THE COMPLETE NOVELS OF RUDYARD KIPLING (Illustrated Edition). Rudyard Kipling
looked at the head of a woman who laughed,—a full-lipped, hollow-eyed woman who laughed from out of the canvas as Dick had intended she would.
"Who taught you how to do it?" said Torpenhow. "The touch and notion have nothing to do with your regular work. What a face it is! What eyes, and what insolence!" Unconsciously he threw back his head and laughed with her. "She's seen the game played out,—I don't think she had a good time of it,—and now she doesn't care. Isn't that the idea?"
"Exactly."
"Where did you get the mouth and chin from? They don't belong to Bess."
"They're—some one else's. But isn't it good? Isn't it thundering good? Wasn't it worth the whiskey? I did it. Alone I did it, and it's the best I can do." He drew his breath sharply, and whispered, "Just God! what could I not do ten years hence, if I can do this now!—By the way, what do you think of it, Bess?"
The girl was biting her lips. She loathed Torpenhow because he had taken no notice of her.
"I think it's just the horridest, beastliest thing I ever saw," she answered, and turned away.
"More than you will be of that way of thinking, young woman.—Dick, there's a sort of murderous, viperine suggestion in the poise of the head that I don't understand," said Torpenhow.
"That's trick-work," said Dick, chuckling with delight at being completely understood. "I couldn't resist one little bit of sheer swagger. It's a French trick, and you wouldn't understand; but it's got at by slewing round the head a trifle, and a tiny, tiny foreshortening of one side of the face from the angle of the chin to the top of the left ear. That, and deepening the shadow under the lobe of the ear. It was flagrant trick-work; but, having the notion fixed, I felt entitled to play with it,—Oh, you beauty!"
"Amen! She is a beauty. I can feel it."
"So will every man who has any sorrow of his own," said Dick, slapping his thigh. "He shall see his trouble there, and, by the Lord Harry, just when he's feeling properly sorry for himself he shall throw back his head and laugh,—as she is laughing. I've put the life of my heart and the light of my eyes into her, and I don't care what comes.... I'm tired,—awfully tired. I think I'll get to sleep. Take away the whiskey, it has served its turn, and give Bessie thirty-six quid, and three over for luck. Cover the picture."
He dropped asleep in the long chair, hid face white and haggard, almost before he had finished the sentence. Bessie tried to take Torpenhow's hand. "Aren't you never going to speak to me any more?" she said; but Torpenhow was looking at Dick.
"What a stock of vanity the man has! I'll take him in hand tomorrow and make much of him. He deserves it.—Eh! what was that, Bess?"
"Nothing. I'll put things tidy here a little, and then I'll go. You couldn't give Me that three months' pay now, could you? He said you were to."
Torpenhow gave her a check and went to his own rooms. Bessie faithfully tidied up the studio, set the door ajar for flight, emptied half a bottle of turpentine on a duster, and began to scrub the face of the Melancolia viciously. The paint did not smudge quickly enough. She took a palette-knife and scraped, following each stroke with the wet duster. In five minutes the picture was a formless, scarred muddle of colours. She threw the paint-stained duster into the studio stove, stuck out her tongue at the sleeper, and whispered, "Bilked!" as she turned to run down the staircase. She would never see Torpenhow any more, but she had at least done harm to the man who had come between her and her desire and who used to make fun of her. Cashing the check was the very cream of the jest to Bessie. Then the little privateer sailed across the Thames, to be swallowed up in the gray wilderness of South-the-Water.
Dick slept till late in the evening, when Torpenhow dragged him off to bed. His eyes were as bright as his voice was hoarse. "Let's have another look at the picture," he said, insistently as a child.
"You—go—to—bed," said Torpenhow. "You aren't at all well, though you mayn't know it. You're as jumpy as a cat."
"I reform tomorrow. Good night."
As he repassed through the studio, Torpenhow lifted the cloth above the picture, and almost betrayed himself by outcries: "Wiped out!—scraped out and turped out! He's on the verge of jumps as it is. That's Bess,—the little fiend! Only a woman could have done that!—with the ink not dry on the check, too! Dick will be raving mad tomorrow. It was all my fault for trying to help gutter-devils. Oh, my poor Dick, the Lord is hitting you very hard!"
Dick could not sleep that night, partly for pure joy, and partly because the well-known Catherine-wheels inside his eyes had given place to crackling volcanoes of many-coloured fire. "Spout away," he said aloud.
"I've done my work, and now you can do what you please." He lay still, staring at the ceiling, the long-pent-up delirium of drink in his veins, his brain on fire with racing thoughts that would not stay to be considered, and his hands crisped and dry. He had just discovered that he was painting the face of the Melancolia on a revolving dome ribbed with millions of lights, and that all his wondrous thoughts stood embodied hundreds of feet below his tiny swinging plank, shouting together in his honour, when something cracked inside his temples like an overstrained bowstring, the glittering dome broke inward, and he was alone in the thick night.
"I'll go to sleep. The room's very dark. Let's light a lamp and see how the Melancolia looks. There ought to have been a moon."
It was then that Torpenhow heard his name called by a voice that he did not know,—in the rattling accents of deadly fear.
"He's looked at the picture," was his first thought, as he hurried into the bedroom and found Dick sitting up and beating the air with his hands.
"Torp! Torp! where are you? For pity's sake, come to me!"
"What's the matter?"
Dick clutched at his shoulder. "Matter! I've been lying here for hours in the dark, and you never heard me. Torp, old man, don't go away. I'm all in the dark. In the dark, I tell you!"
Torpenhow held the candle within a foot of Dick's eyes, but there was no light in those eyes. He lit the gas, and Dick heard the flame catch. The grip of his fingers on Torpenhow's shoulder made Torpenhow wince.
"Don't leave me. You wouldn't leave me alone now, would you? I can't see. D'you understand? It's black,—quite black,—and I feel as if I was falling through it all."
"Steady does it." Torpenhow put his arm round Dick and began to rock him gently to and fro.
"That's good. Now don't talk. If I keep very quiet for a while, this darkness will lift. It seems just on the point of breaking. H'sh!" Dick knit his brows and stared desperately in front of him. The night air was chilling Torpenhow's toes.
"Can you stay like that a minute?" he said. "I'll get my dressing-gown and some slippers."
Dick clutched the bed-head with both hands and waited for the darkness to clear away. "What a time you've been!" he cried, when Torpenhow returned. "It's as black as ever. What are you banging about in the door-way?"
"Long chair,—horse-blanket,—pillow. Going to sleep by you. Lie down now; you'll be better in the morning."
"I shan't!" The voice rose to a wail. "My God! I'm blind! I'm blind, and the darkness will never go away." He made as if to leap from the bed, but Torpenhow's arms were round him, and Torpenhow's chin was on his shoulder, and his breath was squeezed out of him. He could only gasp, "Blind!" and wriggle feebly.
"Steady, Dickie, steady!" said the deep voice in his ear, and the grip tightened. "Bite on the bullet, old man, and don't let them think you're afraid." The grip could draw no closer. Both men were breathing heavily.
Dick threw his head from side to side and groaned.
"Let me go," he panted. "You're cracking my ribs. We—we mustn't let them think we're afraid, must we,—all the powers of darkness and that lot?"
"Lie down. It's all over now."
"Yes,"