notes as a bird!”
“Thank you, Grandfer,” said Wildeve. “But we will not trouble you now. Some other day must do for that—when I have a party.”
“Be jown'd if I don't learn ten new songs for't, or I won't learn a line!” said Grandfer Cantle. “And you may be sure I won't disappoint ye by biding away, Mr. Wildeve.”
“I quite believe you,” said that gentleman.
All then took their leave, wishing their entertainer long life and happiness as a married man, with recapitulations which occupied some time. Wildeve attended them to the door, beyond which the deep-dyed upward stretch of heath stood awaiting them, an amplitude of darkness reigning from their feet almost to the zenith, where a definite form first became visible in the lowering forehead of Rainbarrow. Diving into the dense obscurity in a line headed by Sam the turf-cutter, they pursued their trackless way home.
When the scratching of the furze against their leggings had fainted upon the ear, Wildeve returned to the room where he had left Thomasin and her aunt. The women were gone.
They could only have left the house in one way, by the back window; and this was open.
Wildeve laughed to himself, remained a moment thinking, and idly returned to the front room. Here his glance fell upon a bottle of wine which stood on the mantelpiece. “Ah—old Dowden!” he murmured; and going to the kitchen door shouted, “Is anybody here who can take something to old Dowden?”
There was no reply. The room was empty, the lad who acted as his factotum having gone to bed. Wildeve came back put on his hat, took the bottle, and left the house, turning the key in the door, for there was no guest at the inn tonight. As soon as he was on the road the little bonfire on Mistover Knap again met his eye.
“Still waiting, are you, my lady?” he murmured.
However, he did not proceed that way just then; but leaving the hill to the left of him, he stumbled over a rutted road that brought him to a cottage which, like all other habitations on the heath at this hour, was only saved from being visible by a faint shine from its bedroom window. This house was the home of Olly Dowden, the besom-maker, and he entered.
The lower room was in darkness; but by feeling his way he found a table, whereon he placed the bottle, and a minute later emerged again upon the heath. He stood and looked northeast at the undying little fire—high up above him, though not so high as Rainbarrow.
We have been told what happens when a woman deliberates; and the epigram is not always terminable with woman, provided that one be in the case, and that a fair one. Wildeve stood, and stood longer, and breathed perplexedly, and then said to himself with resignation, “Yes—by Heaven, I must go to her, I suppose!”
Instead of turning in the direction of home he pressed on rapidly by a path under Rainbarrow towards what was evidently a signal light.
6—The Figure against the Sky
When the whole Egdon concourse had left the site of the bonfire to its accustomed loneliness, a closely wrapped female figure approached the barrow from that quarter of the heath in which the little fire lay. Had the reddleman been watching he might have recognized her as the woman who had first stood there so singularly, and vanished at the approach of strangers. She ascended to her old position at the top, where the red coals of the perishing fire greeted her like living eyes in the corpse of day. There she stood still around her stretching the vast night atmosphere, whose incomplete darkness in comparison with the total darkness of the heath below it might have represented a venial beside a mortal sin.
That she was tall and straight in build, that she was lady-like in her movements, was all that could be learnt of her just now, her form being wrapped in a shawl folded in the old cornerwise fashion, and her head in a large kerchief, a protection not superfluous at this hour and place. Her back was towards the wind, which blew from the northwest; but whether she had avoided that aspect because of the chilly gusts which played about her exceptional position, or because her interest lay in the southeast, did not at first appear.
Her reason for standing so dead still as the pivot of this circle of heath-country was just as obscure. Her extraordinary fixity, her conspicuous loneliness, her heedlessness of night, betokened among other things an utter absence of fear. A tract of country unaltered from that sinister condition which made Caesar anxious every year to get clear of its glooms before the autumnal equinox, a kind of landscape and weather which leads travellers from the South to describe our island as Homer's Cimmerian land, was not, on the face of it, friendly to women.
It might reasonably have been supposed that she was listening to the wind, which rose somewhat as the night advanced, and laid hold of the attention. The wind, indeed, seemed made for the scene, as the scene seemed made for the hour. Part of its tone was quite special; what was heard there could be heard nowhere else. Gusts in innumerable series followed each other from the northwest, and when each one of them raced past the sound of its progress resolved into three. Treble, tenor, and bass notes were to be found therein. The general ricochet of the whole over pits and prominences had the gravest pitch of the chime. Next there could be heard the baritone buzz of a holly tree. Below these in force, above them in pitch, a dwindled voice strove hard at a husky tune, which was the peculiar local sound alluded to. Thinner and less immediately traceable than the other two, it was far more impressive than either. In it lay what may be called the linguistic peculiarity of the heath; and being audible nowhere on earth off a heath, it afforded a shadow of reason for the woman's tenseness, which continued as unbroken as ever.
Throughout the blowing of these plaintive November winds that note bore a great resemblance to the ruins of human song which remain to the throat of fourscore and ten. It was a worn whisper, dry and papery, and it brushed so distinctly across the ear that, by the accustomed, the material minutiae in which it originated could be realized as by touch. It was the united products of infinitesimal vegetable causes, and these were neither stems, leaves, fruit, blades, prickles, lichen, nor moss.
They were the mummied heathbells of the past summer, originally tender and purple, now washed colourless by Michaelmas rains, and dried to dead skins by October suns. So low was an individual sound from these that a combination of hundreds only just emerged from silence, and the myriads of the whole declivity reached the woman's ear but as a shrivelled and intermittent recitative. Yet scarcely a single accent among the many afloat tonight could have such power to impress a listener with thoughts of its origin. One inwardly saw the infinity of those combined multitudes; and perceived that each of the tiny trumpets was seized on entered, scoured and emerged from by the wind as thoroughly as if it were as vast as a crater.
“The spirit moved them.” A meaning of the phrase forced itself upon the attention; and an emotional listener's fetichistic mood might have ended in one of more advanced quality. It was not, after all, that the left-hand expanse of old blooms spoke, or the right-hand, or those of the slope in front; but it was the single person of something else speaking through each at once.
Suddenly, on the barrow, there mingled with all this wild rhetoric of night a sound which modulated so naturally into the rest that its beginning and ending