The Moon Rock (Thriller Novel). Arthur J. Rees

      CHAPTER IV

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      Sisily first opened her eyes on a grey day by a grim coast, and life had always been grim and grey to her. Her memory was a blurred record of wanderings from place to place in pursuit of something which was never to be found. Her earliest recollection was of a bleak eastern coast, where Robert Turold had spent long years in a losing game of patience with the sea. He had gone there in the belief that some of his ancestors were buried in a forgotten churchyard on the cliffs, and he spent his time attempting to decipher inscriptions which had been obliterated almost as effectually as the dead whose remains they extolled.

      The old churchyard had been called “The Garden of Rest” by some sentimental versifier, but there was no rest for the dead who tried to sleep within its broken walls. The sea kept undermining the crumbling cliffs upon which it stood, carrying away earth, and tombstones, and bones. Nor was it a garden. Nothing grew in the dank air but crawling things which were horrible to the eye. There were great rank growths of toadstools, yellow, blue, livid white, or spotted like adders, which squirmed and squelched underfoot to send up a sickly odour of decay. The only green thing was some ivy, a parasitic vampire which drew its lifeblood from the mouldering corpse of an old church.

      It was in this desolate place that the girl conceived her first impression of her father as a stern and silent man who burrowed among old graves like a mole. Robert Turold had fought a stout battle for the secret contained in those forgotten graves on a bleak headland, but the sea had beaten him in the long run, carrying off the stones piecemeal until only one remained, a sturdy pillar of granite which marked the bones of one who, some hundred and fifty years before had been “An English Gentleman and a Christian”—so much of the epitaph remained. Robert Turold hoped that it was an ancestor, but he was not destined to know. One night the stone was carried off with a great splash which was heard far, and left a ragged gap in the cliffside, like a tooth plucked from a giant’s mouth.

      When Sisily first saw the cliffs of Cornwall she was reminded of those early days, with the difference that the Cornish granite rocks stood firm, as though saying to the sea, “Here rises England.”

      The house Robert Turold had taken looked down on the sea from the summit. It was a strange place to build a house, on the brink of a broken Cornish cliffline, above the grey surges of the Atlantic, among a wilderness of dark rocks, facing black moors, which rolled away from the cliffs as lonely and desolate as eternity. The place had been built by a London artist, long since dead, who had lived there and painted seascapes from an upstairs studio which overlooked the sea.

      The house had remained empty for years until Robert Turold had taken it six months before. It was too isolated and lonely to gain a permanent tenant, and it stood in the teeth of Atlantic gales. The few scattered houses and farms of the moors cringed from the wind in sheltered depressions, but Flint House faced its everlasting fury on the top of the cliffs, a rugged edifice of grey stone, a landmark visible for many miles.

      The house suited Robert Turold well enough, because it was near the churchtown in which he was conducting his final investigations. It never occurred to him to consider whether it suited his wife and daughter. It was a house, and it was furnished; what more was necessary? It was nothing to him if his wife and daughter were unhappy. It was nothing to him if the sea roared and the house shook as he sat poring at nights over his parchments in the dead artist’s studio. He had other things to occupy his mind than Nature’s brutality or the feelings of womanhood.

      Sisily had climbed down to the foot of the rocks. She was sitting in her favourite spot, a spur of rock overhanging a green nook in the broken ugliness of the cliffs, sheltered from the sea by an encircling arm of rock, and reached by a steep path down the cliff. Around her towered an amphitheatre of vast cliffs in which the sea sang loud music to the spirit of solitude. In the moaning waters in front of the cove a jagged rock rose from the incomparable green, tilted backward and fantastically shaped, like a great grave face watching the house on the summit of the cliff.

      The rock had fascinated the girl from the first moment she had seen it. In the summer months, tourists came from afar to gaze on its fancied resemblance to one of the illustrious dead. But to Sisily there was a secret brooding consciousness in the dark mask. It seemed to her to be watching and waiting for something. For what? Its glance seemed to follow her like the eyes of a picture. And it conveyed a menace by its mere proximity, even when she could not see it. When she looked out of her window at night, and saw only the shadow of the rock with the face veiled in darkness, she seemed to hear the whisper of its words: “I am here. Do not think to escape. I will have you yet.”

      Among the fisher-folk of that part of the coast it was known as the Moon Rock. The old Cornish women had a tradition that when a fishing-boat failed to return to that bay of storms, the spirit of the drowned man would rise to the surface and answer his wife if she hailed him from the shore. It was a rite and solemn ceremony, now fallen into decay. There was a story of one young wife who, getting no answer, left her desolate cottage at midnight and swam out to the Moon Rock at high tide. She had scrambled up its slippery sides and called her husband from the summit. She had called and called his name until he came. In the morning they were found—the wife, and the husband who had been called from the depth of the sea, floating together in one of the sea caverns at the base of the Moon Rock, their white faces tangled in the red seaweed which streaked the green surging water like blood.

      Sisily knew this story, and believed it to be true. Sometimes, when the moon lingered on the black glistening surface of the Moon Rock, she fancied she could see a misty fluttering figure on the rock, and hear it calling … calling. She would sit motionless at her window, straining her ears for the reply. After a time the response would come faintly from the sea, at first far out, then sounding louder and clearer as the spirit of the husband guided his drowned body back to his wife’s arms. When it sounded close to the rock the evanescent figure on the summit would vanish to join the spirit of her husband in the churning waters at the base. Then the face of the Moon Rock seemed to smile, and the smile was so cruel that Sisily would turn from the window with a shudder, covering her face with her hands.

      Her strange upbringing may have contributed to such morbid fancies. In his monstrous preoccupation with a single idea Robert Turold had neglected his duty to his daughter. She counted for nothing in his scheme of life, and there were periods when he seemed to be unconscious of her existence. She had been allowed