The Crimson Blind. Fred M. White
beyond the house. None of the large staff of servants ever left the grounds unless it was to quit altogether, and then they were understood to leave at night with a large bonus in money as a recompense for their promise to evacuate Sussex without delay. Everything was ordered by telephone from Brighton, and left at the porter’s lodge. The porter was a stranger, also he was deaf and exceedingly ill-tempered, so that long since the village had abandoned the hope of getting anything out of him. One rational human being they saw from the Grange occasionally, a big man with an exceedingly benevolent face and mild, large, blue eyes—a man full of Christian kindness and given to largesse to the village boys. The big gentleman went by the name of “Mr. Charles,” and was understood to have a lot of pigeons of which he was exceedingly fond. But who “Mr. Charles” was, or how he got that name, it would have puzzled the wisest head of the village to tell.
And yet, but for the mighty clamour of that hideous bell and that belt of wildness that surrounded it, Longdean Grange was a cheerful-looking house enough. Any visitor emerging from the drive would have been delighted with it. For the lawns were trim and truly kept, the beds were blazing masses of flowers, the creepers over the Grange were not allowed to riot too extravagantly. And yet the strange haunting sense of fear was there. Now and again a huge black head would uplift from the coppice growth, and a long, rumbling growl come from between a double row of white teeth. For the dogs were no fiction, they lived and bred in the fifteen or twenty acres of coppice round the house, where they were fed regularly and regularly thrashed without mercy if they showed in the garden. Perhaps they looked more fierce and truculent than they really were, being Cuban bloodhounds, but they gave a weird colour to the place and lent it new terror to the simple folk around.
The bell was swinging dolefully over the stable-turret; it rang out its passing note till the clock struck eight and then mercifully ceased. At the same moment precisely as she had done any time the last seven years the lady of the house descended the broad, black oak staircase to the hall. A butler of the old-fashioned type bowed to her and announced that dinner was ready. He might have been the butler of an archbishop from his mien and deportment, yet his evening dress was seedy and shiny to the last degree, his patent leather boots had long lost their lustre, his linen was terribly frayed and yellow. Two footmen in livery stood in the hall. They might have been supers playing on the boards of a travelling theatre, their once smartly cut and trimmed coats hung raggedly upon them.
As to the lady, who was tall and handsome, with dark eyes and features contrasting strangely with hair as white as the frost on a winter’s landscape, there was a far-away, strained look in the dark eyes, as if they were ever night and day looking for something, something that would never be found. In herself the lady was clean and wholesome enough, but her evening dress of black silk and lace was dropping into fragments, the lace was in rags upon her bosom, though there were diamonds of great value in her white hair.
And here, strangely allied, were wealth and direst poverty; the whole place was filled with rare and costly things, pictures, statuary, china; the floors were covered with thick carpets, and yet everything was absolutely smothered in dust. A thick, white, blankety cloud of it lay everywhere. It obscured the china, it dimmed the glasses of the pictures, it piled in little drifts on the heads and arms of the dingy statues there. Many years must have passed since a housemaid’s brush or duster had touched anything in Longdean Grange. It was like a palace of the Sleeping Beauty, wherein people walked as in a waking dream.
The lady of the house made her way slowly to the dining-room. Here dinner was laid out daintily and artistically enough—a gourmet would have drawn up to the table with a feeling of satisfaction. Flowers were there, and silver and cut-glass, china with a history of its own, and the whole set out on a tablecloth that was literally dropping to pieces.
It was a beautiful room in itself, lofty, oak panelled from floor to roof, with a few pictures of price on the walls. There was plenty of gleaming silver glowing like an argent moon against a purple sky, and yet the same sense of dust and desolation was everywhere. Only the dinner looked bright and modern.
There were two other people standing by the table, one a girl with a handsome, intellectual face full of passion but ill repressed; the other the big fair man known to the village as “Mr. Charles.” As a matter of fact, his name was Reginald Henson, and he was distantly related to Mrs. Henson, the strange chatelaine of the House of the Silent Sorrow. He was smiling blandly now at Enid Henson, the wonderfully beautiful girl with the defiant, shining eyes.
“We may be seated now that madam is arrived,” Henson said, gravely.
He spoke with a certain mocking humility and a queer wry smile on his broad, loose mouth that filled Enid with a speechless fury. The girl was hot-blooded—a good hater and a good friend. And the master passion of her life was hatred of Reginald Henson.
“Madam has had a refreshing rest?” Henson suggested. “Pardon our anxious curiosity.”
Again Enid raged, but Margaret Henson might have been of stone for all the notice she took. The far-away look was still in her eyes as she felt her way to the table like one in a dream. Then she dropped suddenly into a chair and began grace in a high, clear voice.
“…. And the Lord make us truly thankful. And may He, when it seemeth good to Him, remove the curse from this house and in due season free the innocent and punish the guilty. For the burden is sore upon us, and there are times when it seems hard to bear.”
The big man played with his knife and fork, smilingly. An acute observer might have imagined that the passionate plaint was directed at him. If so it passed harmlessly over his broad shoulders. In his immaculate evening dress he looked strangely out of place there. Enid had escaped the prevailing dilapidation, but her gown of grey homespun was severe as the garb of a charity girl.
“Madam is so poetical,” Henson murmured. “And charmingly sanguine.”
“Williams,” Mrs. Henson said, quite stoically, “my visitor will have some champagne.”
She seemed to have dropped once again into the commonplace, painfully exact as a hostess of breeding must be to an unwelcome guest. And yet she never seemed to see him; those dark eyes were looking, ever looking, into the dark future. The meal proceeded in silence save for an oily sarcasm from Henson. In the dense stillness the occasional howl of a dog could be heard. A slight flush of annoyance crossed Henson’s broad face.
“Some day I shall poison all those hounds,” he said.
Enid looked up at him swiftly.
“If all the hounds round Longdean were poisoned or shot it would be a good place to live in,” she said.
Henson smiled caressingly, like Petruchio might have done in his milder moments.
“My dear Enid, you misjudge me,” he said. “But I shall get justice some day.”
Enid replied that she fervently hoped so, and thus the strange meal proceeded with smiles and gentle words from Henson, and a wild outburst of bitterness from the girl. So far as she was concerned the servants might have been mere automatons. The dust rose in clouds as the latter moved silently. It was hot in there, and gradually the brown powder grimed like a film over Henson’s oily skin. At the head of the table Margaret Henson sat like a woman in a dream. Ever, ever her dark eyes seemed to be looking eagerly around. Thirsty men seeking precious water in a desert might have looked like her. Ever and anon her lips moved, but no sound came from them. Occasionally she spoke to one or the other of her guests, but she never followed her words with her eyes. Such a sad, pathetic, pitiable figure, such a grey sorrow in her rags and snowy hair.
The meal came to an end at length, and Mrs. Henson rose suddenly. There was a grotesque suggestion of the marionette in the movement. She bowed as if to some imaginary personage and moved with dignity towards the door. Reginald Henson stood aside and opened it for her. She passed into the dim hall as if absolutely unconscious of his presence. Enid flashed a look of defiance at him as she disappeared into the gloom and floating dust.
Henson’s face changed instantly, as if a mask had fallen from his smug features. He became alert and vigorous. He was no longer patron of the arts, a wide-minded philanthropist, the man