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conscious that it was long and gloomy, and that nobody was near. A curious coy uneasiness seemed to take possession of her. Whether she thought, for the first time, that she had made a mistake—that to wander about the castle alone with him was compromising, or whether it was the mere shy instinct of maidenhood, nobody knows; but she said suddenly, ‘I will get something for you, and return in a few minutes.’
‘Pray don’t—it has quite passed!’ he said, stepping out again.
But Paula had vanished. When she came back it was in the rear of Charlotte De Stancy. Miss De Stancy had a tumbler in one hand, half full of wine, which she offered him; Paula remaining in the background.
He took the glass, and, to satisfy his companions, drank a mouthful or two, though there was really nothing whatever the matter with him beyond the slight ache above mentioned. Charlotte was going to retire, but Paula said, quite anxiously, ‘You will stay with me, Charlotte, won’t you? Surely you are interested in what I am doing?’
‘What is it?’ said Miss De Stancy.
‘Planning how to mend and enlarge the castle. Tell Mr. Somerset what I want done in the quadrangle—you know quite well—and I will walk on.’
She walked on; but instead of talking on the subject as directed, Charlotte and Somerset followed chatting on indifferent matters. They came to an inner court and found Paula standing there.
She met Miss De Stancy with a smile. ‘Did you explain?’ she asked.
‘I have not explained yet.’ Paula seated herself on a stone bench, and Charlotte went on: ‘Miss Power thought of making a Greek court of this. But she will not tell you so herself, because it seems such dreadful anachronism.
‘I said I would not tell any architect myself,’ interposed Paula correctingly. ‘I did not then know that he would be Mr. Somerset.’
‘It is rather startling,’ said Somerset.
‘A Greek colonnade all round, you said, Paula,’ continued her less reticent companion. ‘A peristyle you called it—you saw it in a book, don’t you remember?—and then you were going to have a fountain in the middle, and statues like those in the British Museum.’
‘I did say so,’ remarked Paula, pulling the leaves from a young sycamore-tree that had sprung up between the joints of the paving.
From the spot where they sat they could see over the roofs the upper part of the great tower wherein Somerset had met with his misadventure. The tower stood boldly up in the sun, and from one of the slits in the corner something white waved in the breeze.
‘What can that be?’ said Charlotte. ‘Is it the fluff of owls, or a handkerchief?’
‘It is my handkerchief,’ Somerset answered. ‘I fixed it there with a stone to attract attention, and forgot to take it away.’
All three looked up at the handkerchief with interest. ‘Why did you want to attract attention?’ said Paula.
‘O, I fell into the turret; but I got out very easily.’
‘O Paula,’ said Charlotte, turning to her friend, ‘that must be the place where the man fell in, years ago, and was starved to death!’
‘Starved to death?’ said Paula.
‘They say so. O Mr. Somerset, what an escape!’ And Charlotte De Stancy walked away to a point from which she could get a better view of the treacherous turret.
‘Whom did you think to attract?’ asked Paula, after a pause.
‘I thought you might see it.’
‘Me personally?’ And, blushing faintly, her eyes rested upon him.
‘I hoped for anybody. I thought of you,’ said Somerset.
She did not continue. In a moment she arose and went across to Miss De Stancy. ‘Don’t YOU go falling down and becoming a skeleton,’ she said—Somerset overheard the words, though Paula was unaware of it—after which she clasped her fingers behind Charlotte’s neck, and smiled tenderly in her face.
It seemed to be quite unconsciously done, and Somerset thought it a very beautiful action. Presently Paula returned to him and said, ‘Mr. Somerset, I think we have had enough architecture for to-day.’
The two women then wished him good-morning and went away. Somerset, feeling that he had now every reason for prowling about the castle, remained near the spot, endeavouring to evolve some plan of procedure for the project entertained by the beautiful owner of those weather-scathed walls. But for a long time the mental perspective of his new position so excited the emotional side of his nature that he could not concentrate it on feet and inches. As Paula’s architect (supposing Havill not to be admitted as a competitor), he must of necessity be in constant communication with her for a space of two or three years to come; and particularly during the next few months. She, doubtless, cherished far too ambitious views of her career to feel any personal interest in this enforced relationship with him; but he would be at liberty to feel what he chose: and to be the victim of an unrequited passion, while afforded such splendid opportunities of communion with the one beloved, deprived that passion of its most deplorable features. Accessibility is a great point in matters of love, and perhaps of the two there is less misery in loving without return a goddess who is to be seen and spoken to every day, than in having an affection tenderly reciprocated by one always hopelessly removed.
With this view of having to spend a considerable time in the neighbourhood Somerset shifted his quarters that afternoon from the little inn at Sleeping-Green to a larger one at Markton. He required more rooms in which to carry out Paula’s instructions than the former place afforded, and a more central position. Having reached and dined at Markton he found the evening tedious, and again strolled out in the direction of the castle.
When he reached it the light was declining, and a solemn stillness overspread the pile. The great tower was in full view. That spot of white which looked like a pigeon fluttering from the loophole was his handkerchief, still hanging in the place where he had left it. His eyes yet lingered on the walls when he noticed, with surprise, that the handkerchief suddenly vanished.
Believing that the breezes, though weak below, might have been strong enough at that height to blow it into the turret, and in no hurry to get off the premises, he leisurely climbed up to find it, ascending by the second staircase, crossing the roof, and going to the top of the treacherous turret. The ladder by which he had escaped still stood within it, and beside the ladder he beheld the dim outline of a woman, in a meditative attitude, holding his handkerchief in her hand.
Somerset softly withdrew. When he had reached the ground he looked up. A girlish form was standing at the top of the tower looking over the parapet upon him—possibly not seeing him, for it was dark on the lawn. It was either Miss De Stancy or Paula; one of them had gone there alone for his handkerchief and had remained awhile, pondering on his escape. But which? ‘If I were not a faint-heart I should run all risk and wave my hat or kiss my hand to her, whoever she is,’ he thought. But he did not do either.
So he lingered about silently in the shades, and then thought of strolling to his rooms at Markton. Just at leaving, as he passed under the inhabited wing, whence one or two lights now blinked, he heard a piano, and a voice singing ‘The Mistletoe Bough.’ The song had probably been suggested to the romantic fancy of the singer by her visit to the scene of his captivity.
XI.
The identity of the lady whom he had seen on the tower and afterwards heard singing was established the next day.
‘I have been thinking,’ said Miss Power, on meeting him, ‘that you may require a studio on the premises. If so, the room I showed you yesterday is at your service. If I employ Mr. Havill to compete with you I will offer him a similar one.’
Somerset did not decline; and she added, ‘In the same room you will find the handkerchief that was left on the tower.’
‘Ah, I saw that it was gone. Somebody brought it down?’