Alice of Old Vincennes. Maurice Thompson
Roussillon's letter then appealed to my greed for materials which would help along the making of my little book "The Story of Louisiana." Later, however, as my frequent calls upon you for both documents and suggestions have informed you, I fell to strumming a different guitar. And now to you I dedicate this historical romance of old Vincennes, as a very appropriate, however slight, recognition of your scholarly attainments, your distinguished career in a noble profession, and your descent from one of the earliest French families (if not the very earliest) long resident at that strange little post on the Wabash, now one of the most beautiful cities between the greet river and the ocean.
Following, with ever tantalized expectancy, the broken and breezy hints in the Roussillon letter, I pursued a will-o'-the-wisp, here, there, yonder, until by slowly arriving increments I gathered up a large amount of valuable facts, which when I came to compare them with the history of Clark's conquest of the Wabash Valley, fitted amazingly well into certain spaces heretofore left open in that important yet sadly imperfect record.
You will find that I was not so wrong in suspecting that Emile Jazon, mentioned in the Roussillon letter, was a brother of Jean Jazon and a famous scout in the time of Boone and Clark. He was, therefore, a kinsman of yours on the maternal side, and I congratulate you. Another thing may please you, the success which attended my long and patient research with a view to clearing up the connection between Alice Roussillon's romantic life, as brokenly sketched in M. Roussillon's letter, and the capture of Vincennes by Colonel George Rogers Clark.
Accept, then, this book, which to those who care only for history will seem but an idle romance, while to the lovers of romance it may look strangely like the mustiest history. In my mind, and in yours I hope, it will always be connected with a breezy summer-house on a headland of the Louisiana gulf coast, the rustling of palmetto leaves, the fine flash of roses, a tumult of mocking-bird voices, the soft lilt of Creole patois, and the endless dash and roar of a fragrant sea over which the gulls and pelicans never ceased their flight, and beside which you smoked while I dreamed.
MAURICE THOMPSON.
JULY, 1900.
Alice of Old Vincennes
CHAPTER I
UNDER THE CHERRY TREE
Up to the days of Indiana's early statehood, probably as late as 1825, there stood, in what is now the beautiful little city of Vincennes on the Wabash, the decaying remnant of an old and curiously gnarled cherry tree, known as the Roussillon tree, le cerisier de Monsieur Roussillon, as the French inhabitants called it, which as long as it lived bore fruit remarkable for richness of flavor and peculiar dark ruby depth of color. The exact spot where this noble old seedling from la belle France flourished, declined, and died cannot be certainly pointed out; for in the rapid and happy growth of Vincennes many land-marks once notable, among them le cerisier de Monsieur Roussillon, have been destroyed and the spots where they stood, once familiar to every eye in old Vincennes, are now lost in the pleasant confusion of the new town.
The security of certain land titles may have largely depended upon the disappearance of old, fixed objects here and there. Early records were loosely kept, indeed, scarcely kept at all; many were destroyed by designing land speculators, while those most carefully preserved often failed to give even a shadowy trace of the actual boundaries of the estates held thereby; so that the position of a house or tree not infrequently settled an important question of property rights left open by a primitive deed. At all events the Roussillon cherry tree disappeared long ago, nobody living knows how, and with it also vanished, quite as mysteriously, all traces of the once important Roussillon estate. Not a record of the name even can be found, it is said, in church or county books.
The old, twisted, gum-embossed cherry tree survived every other distinguishing feature of what was once the most picturesque and romantic place in Vincennes. Just north of it stood, in the early French days, a low, rambling cabin surrounded by rude verandas overgrown with grapevines. This was the Roussillon place, the most pretentious home in all the Wabash country. Its owner was Gaspard Roussillon, a successful trader with the Indians. He was rich, for the time and the place, influential to a degree, a man of some education, who had brought with him to the wilderness a bundle of books and a taste for reading.
From faded letters and dimly remembered talk of those who once clung fondly to the legends and traditions of old Vincennes, it is drawn that the Roussillon cherry tree stood not very far away from the present site of the Catholic church, on a slight swell of ground overlooking a wide marshy flat and the silver current of the Wabash. If the tree grew there, then there too stood the Roussillon house with its cosy log rooms, its clay-daubed chimneys and its grapevine-mantled verandas, while some distance away and nearer the river the rude fort with its huddled officers' quarters seemed to fling out over the wild landscape, through its squinting and lopsided port-holes, a gaze of stubborn defiance.
Not far off was the little log church, where one good Father Beret, or as named by the Indians, who all loved him, Father Blackrobe, performed the services of his sacred calling; and scattered all around were the cabins of traders, soldiers and woodsmen forming a queer little town, the like of which cannot now be seen anywhere on the earth.
It is not known just when Vincennes was first founded; but most historians make the probable date very early in the eighteenth century, somewhere between 1710 and 1730. In 1810 the Roussillon cherry tree was thought by a distinguished botanical letter-writer to be at least fifty years old, which would make the date of its planting about 1760. Certainly as shown by the time-stained family records upon which this story of ours is based, it was a flourishing and wide-topped tree in early summer of 1778, its branches loaded to drooping with luscious fruit. So low did the dark red clusters hang at one point that a tall young girl standing on the ground easily reached the best ones and made her lips purple with their juice while she ate them.
That was long ago, measured by what has come to pass on the gentle swell of rich country from which Vincennes overlooks the Wabash. The new town flourishes notably and its appearance marks the latest limit of progress. Electric cars in its streets, electric lights in its beautiful homes, the roar of railway trains coming and going in all directions, bicycles whirling hither and thither, the most fashionable styles of equipages, from brougham to pony-phaeton, make the days of flint-lock guns and buckskin trousers seem ages down the past; and yet we are looking back over but a little more than a hundred and twenty years to see Alice Roussillon standing under the cherry tree and holding high a tempting cluster of fruit, while a very short, hump-backed youth looks up with longing eyes and vainly reaches for it. The tableau is not merely rustic, it is primitive. "Jump!" the girl is saying in French, "jump, Jean; jump high!"
Yes, that was very long ago, in the days when women lightly braved what the strongest men would shrink from now.
Alice Roussillon was tall, lithe, strongly knit, with an almost perfect figure, judging by what the master sculptors carved for the form of Venus, and her face was comely and winning, if not absolutely beautiful; but the time and the place were vigorously indicated by her dress, which was of coarse stuff and simply designed. Plainly she was a child of the American wilderness, a daughter of old Vincennes on the Wabash in the time that tried men's souls.
"Jump, Jean!" she cried, her face laughing with a show of cheek-dimples, an arching of finely sketched brows and the twinkling of large blue-gray eyes.
"Jump high and get them!"
While she waved her sun-browned hand holding the cherries aloft, the breeze blowing fresh from the southwest tossed her hair so that some loose strands shone like rimpled flames. The sturdy