Henry Dunbar (Mystery Classics Series). Mary Elizabeth Braddon

Henry Dunbar (Mystery Classics Series) - Mary Elizabeth  Braddon


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to the ear of the ordinary listener. I read my books or papers, or stroll upon the lawn, while the lesson is going on, and every now and then I hear Margaret’s — I really must write of her as Margaret; it is such a nuisance to write Miss Wentworth — pretty voice explaining the importance of a steady position of the wrist, or the dexterous turning over or under of a thumb, or something equally interesting. And then, when the lesson is concluded, my mother rouses herself from her after-dinner nap, and asks Margaret to take a cup of tea, and even insists on her accepting that feminine hospitality. And then we sit talking in the tender summer dusk, or in the subdued light of a shaded lamp on the piano. We talk of books; and it is wonderful to me to find how Margaret’s tastes and opinions coincide with mine. Miss Carpenter was stupid about books, and used to call Carlyle nonsensical; and never really enjoyed Dickens half as much as she pretended. I have lent Margaret some of my books; and a little shower of withered rose-leaves dropped from the pages of ‘Wilhelm Meister,’ after she had returned me the volume. I have put them in an envelope, and sealed it. I may as well burn Miss Carpenter’s hair, by the way.

      “Though it is only a month since the evening on which I saw the card in the window at Wandsworth, Margaret and I seem to be old friends. After a year Miss Carpenter and I were as far as ever — farther than ever, perhaps — from understanding each other; but with Margaret I need no words to tell me that I am understood. A look, a smile, a movement of the graceful head, is a more eloquent answer than the most elaborate of Miss Carpenter’s rhapsodies. She was one of those girls whom her friends call ‘gushing;’ and she called Byron a ‘love,’ and Shelley an ‘angel:’ but if you tried her with a stanza that hasn’t been done to death in ‘Gems of Verse,’ or ‘Strings of Poetic Pearls,’ or ‘Drawing-room Table Lyrics,’ she couldn’t tell whether you were quoting Byron or Ben Jonson. But with Margaret — Margaret — sweet name! If it were not that I live in perpetual terror of the day when the dilettante New Zealander will edit this manuscript, I think I should write that lovely name over and over again for a page or so. If the New Zealander should exercise his editorial discretion, and delete my raptures, it wouldn’t matter; but I might furnish him with the text for an elaborate disquisition on the manners and customs of English lovers. Let me be reasonable about my dear love, if I can. My dear love — do I dare to call her that already, when, for anything I know to the contrary, there may be another evangelical curate in the background?

      “We seem to be old friends; and yet I know so little of her. She shuns all allusion to her home or her past history. Now and then she has spoken of her father; always tenderly, but always with a sigh; and I fancy that a deepening shadow steals over her face when she mentions that name.

      “Friendly as we are, I can never induce her to let me see her home, though my mother has suggested that I should do so. She is accustomed to go about by herself, she says, after dark, as well as in the daytime. She seems as fearless as a modern Una; and that would indeed be a savage beast which could molest such a pure and lovely creature.”

      Chapter 7

       After Five-And-Thirty Years.

       Table of Contents

      Joseph Wilmot waited patiently enough, in all outward seeming, for the arrival of the steamer. Everybody was respectful to him now, paying deference to his altered guise, and he went where he liked without question or hindrance.

      There were several people waiting for passengers who were expected to arrive by the Electra, and the coming of the steamer was hailed by a feeble cheer from the bystanders grouped about the landing-place.

      The passengers began to come on shore at about eleven o’clock. There were a good many children and English nursemaids; three or four military-looking men, dressed in loose garments of grey and nankeen colour; several ladies, all more or less sunburnt; a couple of ayahs; three men-servants; and an aristocratic-looking man of about fifty-five, dressed, unlike the rest of the travellers, in fine broadcloth, with a black-satin cravat, a gold pin, a carefully brushed hat, and varnished boots.

      His clothes, in fact, were very much of the same fashion as those which Joseph Wilmot had chosen for himself.

      This man was Henry Dunbar; tall and broad-chested, with grey hair and moustache, and with a haughty smile upon his handsome face.

      Joseph Wilmot stood among the little crowd, motionless as a statue, watching his old betrayer.

      “Not much changed,” he murmured; “very little changed! Proud, and selfish, and cruel then — proud, and selfish, and cruel now. He has grown older, and stouter, and greyer; but he is the same man he was five-and-thirty years ago. I can see it all in his face.”

      He advanced as Henry Dunbar landed, and approached the Anglo–Indian.

      “Mr. Dunbar, I believe?” he said, removing his hat.

      “Yes, I am Mr. Dunbar.”

      “I have been sent from the office in St. Gundolph Lane, sir,” returned Joseph; “I have a letter for you from Mr. Balderby. I came to meet you, and to be of service to you.”

      Henry Dunbar looked at him doubtfully.

      “You are not one of the clerks in St. Gundolph Lane?” he said.

      “No, Mr. Dunbar.”

      “I thought as much; you don’t look like a clerk; but who are you, then?”

      “I will tell you presently, sir. I am a substitute for another person, who was taken ill upon the road. But there is no time to speak of that now. I came to be of use to you. Shall I see after your luggage?”

      “Yes, I shall be glad if you will do so.”

      “You have a servant with you, Mr. Dunbar?”

      “No, my valet was taken ill at Malta, and I left him behind.”

      “Indeed!” exclaimed Joseph Wilmot; “that was a misfortune.”

      A sudden flash of light sparkled in his eyes as he spoke.

      “Yes, it was devilish provoking. You’ll find the luggage packed, and directed to Portland Place; be so good as to see that it is sent off immediately by the speediest route. There is a portmanteau in my cabin, and my travelling-desk. I require those with me. All the rest can go on.”

      “I will see to it, sir.”

      “Thank you; you are very good. At what hotel are you staying?”

      “I have not been to any hotel yet. I only arrived this morning. The Electra was not expected until to-morrow.”

      “I will go on to the Dolphin, then,” returned Mr. Dunbar; “and I shall be glad if you will follow me directly you have attended to the luggage. I want to get to London to-night, if possible.”

      Henry Dunbar walked away, holding his head high in the air, and swinging his cane as he went. Ha was one of those men who most confidently believe in their own merits. The sin he had committed in his youth sat very lightly upon his conscience. If he thought about that old story at all, it was only to remember that he had been very badly used by his father and his Uncle Hugh.

      And the poor wretch who had helped him — the clever, bright-faced, high-spirited lad who had acted as his tool and accomplice — was as completely forgotten as if he had never existed.

      Mr. Dunbar was ushered into a great sunny sitting-room at the Dolphin; a vast desert of Brussels carpet, with little islands of chairs and tables scattered here and there. He ordered a bottle of soda-water, sank into an easy-chair, and took up the Times newspaper.

      But presently he threw it down impatiently, and took his watch from his waistcoat-pocket.

      Attached to the watch there was a locket of chased yellow gold. Henry Dunbar opened this locket, which contained the miniature of a beautiful girl, with fair rippling hair as bright as burnished gold, and limpid blue eyes.

      “My


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