Consequences & The War-Workers. E. M. Delafield
comedy.
Grace played Miss Plumtree's accompaniments, and loved listening to her soft, deep tones. She tried to make her sing "Three Fishers," but Miss Plumtree said no: it was too sad for a Sunday afternoon, and it was some one else's turn.
Musical talent in the Hostel was limited, and the only other owner of a voice was Miss Delmege, the possessor of a high, thin soprano, which, she often explained, had been the subject of much attention on the part of "a really first-rate man in Clifton."
It might remain open to question whether the energies of the really first-rate man could not have been turned into channels more advantageous than that of developing Miss Delmege's attenuated thread of voice. Whatever the original organ might have been, it was now educated into a refined squeak, overweighted with affectations which to Miss Delmege represented the art of production. She sang various improvident love-songs in which Love—high F, attained to by a species of upwards slide on E and E sharp—was all, When eventide should fall—slight tremolo and a giving out of breath rather before the accompanist had struck the final chord.
"You should take the finale rather more à tempo, dear," said the singer, in a professional way which finally vindicated the first-rateness of the man at Clifton.
Every one thanked Miss Delmege very much, and said that was a sweetly pretty song; and then Grace Jones played the piano while Tony and Miss Henderson made toast for tea and put the largest and least burnt pieces aside for her. Tea, with the aid of conversation and the making of innumerable pieces of toast over the least smoky parts of the fire, could almost be prolonged till supper-time.
"I must say, I do enjoy doing nothing," said Miss Henderson, voicing the general sentiment at the end of the day of rest.
"Poor Mrs. Potter is on the telephone. How cold she'll be, sitting there all the evening!"
"I hope she saw to Miss Vivian's fire," said Miss Delmege solicitously. "I particularly reminded her to build up a good fire in Miss Vivian's room. She does feel the cold so."
"Perhaps she didn't come this afternoon," said Grace. "There was nothing left over in her basket last night."
"Oh, she always comes," Miss Delmege said quickly and rather resentfully. "I've never known her miss a Sunday yet. Besides, I know she was there today. I saw the light in her window as I came back from church."
"I do believe," said Tony in a stage whisper, "that Delmege goes to evening church on purpose to look up at the light in Miss Vivian's window as she comes back."
But the joke was received silently, as being in but indifferent taste, and verging on irreverence almost equally as regarded church and the Director of the Midland Supply Depôt.
VI
The new Canteen in Pollard Street was opened before Christmas.
Lesbia Willoughby, in an immense overall of light blue-and-white check, stood behind a long buffet and demanded stridently whether she wasn't too exactly like a barmaid for words, and Char's consignment of helpers worked for the most part briskly and efficiently, only the unfortunate Miss Plumtree upsetting a mug of scalding tea over herself at the precise moment when Miss Vivian, trim and workmanlike in her dark uniform, entered the big hall and stood watching the scene with her arrogant, observant gaze. She did not ask Miss Plumtree whether her hand was scalded, but neither did she rebuke her very evident clumsiness. She moved slowly and imperially through the thick tobacco-laden atmosphere, speaking to several of the men, and silently observing the demeanour of her staff.
The following week she issued an office circular in which the precise direction which the activity of each worker was to take was inexorably laid down.
Miss Plumtree was banished à perpetuité to the pantry, to wash up at full speed over a sink. She worked at the Canteen on Mondays, always the busiest evening. In the same shift were Mrs. Potter and Miss Henderson, to each of whom was appointed the care of an urn, Grace Jones, Miss Delmege, and Miss Marsh. Miss Delmege stood behind the buffet, which position, she said, seemed very strange to her from being so like a counter in a shop, and the other two took orders at the various small tables in the hall, and hurried to and fro with laden trays.
No one would have dreamed of disputing this arbitrary disposal of energies, but it struck Grace as extremely unfortunate that Miss Marsh and Miss Delmege should select their first Monday together at the Canteen for the form of unpleasantness known as "words." Miss Jones became the medium by which alone either would address the other.
"I'm sorry, dear, but Delmege has really got on my nerves lately, and you can tell her I said so if you like. When it comes to suggesting that I don't do sufficient work, there's simply nothing more to be said. You heard her the other night saying some people were so lucky they could always get off early when they liked. Just because I'd cleared up by six o'clock, for once in a way!"
"But she didn't say she meant you," urged Miss Jones, who was far too sympathetic not to take any grievance confided to her at the teller's own valuation, and foresaw besides an extremely awkward evening at the Canteen.
"Some people aren't straightforward enough to say what they mean right out, but that doesn't prevent others from seeing the point of the sort of remarks they pass," declared Miss Marsh cryptically.
"If she told you she really hadn't meant anything personal, wouldn't it be all right?"
But Grace did not make the suggestion very hopefully, and her room-mate merely repeated gloomily that Delmege had really got on her nerves lately, and though she did not think herself one to bear malice, yet there were limits to all things.
Grace's success with Miss Delmege on their way down the street at seven o'clock that evening, was even less apparent.
"It's all very well, dear, but I've always been most sensitive. I can't help it. I know it's very silly, but there it is. As a tiny tot, mother always used to say of me, 'That child Vera is so sensitive, she can't bear a sharp word.' I know it's very silly to be thin-skinned, and causes one a great deal of suffering as one goes through life, but it's the way I'm made. I always was so."
This complacent monologue lasted almost to the bottom of Pollard Street, when Grace interrupted desperately: "Do make it up with her before we start this job. It's so much nicer to be all cheerful together when we've got a hard evening in front of us."
"I'm quite willing to be friendly, when Miss Marsh speaks to me first. At the present moment, dear, as you know, she's behaving very strangely indeed, and doesn't speak to me at all. Of course, I don't mind either way—in fact, it only amuses me—but I don't mind telling you, Gracie, that I think her whole way of carrying on is most strange altogether."
Grace felt a desperate certainty that affairs were indeed past remedy when Miss Delmege had to resort so freely to her favourite adjective "strange" to describe the manners and conduct of Miss Marsh.
She entered the hall rather dejectedly. It was very tiring to hurry about with heavy trays at the end of a long day's work, and the atmosphere seemed thicker than ever tonight and the noise greater. Grace hung up her coat and hat, and hastily made room on the already overcrowded peg for Miss Marsh's belongings, as she heard Miss Delmege say gently "Excuse me," and deliberately appropriate to her own use the peg selected by her neighbour.
"Did you see that?" demanded Miss Marsh excitedly. "Isn't that Delmege all over? After this, Gracie, I shall simply not speak to her till she apologizes. Simply ignore her. Believe me, dear, it's the only way. I shall behave as though Delmege didn't exist."
This threat was hardly carried out to the letter. No one could have failed to see a poignant consciousness of Miss Delmege's existence in the elaborate blindness and deafness which assailed Miss Marsh when within her neighbourhood.
Miss Delmege adopted a still more trying policy, and addressed acid remarks in a small, penetrating voice to her surroundings.
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