The Complete Five Towns Collections. Bennett Arnold
a mile and a half away, on the ridge, was Hillport Church, dark and clear against the orange sky. To the right, and nearer, lay the central masses of the town, tier on tier of richly-coloured ovens and chimneys. Along the field-paths couples moved slowly. All was quiescent, languorous, beautiful in the glow of the sun's stately declension. Anna put her arms on the wall. Far more impressively than in the afternoon she realised that this was the end of one epoch in her career and the beginning of another. Enthralled by austere traditions and that stern conscience of hers, she had never permitted herself to dream of the possibility of an escape from the parental servitude. She had never looked beyond the horizons of her present world, but had sought spiritual satisfaction in the ideas of duty and sacrifice. The worst tyrannies of her father never dulled the sense of her duty to him; and, without perhaps being aware of it, she had rather despised love and the dalliance of the sexes. In her attitude towards such things there had been not only a little contempt but also some disapproval, as though man were destined for higher ends. Now she saw, in a quick revelation, that it was the lovers, and not she, who had the right to scorn. She saw how miserably narrow, tepid, and trickling the stream of her life had been, and had threatened to be. Now it gushed forth warm, impetuous, and full, opening out new and delicious vistas. She lived; and she was finding the sight to see, the courage to enjoy. Now, as she leaned over the wall, she would not have cared if Henry Mynors indeed had called that night. She perceived something splendid and free in his abandonment of habit and discretion at the bidding of a desire. To be the magnet which could draw that pattern and exemplar of seemliness from the strict orbit of virtuous custom! It was she, the miser's shabby daughter, who had caused this amazing phenomenon. The thought intoxicated her. Without the support of the wall she might have fallen. In a sort of trance she murmured these words: 'He loves me.'
This was Anna Tellwright, the ascetic, the prosaic, the impassive.
After an interval which to her was as much like a minute as a century, she went back into the house. As she entered by the kitchen she heard an impatient knocking at the front door.
'At last,' said her father grimly, when she opened the door. In two words he had resumed his terrible sway over her. Agnes looked timidly from one to the other and slipped past them into the house.
'I was in the garden,' Anna explained. 'Have you been here long?' She tried to smile apologetically.
'Only about a quarter of an hour,' he answered, with a grimness still more portentous.
'He won't speak again to-night,' she thought fearfully. But she was mistaken. After he had carefully hung his best hat on the hat-rack, he turned towards her, and said, with a queer smile:
'Ye've been day-dreaming, eh, Sis?'
'Sis' was her pet name, used often by Agnes, but by her father only at the very rarest intervals. She was staggered at this change of front, so unaccountable in this man, who, when she had unwittingly annoyed him, was capable of keeping an awful silence for days together. What did he know? What had those old eyes seen?
'I forgot,' she stammered, gathering herself together happily, 'I forgot the time.' She felt that after all there was a bond between them which nothing could break—the tie of blood. They were father and daughter, united by sympathies obscure but fundamental. Kissing was not in the Tellwright blood, but she had a fleeting wish to hug the tyrant.
1. Tellwright: tile-wright, a name specially characteristic of, and possibly originating in, this clay-manufacturing district.
Chapter III
The Birthday
The next morning there was no outward sign that anything unusual had occurred. As the clock in the kitchen struck eight Anna carried to the back parlour a tray on which were a dish of bacon and a coffee-pot. Breakfast was already laid for three. She threw a housekeeper's glance over the table, and called: 'Father!' Mr. Tellwright was re-setting some encaustic tiles in the lobby. He came in, coatless, and, dropping a trowel on the hearth, sat down at the end of the table nearest the fireplace. Anna sat opposite to him, and poured out the coffee.
On the dish were six pieces of bacon. He put one piece on a plate, and set it carefully in front of Agnes's vacant chair, two he passed to Anna, three he kept for himself.
'Where's Agnes?' he inquired.
'Coming—she's finishing her arithmetic.'
In the middle of the table was an unaccustomed small jug containing gilly-flowers. Mr. Tellwright noticed it instantly.
'What an we gotten here?' he said, indicating the jug.
'Agnes gave me them first thing when she got up. She's grown them herself, you know,' Anna said, and then added: 'It's my birthday.'
'Ay!' he exclaimed, with a trace of satire in his voice. 'Thou'rt a woman now, lass.'
No further remark on that matter was made during the meal.
Agnes ran in, all pinafore and legs. With a toss backwards of her light golden hair she slipped silently into her seat, cautiously glancing at the master of the house. Then she began to stir her coffee.
'Now, young woman,' Tellwright said curtly.
She looked a startled interrogative.
'We're waiting,' he explained.
'Oh!' said Agnes, confused. 'I thought you'd said it. "God sanctify this food to our use and us to His service for Christ's sake, Amen."'
The breakfast proceeded in silence. Breakfast at eight, dinner at noon, tea at four, supper at eight: all the meals in this house occurred with absolute precision and sameness. Mr. Tellwright seldom spoke, and his example imposed silence on the girls, who felt as nuns feel when assisting at some grave but monotonous and perfunctory rite. The room was not a cheerful one in the morning, since the window was small and the aspect westerly. Besides the table and three horse-hair chairs, the furniture consisted of an arm-chair, a bent-wood rocking chair, and a sewing-machine. A fatigued Brussels carpet covered the floor. Over the mantelpiece was an engraving of 'The Light of the World,' in a frame of polished brown wood. On the other walls were some family photographs in black frames. A two-light chandelier hung from the ceiling, weighed down on one side by a patent gas-saving mantle and a glass shade; over this the ceiling was deeply discoloured. On either side of the chimney-breast were cupboards about three feet high; some cardboard boxes, a work-basket, and Agnes's school books lay on the tops of these cupboards. On the window-sill was a pot of mignonette in a saucer. The window was wide open, and flies buzzed to and fro, constantly rebounding from the window panes with terrible thuds. In the blue-paved yard beyond the cat was licking himself in the sunlight with an air of being wholly absorbed in his task.
Mr. Tellwright demanded a second and last cup of coffee, and having drunk it pushed away his plate as a sign that he had finished. Then he took from the mantelpiece at his right hand a bundle of letters and opened them methodically. When he had arranged the correspondence in a flattened pile, he put on his steel-rimmed spectacles and began to read.
'Can I return thanks, father?' Agnes asked, and he nodded, looking at her fixedly over his spectacles.
'Thank God for our good breakfast, Amen.'
In two minutes the table was cleared, and Mr. Tellwright was alone. As he read laboriously through communications from solicitors, secretaries of companies, and tenants, he could hear his daughters talking together in the kitchen. Anna was washing the breakfast things while Agnes wiped. Then there were flying steps across the yard: Agnes had gone to school.
After he had mastered his correspondence, Mr. Tellwright took up the trowel again and finished the tile-setting in the lobby. Then he resumed his coat, and, gathering together the letters from the table in the back parlour, went into the front parlour and shut the door. This room was his office. The principal things in it were an old oak bureau and an old oak desk-chair which had