THE JAZZ AGE COLLECTION - The Great Gatsby & Other Tales. ФрÑнÑÐ¸Ñ Ð¡ÐºÐ¾Ñ‚Ñ‚ Фицджеральд
and losing their children. Silver-haired women and men with fine old faces, people who never did a consciously dishonest thing in their lives, still assure each other in the apartment hotels of New York and Boston and Washington that “there’s a whole generation growing up that will never know the taste of liquor.” Meanwhile their grand daughters pass the well-thumbed copy of Lady Chatterley’s Lover around the boarding-school and, if they get about at all, know the taste of gin or corn at sixteen. But the generation who reached maturity between 1875 and 1895 continue to believe what they want to believe.
Even the intervening generations were incredulous. In 1920 Heywood Broun announced that all this hubbub was nonsense, that young men didn’t kiss but told anyhow. But very shortly people over twenty-five came in for an intensive education. Let me trace some of the revelations vouch¬safed them by reference to a dozen works written for various types of mentality during the decade. We begin with the suggestion that Don Juan leads an interesting life (Jurgen, (1919); then we learn that there’s a lot of sex around if we only knew it (Winesburg, Ohio, 1920) that adolescents lead very amorous lives (This Side of Paradise, 1920), that there are a lot of neglected Anglo-Saxon words (Ulysses, 1921), that older people don’t always resist sudden temptations (Cytherea, 1922), that girls are sometimes seduced without being ruined (Flaming Youth, 1922), that even rape often turns out well (The Sheik, 1922), that glamorous English ladies are often promiscuous (The Green Hat, 1924), that in fact they devote most of their time to it (The Vortex, 1926), that it’s a damn good thing too (Lady Chatterley’s Lover, 1928), and finally that there are abnormal variations (The Well of Loneliness, 1928, and Sodom and Gomorrah, 1929).
In my opinion the erotic clement in these works, even The Sheik written for children in the key of Peter Rabbit, did not one particle of harm. Everything they described, and much more, was familiar in our contemporary life. The majority of the theses were honest and elucidating — their effect was to restore some dignity to the male as opposed to the he-man in American life. (“And what is a ‘He-man’?” demanded Gertrude Stein one day. “Isn’t it a large enough order to fill out to the dimensions of all that ‘a man’ has meant in the past? A ‘He-man’!”) The married woman can now discover whether she is being cheated, or whether sex is just something to be endured, and her compensation should be to establish a tyranny of the spirit, as her mother may have hinted. Perhaps many women found that love was meant to be fun. Anyhow the objectors lost their tawdry little case, which is one reason why our literature is now the most living in the world. Contrary to popular opinion, the movies of the Jazz Age had no effect upon ils morals. The social attitude of the producers was timid, behind the times and banal — for example, no picture mirrored even faintly the younger generation until 1923, when magazines had already been started to celebrate it and it had long ceased to be news. There were a few feeble splutters and then Clara Bow in Flaming Youth; promptly the Hollywood hacks ran the theme into its cinematographic grave. Throughout the Jazz Age the movies got no farther than Mrs. Jiggs, keeping up with its most blatant superficialities. This was no doubt due to the censorship as well as to innate conditions in the industry. In any case, the Jazz Age now raced along under its own power, served by great filling stations full of money.
The people over thirty, the people all the way up to fifty, had joined the dance. We graybeards (to tread down F.P.A.) remember the uproar when in 1912 grandmothers of forty tossed away their crutches and took lessons in the Tango and the Castle-Walk. A dozen years later a woman might pack the Green Hat with her other affairs as she set off for Europe or New York, but Savonarola was too busy flogging dead horses in Augean stables of his own creation to notice. Society, even in small cities, now dined in separate chambers, and the sober table learned about the gay table only from hearsay. There were very few people left at the sober table. One of its former glories, the less sought-after girls who had become resigned to sublimating a probable celibacy, came across Freud and Jung in seeking their intellectual recompense and came tearing back into the fray.
By 1926 the universal preoccupation with sex had become a nuisance. (I remember a perfectly mated, contented young mother asking my wife’s advice about “having an affair right away,” though she had no one especially in mind, “because don’t you think it’s sort of undignified when you get much over thirty?”) For a while bootleg Negro records with their phallic euphemisms made everything suggestive, and simultaneously came a wave of erotic plays — young girls from finishing-schools packed the galleries to hear about the romance of being a Lesbian and George Jean Nathan protested. Then one young producer lost his head entirely, drank a beauty’s alcoholic bathwater and went to the penitentiary. Somehow his pathetic attempt at romance belongs to the Jazz Age, while his contemporary in prison, Ruth Snyder, had to be hoisted into it by the tabloids - she was, as The Daily News hinted deliciously to gourmets, about “to cook, and sizzle, AND FRY!” in the electric chair.
The gay elements of society had divided into two main streams, one flowing towards Palm Beach and Deauville, and the other, much smaller, towards the summer Riviera. One could get away with more on the summer Riviera, and whatever happened seemed to have something to do with art. From 1926 to 1929, the great years of the Cap d’Antibes, this corner of France was dominated by a group quite distinct from that American society which is dominated by Europeans. Pretty much of anything went at Antibes - by 1929, at the most gorgeous paradise for swimmers on the Mediterranean no one swam any more, save for a short hangover dip at noon. There was a picturesque graduation of steep rocks over the sea and somebody’s valet and an occasional English girl used to dive from them, but the Americans were content to discuss each other in the bar. This was indicative of something that was taking place in the homeland — Americans were getting soft. There were signs everywhere: we still won the Olympic games but with champions whose names had few vowels in them - teams composed, like the fighting Irish combination of Notre Dame, of fresh overseas blood. Once the French became really interested, the Davis Cup gravitated automatically to their intensity in competition. The vacant lots of the Middle-Western cities were built up now - except for a short period in school, we were not turning out to be an athletic people like the British, after all. The hare and the tortoise. Of course if we wanted to we could be in a minute; we still had all those reserves of ancestral vitality, but one day in 1926 we looked down and found we had flabby arms and a fat pot and couldn’t say boop-boop-a-doop to a Sicilian. Shades of Van Bibber! - no Utopian ideal, God knows. Even golf, once considered an effeminate game, had seemed very strenuous of late - an emasculated form appeared and proved just right.
By 1927 a widespread neurosis began to be evident, faintly signalled, like a nervous beating of the feet, by the popularity of crossword puzzles. I remember a fellow expatriate opening a letter from a mutual friend of ours, urging him to come home and be revitalized by the hardy, bracing qualities of the native soil. It was a strong letter and it affected us both deeply, until we noticed that it was headed from a nerve sanatorium in Pennsylvania.
By this time contemporaries of mine had begun to disappear into the dark maw of violence. A classmate killed his wife and himself on Long Island, another tumbled ‘accidently’ from a skyscraper in Philadelphia, another purposely from a skyscraper in New York. One was killed in a speakeasy in Chicago; another was beaten to death in a speakeasy in New York and crawled home to the Princeton Club to die; still another had his skull crushed by a maniac’s axe in an insane asylum where he was confined. These are not catastrophes that I went out of my way to look for - these were my friends; moreover, these things happened not during the depression but during the boom.
In the spring of ‘27, something bright and alien flashed across the sky. A young Minnesotan who seemed to have had nothing to do with his generation did a heroic thing, arid for a moment people set down their glasses in country clubs and speakeasies and thought of their old best dreams. Maybe there was a way out by flying, maybe our restless blood could find frontiers in the illimitable air. But by that time we were all pretty well committed; and the Jazz Age continued; we would all have one more.
Nevertheless, Americans were wandering ever more widely - friends seemed eternally bound for Russia, Persia, Abyssinia, and Central Africa. And by 1928 Paris had grown suffocating. With each new shipment of Americans spewed up by the boom the quality fell off, until towards the end there was something sinister about the crazy boatloads. They were no longer the simple pa and ma and son and daughter, infinitely superior in their qualities of kindness and curiosity