The Collected Works of Joseph Conrad: Novels, Short Stories, Letters & Memoirs. Джозеф Конрад
unbelieving and humorous eagerness.
‘“Nothing so perfect,” I answered, feeling suddenly dispirited with all sorts of doubts. “A man!”
‘“Ach so!” he murmured, and his smiling countenance, turned to me, became grave. Then after looking at me for a while he said slowly, “Well — I am a man too.”
‘Here you have him as he was; he knew how to be so generously encouraging as to make a scrupulous man hesitate on the brink of confidence; but if I did hesitate it was not for long.
‘He heard me out, sitting with crossed legs. Sometimes his head would disappear completely in a great eruption of smoke, and a sympathetic growl would come out from the cloud. When I finished he uncrossed his legs, laid down his pipe, leaned forward towards me earnestly with his elbows on the arms of his chair, the tips of his fingers together.
‘“I understand very well. He is romantic.”
‘He had diagnosed the case for me, and at first I was quite startled to find how simple it was; and indeed our conference resembled so much a medical consultation — Stein, of learned aspect, sitting in an arm-chair before his desk; I, anxious, in another, facing him, but a little to one side — that it seemed natural to ask —
‘“What’s good for it?”
‘He lifted up a long forefinger.
‘“There is only one remedy! One thing alone can us from being ourselves cure!” The finger came down on the desk with a smart rap. The case which he had made to look so simple before became if possible still simpler — and altogether hopeless. There was a pause. “Yes,” said I, “strictly speaking, the question is not how to get cured, but how to live.”
‘He approved with his head, a little sadly as it seemed. “Ja! ja! In general, adapting the words of your great poet: That is the question. . . . ” He went on nodding sympathetically. . . . “How to be! Ach! How to be.”
‘He stood up with the tips of his fingers resting on the desk.
‘“We want in so many different ways to be,” he began again. “This magnificent butterfly finds a little heap of dirt and sits still on it; but man he will never on his heap of mud keep still. He want to be so, and again he want to be so. . . . ” He moved his hand up, then down. . . . “He wants to be a saint, and he wants to be a devil — and every time he shuts his eyes he sees himself as a very fine fellow — so fine as he can never be. . . . In a dream. . . . ”
‘He lowered the glass lid, the automatic lock clicked sharply, and taking up the case in both hands he bore it religiously away to its place, passing out of the bright circle of the lamp into the ring of fainter light — into shapeless dusk at last. It had an odd effect — as if these few steps had carried him out of this concrete and perplexed world. His tall form, as though robbed of its substance, hovered noiselessly over invisible things with stooping and indefinite movements; his voice, heard in that remoteness where he could be glimpsed mysteriously busy with immaterial cares, was no longer incisive, seemed to roll voluminous and grave — mellowed by distance.
‘“And because you not always can keep your eyes shut there comes the real trouble — the heart pain — the world pain. I tell you, my friend, it is not good for you to find you cannot make your dream come true, for the reason that you not strong enough are, or not clever enough..Ja! . . . And all the time you are such a fine fellow too! Wie? Was? Gott im Himmel! How can that be? Ha! ha! ha!”
‘The shadow prowling amongst the graves of butterflies laughed boisterously.
‘“Yes! Very funny this terrible thing is. A man that is born falls into a dream like a man who falls into the sea. If he tries to climb out into the air as inexperienced people endeavour to do, he drowns — nicht wahr? . . . No! I tell you! The way is to the destructive element submit yourself, and with the exertions of your hands and feet in the water make the deep, deep sea keep you up. So if you ask me — how to be?”
‘His voice leaped up extraordinarily strong, as though away there in the dusk he had been inspired by some whisper of knowledge. “I will tell you! For that too there is only one way.”
‘With a hasty swish-swish of his slippers he loomed up in the ring of faint light, and suddenly appeared in the bright circle of the lamp. His extended hand aimed at my breast like a pistol; his deep-set eyes seemed to pierce through me, but his twitching lips uttered no word, and the austere exaltation of a certitude seen in the dusk vanished from his face. The hand that had been pointing at my breast fell, and by-and-by, coming a step nearer, he laid it gently on my shoulder. There were things, he said mournfully, that perhaps could never be told, only he had lived so much alone that sometimes he forgot — he forgot. The light had destroyed the assurance which had inspired him in the distant shadows. He sat down and, with both elbows on the desk, rubbed his forehead. “And yet it is true — it is true. In the destructive element immerse.” . . . He spoke in a subdued tone, without looking at me, one hand on each side of his face. “That was the way. To follow the dream, and again to follow the dream — and so — ewig — usque ad finem. . . . ” The whisper of his conviction seemed to open before me a vast and uncertain expanse, as of a crepuscular horizon on a plain at dawn — or was it, perchance, at the coming of the night? One had not the courage to decide; but it was a charming and deceptive light, throwing the impalpable poesy of its dimness over pitfalls — over graves. His life had begun in sacrifice, in enthusiasm for generous ideas; he had travelled very far, on various ways, on strange paths, and whatever he followed it had been without faltering, and therefore without shame and without regret. In so far he was right. That was the way, no doubt. Yet for all that, the great plain on which men wander amongst graves and pitfalls remained very desolate under the impalpable poesy of its crepuscular light, overshadowed in the centre, circled with a bright edge as if surrounded by an abyss full of flames. When at last I broke the silence it was to express the opinion that no one could be more romantic than himself.
‘He shook his head slowly, and afterwards looked at me with a patient and inquiring glance. It was a shame, he said. There we were sitting and talking like two boys, instead of putting our heads together to find something practical — a practical remedy — for the evil — for the great evil — he repeated, with a humorous and indulgent smile. For all that, our talk did not grow more practical. We avoided pronouncing Jim’s name as though we had tried to keep flesh and blood out of our discussion, or he were nothing but an erring spirit, a suffering and nameless shade. “Na!” said Stein, rising. “To-night you sleep here, and in the morning we shall do something practical — practical. . . . ” He lit a two-branched candlestick and led the way. We passed through empty dark rooms, escorted by gleams from the lights Stein carried. They glided along the waxed floors, sweeping here and there over the polished surface of a table, leaped upon a fragmentary curve of a piece of furniture, or flashed perpendicularly in and out of distant mirrors, while the forms of two men and the flicker of two flames could be seen for a moment stealing silently across the depths of a crystalline void. He walked slowly a pace in advance with stooping courtesy; there was a profound, as it were a listening, quietude on his face; the long flaxen locks mixed with white threads were scattered thinly upon his slightly bowed neck.
‘“He is romantic — romantic,” he repeated. “And that is very bad — very bad. . . . Very good, too,” he added. “But is he?” I queried.
‘“Gewiss,” he said, and stood still holding up the candelabrum, but without looking at me. “Evident! What is it that by inward pain makes him know himself? What is it that for you and me makes him — exist?”
‘At that moment it was difficult to believe in Jim’s existence — starting from a country parsonage, blurred by crowds of men as by clouds of dust, silenced by the clashing claims of life and death in a material world — but his imperishable reality came to me with a convincing, with an irresistible force! I saw it vividly, as though in our progress through the lofty silent rooms amongst fleeting gleams of light and the sudden revelations of human figures stealing with flickering flames within unfathomable and pellucid depths, we had approached nearer to absolute Truth, which, like Beauty itself, floats elusive, obscure,