The Cup of Comus: Fact and Fancy. Madison Julius Cawein
Still keeps sweet tryst with moth and moon;
And, humming to himself a tune,
—"Lorena" or "Ben Bolt" we'll say—
Waits, bent and gray,
For some fair ghost of Yesterday.
The Yesterday that holds his all—
More real to him than is the wall
Of mossy stone near which he stands,
Still reaching out for her his hands—
For her, the girl, who waits him there,
A lace-gowned phantom, dark of hair,
Whose loveliness still keeps those walks,
And with whose Memory he talks;
Upon his heart her happy head—
So it is said—
The girl, now half a century dead.
LORDS OF THE VISIONARY EYE
I came upon a pool that shone,
Clear, emerald-like, among the hills,
That seemed old wizards round a stone
Of magic that a vision thrills.
And as I leaned and looked, it seemed
Vague shadows gathered there and here—
A dream, perhaps the water dreamed
Of some wild past, some long-dead year. …
A temple of a race unblessed
Rose huge within a hollow land,
Where, on an altar, bare of breast,
One lay, a man, bound foot and hand.
A priest, who served some hideous god,
Stood near him on the altar stair,
Clothed on with gold; and at his nod
A multitude seemed gathered there.
I saw a sword descend; and then
The priest before the altar turned;
He was not formed like mortal man,
But like a beast whose eyeballs burned.
Amorphous, strangely old, he glared
Above the victim he had slain,
Who lay with bleeding bosom bared,
From which dripped slow a crimson rain.
Then turned to me a face of stone
And mocked above the murdered dead,
That fixed its cold eyes on his own
And cursed him with a look of dread.
And then, it seemed, I knew the place,
And how this sacrifice befell:
I knew the god, the priest's wild face,
I knew the dead man—knew him well.
And as I stooped again to look,
I heard the dark hills sigh and laugh,
And in the pool the water shook
As if one stirred it with a staff.
And all was still again and clear:
The pool lay crystal as before,
Temple and priest were gone; the mere
Had closed again its magic door.
A face was there; it seemed to shine
As round it died the sunset's flame—
The victim's face?—or was it mine?—
They were to me the very same.
And yet, and yet—could this thing be?—
And in my soul I seemed to know,
At once, this was a memory
Of some past life, lived long ago.
Recorded by some secret sense,
In forms that we as dreams retain;
Some moment, as experience,
Projects in pictures on the brain.
THE CREAKING DOOR
Come in, old Ghost of all that used to be!—
You find me old,
And love grown cold,
And fortune fled to younger company:
Departed, as the glory of the day,
With friends!—And you, it seems, have come to stay.—
'T is time to pray.
Come; sit with me, here at Life's creaking door,
All comfortless.—
Think, nay! then, guess,
What was the one thing, eh? that made me poor?—
The love of beauty, that I could not bind?
My dream of truth? or faith in humankind?—
But, never mind!
All are departed now, with love and youth,
Whose stay was brief;
And left but grief
And gray regret—two jades, who tell the truth;—
Whose children—memories of things to be,
And things that failed—within my heart, ah me!
Cry constantly.
None can turn time back, and no man delay
Death when he knocks—
What good are clocks,
Or human hearts, to stay for us that day
When at Life's creaking door we see his smile—
Death's! at the door of this old House of Trial?—
Old Ghost, let's wait awhile.
AT THE END OF THE ROAD
This is the truth as I see it, my dear,
Out in the wind and the rain:
They who have nothing have little to fear—
Nothing to lose or to gain.
Here by the road at the end o' the year,
Let us sit down and drink o' our beer,
Happy-Go-Lucky and her cavalier,
Out in the wind and the rain.
Now we are old, oh isn't it fine
Out in the wind and the rain?
Now we have nothing why snivel and whine?—
What would it bring us again?—
When I was young I took you like wine,
Held you and kissed you and thought you divine—
Happy-Go-Lucky, the habit's still mine,
Out in the wind and the rain.
Oh, my old Heart, what a life we have