Scarhaven Keep. J. S. Fletcher
was, however, one objection to that theory—so far as he could judge, that side was certainly the more attractive. And he himself went on to the end of it—on until he had left quay and village far behind, and had come to a spit of sand which ran out into the sea exactly opposite the group of rocks of which Mrs. Wooler had spoken. There they lay, rising out of the surf like great monsters, a half-mile from where he stood. The tide was out at that time, and between him and them stretched a shining expanse of glittering wet sand. And, coming straight towards him across it, Copplestone saw the slim and graceful figure of a girl.
CHAPTER III
THE MAN WHO KNEW SOMETHING
It was not from any idle curiosity that Copplestone made up his mind to await the girl's nearer approach. There was no other human being in view, and he was anxious to get some information about the rocks whose grim outlines were rapidly becoming faint and indistinct in the gathering darkness. And so as the girl came towards him, picking her way across the pools which lay amidst the brown ribs of sand, he went forward, throwing away all formality and reserve in his eagerness.
"Forgive me for speaking so unceremoniously," he said as they met. "I'm looking for a friend who has disappeared—mysteriously. Can you tell me if, any time yesterday, afternoon or evening, you saw anywhere about here a tall, distinguished-looking man—the actor type. In fact, he is an actor—perhaps you've heard of him? Mr. Bassett Oliver."
He was looking narrowly at the girl as he spoke, and she, too, looked narrowly at him out of a pair of grey eyes of more than ordinary intelligence and perception. And at the famous actor's name she started a little and a faint colour stole over her cheeks.
"Mr. Bassett Oliver!" she exclaimed in a clear, cultured voice. "My mother and I saw Mr. Oliver at the Northborough Theatre on Friday evening. Do you mean that he—"
"I mean—to put it bluntly—that Bassett Oliver is lost," answered Copplestone. "He came to this place yesterday, Sunday, morning, to look round; he lunched at the 'Admiral's Arms,' he went out, after a chat with the landlady, and he's never been seen since. He should have turned up at the 'Angel' at Norcaster last night, and at a rehearsal at the Theatre Royal there today at noon—but he didn't. His manager and I have tracked him here—and so far I can't hear of him. I've asked people all through the village—this side, anyway—nobody knows anything."
He and the girl still looked attentively at each other; Copplestone, indeed, was quietly inspecting her while he talked. He judged her to be twenty-one or two; she was a little above medium height, slim, graceful, pretty, and he was quick to notice that her entire air and appearance suggested their present surroundings. Her fair hair escaped from a knitted cap such as fisher-folk wear; her slender figure was shown to advantage by a rough blue jersey; her skirt of blue serge was short and practical; she was shod in brogues which showed more acquaintance with sand and salt water than with polish. And her face was tanned with the strong northern winds, and the ungloved hands, small and shapely as they were, were brown as the beach across which she had come.
"I have not seen—nor heard—of Mr. Bassett Oliver—here," she answered. "I was out and about all yesterday afternoon and evening, too—not on this side of the bay, though. Have you been to the police-station?"
"The manager may have been there," replied Copplestone. "He's gone along the other shore. But—I don't think he'll get any help there. I'm afraid Mr. Oliver must have met with an accident. I wanted to ask you a question—I saw you coming from the direction of those rocks just now. Could he have got out there across those sands, yesterday afternoon?"
"Between three o'clock and evening—yes," said the girl.
"And—is it dangerous out there?"
"Very dangerous indeed—to any one who doesn't know them."
"There's something there called the Devil's Spout?"
"Yes—a deep fissure up which the sea boils. Oh! it seems dreadful to think of—I hope he didn't fall in there. If he did—"
"Well?" asked Copplestone bluntly, "what if he did?"
"Nothing ever came out that once went in," she answered. "It's a sort of whirlpool that's sucked right away into the sea. The people hereabouts say it's bottomless."
Copplestone turned his face towards the village.
"Oh, well," he said, with an accent of hopelessness. "I can't do any more down here, it's growing dusk. I must go back and meet the manager."
The girl walked along at his side as he turned towards the village.
"I suppose you are one of Mr. Oliver's company?" she observed presently.
"You must all be much concerned."
"They're all greatly concerned," answered Copplestone. "But I don't belong to the company. No—I came to Norcaster this morning to meet Mr. Oliver—he's going—I hope I oughtn't to say was going!—to produce a play of mine next month, and he wanted to talk about the rehearsals. Everything, of course, was at a standstill when I reached Norcaster at one o'clock, so I came with Stafford, the business manager, to see what we could do about tracking Mr. Oliver. And I'm afraid, I'm very much afraid—"
He paused, as a gate, set in the thick hedge of a garden at this point of the village, suddenly opened to let out a man, who at sight of the girl stopped, hesitated, and then waited for her approach. He was a tall, well-built man of apparently thirty years, dressed in a rough tweed knickerbocker suit, but the dusk had now so much increased that Copplestone could only gather an impression of ordinary good-lookingness from the face that was turned inquiringly on his companion. The girl turned to him and spoke hurriedly.
"This is my cousin, Mr. Greyle, of Scarhaven Keep," she murmured. "He may be able to help. Marston!" she went on, raising her voice, "can you give any help here? This gentleman—" she paused, looking at Copplestone.
"My name is Richard Copplestone," he said.
"Mr. Copplestone is looking for Mr. Bassett Oliver, the famous actor," she continued, as the three met. "Mr. Oliver has mysteriously disappeared. Mr. Copplestone has traced him here, to Scarhaven—he was here yesterday, lunching at the inn—but he can't get any further news. Did you see anything, or hear anything of him?"
Marston Greyle, who had been inspecting the stranger narrowly in the fading light, shook his head.
"Bassett Oliver, the actor," he said. "Oh, yes, I saw his name on the bills in Norcaster the other day. Came here, and has disappeared, you say? Under what circumstances?"
Copplestone had listened carefully to the newcomer's voice; more particularly to his accent. He had already gathered sufficient knowledge of Scarhaven to know that this man was the Squire, the master of the old house and grey ruin in the wood above the cliff; he also happened to know, being something of an archaeologist and well acquainted with family histories, that there had been Greyles of Scarhaven for many hundred years. And he wondered how it was that though this Greyle's voice was pleasant and cultured enough, its accent was decidedly American.
"Perhaps I'd better explain," said Copplestone. "I've already told most of it to this lady, but you will both understand more fully if I tell you more. It's this way—" and he went on to tell everything that had happened and come to light since one o'clock that day. "So you see, it's here," he concluded; "we're absolutely certain that Oliver went out of the 'Admiral's Arms' up there about half-past two yesterday, but—where? From that moment, no one seems to have seen him. Yet how he could come along this village street, this quay, without being seen—"
"He need not have come along the quayside," interrupted the girl. "There is a cliff path just below the inn which leads up to the Keep."
"Also, he mayn't have taken this side of the bay, either." remarked Greyle. "He may have chosen the other. You didn't see or hear of