Memoirs of Leonora Christina, Daughter of Christian IV. of Denmark. grevinde Leonora Christina Ulfeldt

Memoirs of Leonora Christina, Daughter of Christian IV. of Denmark - grevinde Leonora Christina Ulfeldt


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and circumspect statesman was the direct grandson of the restless and proud

      Corfitz, first Count of Ulfeldt of the Roman Empire, High Steward of the Realm in Denmark, &c., and of his devoted and gifted wife Leonora Christina, through their son

      Leo, Imperial Count Ulfeldt, Privy Councillor, Field-marshal, and Viceroy in Catalonia of the Emperor Carl VI., and his wife, a born Countess of Zinzendorf.

      I preserved, therefore with great care this manuscript, as well as all other relics and little objects which had belonged to my Danish ancestress, whose exalted character and sufferings are so highly calculated to inspire sympathy, interest, and reverence. Amongst these objects are several writings, such as fragments of poems, prayers, needlework executed in prison (some embroidered with hair of a fair colour); a christening robe with cap worked in gold, probably used at the christening of her children; a very fine Amulet of Christian IV. in blue enamel, and many portraits; amongst others the original picture in oil of which a copy precedes the title page, &c. &c.

      Considering that the manuscript has been handed down directly from my ancestors from generation to generation in direct line, I could not personally have any doubt as to its genuineness. Nevertheless I yielded to the suggestions of others, in order to have the authenticity of the manuscript thoroughly tested. In what way this was done will be seen from the Introduction of the Editor.

      Though the final verdict of history may not yet have been given on Corfitz Ulfeldt, yet—tempus omnia sanat—yon ominous pillar, which was to perpetuate the memory of his crime into eternity, has been put aside as rubbish and left to oblivion. Noble in forgetting and pardoning, the great nation of the North has given a bright example to those who still refuse to grant to Albert, Duke of Friedland—the great general who saved the Empire from the danger that threatened it from the North—the place which this hero ought to occupy in the Walhalla at Vienna.

      But as to the fiery temper of Corfitz and the mysterious springs which govern the deeds and thoughts of mankind, it may be permitted to me, his descendant, to cherish the belief, which is almost strengthened into a conviction, that a woman so highly gifted, of so noble sentiments, as Leonora appears to us, would never have been able to cling with a love so true, and so enduring through all the changes of life, to a man who was unworthy of it.

      Joh. Count Waldstein.

      Cairo: December 8, 1868.

       OF

       LEONORA CHRISTINA.

       Table of Contents

       Table of Contents

      Amongst the women celebrated in history, Leonora Christina, the heroine as well as the authoress of the Memoirs which form the subject of this volume, occupies a conspicuous place, as one of the noblest examples of every womanly virtue and accomplishment, displayed under the most trying vicissitudes of fortune. Born the daughter of a King, married to one of the ablest statesmen of his time, destined, as it seemed, to shine in the undisturbed lustre of position and great qualities, she had to spend nearly twenty-two years in a prison, in the forced company—more cruel to her than solitary confinement—of male and female gaolers of the lowest order, and for a long time deprived of every means of rendering herself independent of these surroundings by intellectual occupation. She had to suffer alone, and innocently, for her husband’s crimes; whatever these were, she had no part in them, and she endured persecution because she would not forsake him in his misfortune. Leonora Christina was the victim of despotism guided by personal animosity, and she submitted with a Christian meekness and forbearance which would be admirable in any, but which her exalted station and her great mental qualities bring out in doubly strong relief.

      It is to these circumstances, which render the fate of Leonora so truly tragic, as well as to the fact that we have her own authentic and trustworthy account before us, that the principal charm of this record is due. Besides this, it affords many incidental glimpses of the customs and habits of the time, nor is it without its purely historical interest. Leonora and her husband, Corfits Ulfeldt, were intimately connected with the principal political events in the North of Europe at their time; even the more minute circumstances of their life have, therefore, a certain interest.

      No wonder that the history of this illustrious couple has formed, and still forms, the theme both of laborious scientific researches and of poetical compositions. Amongst the latter we may here mention in passing a well-known novel by Rousseau de la Valette,[1] because it has had the undeserved honour of being treated by a modern writer as an historical source, to the great detriment of his composition. Documents which have originated from these two personages are of course of great value. Besides letters and public documents, there exist several accounts written by both Corfits Ulfeldt and Leonora referring to their own life and actions. Ulfeldt published in 1652 a defence of his political conduct, and composed, shortly before his death, another, commonly called the ‘Apology of Ulfeldt,’ which has not yet been printed entirely, but of which an extract was published in 1695 in the supplement of the English edition of Rousseau de la Valette’s book. Some extracts from an incomplete copy discovered by Count Waldstein in 1870, in the family archives at the Castle of Palota, were published with the German edition of Leonora’s Memoir; complete copies exist in Copenhagen and elsewhere. Leonora Christina, who was an accomplished writer, has composed at least four partial accounts of her own life. One of them, referring to a journey in 1656, to be mentioned hereafter, has been printed long ago; of another, which treated of her and Ulfeldt’s imprisonment at Bornholm, no copy has yet been discovered. The third is her Autobiography, carried down to 1673, of which an English version follows this Introduction; it was written in the Blue Tower, in the form of a letter to the Danish antiquarian, Otto Sperling, jun., who wished to make use of it for his work, ‘De feminis doctis.’[2]

      About a century ago a so-called Autobiography of Leonora was published in Copenhagen, but it was easily proved to be a forgery; in fact, the original of her own work existed in the Danish archives, and had been described by the historian Andreas Höier. It has now been lost, it is supposed, in the fire which destroyed the Castle of Christiansborg in 1794, but a complete copy exists in Copenhagen, as well as several extracts in Latin; another short extract in French belongs to Count Waldstein. Finally, Leonora Christina wrote the memoir of her sufferings in the prison of the Blue Tower from 1663-1685, of which the existence was unknown until discovered by Count Waldstein, and given to the public in the manner indicated in the Preface.

      In introducing these memoirs to the English public, a short sketch of the historical events and the persons to whom they refer may not be unwelcome, particularly as Leonora herself touches only very lightly on them, and principally describes her own personal life.

      Leonora Christina was a daughter of King Christian IV. of Denmark and Kirstine Munk. His Queen, Anna Catherine, born a princess of Brandenburg, died in 1612, leaving three princes (four other children died early), and in 1615 the King contracted a morganatic marriage with Kirstine Munk, a lady of an ancient and illustrious noble family. Leonora was born July 18 (new style), 1621, at the Castle of Fredriksborg, so well known to all who have visited Denmark, which the King had built twenty miles north of Copenhagen, in a beautiful part of the country, surrounded by smiling lakes and extensive forests. But little is known of her childhood beyond what she tells herself in her Autobiography. Already in her eighth year she was promised to her future husband, Corfits Ulfeldt, and in 1636 the wedding was celebrated with great splendour, Leonora being then fifteen years old. The family of Ulfeldt has been known since the close of the fourteenth century. Corfits’ father had been Chancellor of the Realm, and somewhat increased the family possessions, though he sold the ancient seat of the family, Ulfeldtsholm, in Fyen, to Lady Ellen Marsvin, Kirstine Munk’s mother. He had seventeen children, of whom Corfits was the seventh; and so far Leonora made only a poor marriage. But her husband’s great talents and greater ambition made up for this


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