The Crimson Blind. Fred M. White
But your trouble is nothing compared with mine—which brings me to business. A fortnight ago last Monday you posted to Mr. Vanstone, editor of the Piccadilly Magazine, the synopsis of the first four or five chapters of a proposed serial for the journal in question. You open that story with a young and beautiful woman who is in deadly peril. Is not that so?”
“Yes,” Steel said, faintly. “It is just as you suggest. But how—”
“Never mind that, because I am not going to tell you. In common parlance—is not that the word?—that woman is in a frightful fix. There is nothing strained about your heroine’s situation, because I have heard of people being in a similar plight before. Mr. Steel, I want you to tell me truthfully and candidly, can you see the way clear to save your heroine? Oh, I don’t mean by the long arm of coincidence or other favourite ruses known to your craft. I mean by common sense, logical methods, by brilliant ruses, by Machiavelian means. Tell me, do you see a way?”
The question came eagerly, almost imploringly, from the darkness. David could hear the quick gasps of his questioner, could catch the rustle of the silken corsage as she breathed.
“Yes,” he said, “I can see a brilliant way out that would satisfy the strictest logician. But you—”
“Thank Heaven! Mr. Steel, I am your heroine. I am placed in exactly the same position as the woman whose story you are going to write. The setting is different, the local colouring is not the same, but the same deadly peril menaces me. For the love of Heaven hold out your hand to save a lonely and desperate woman whose only crime is that she is rich and beautiful. Providence had placed in my hands the gist of your heroine’s story. Hence this masquerade; hence the fact that you are here to-night. I have helped you—help me in return.”
It was some time before Steel spoke.
“It shall be as you wish,” he said. “I will tell you how I propose to save my heroine. Her sufferings are fiction; yours will be real. But if you are to be saved by the same means, Heaven help you to bear the troubles that are in front of you. Before God, it would be more merciful for me to be silent and let you go your own way.”
III. THE VOICE IN THE DARKNESS
David was silent for some little time. The strangeness of the situation had shut down on him again, and he was thinking of nothing else for the moment. In the dead stillness of the place he could hear the quick breathing of his companion; the rustle of her dress seemed near to him and then to be very far off. Nor did the pitchy darkness yield a jot to his now accustomed eyes. He held a hand close to his eyes, but he could see nothing.
“Well?” the sweet voice in the darkness said, impatiently. “Well?”
“Believe me, I will give you all the assistance possible. If you would only turn up the light—”
“Oh, I dare not. I have given my word of honour not to violate the seal of secrecy. You may say that we have been absurdly cautious in this matter, but you would not think so if you knew everything. Even now the wretch who holds me in his power may have guessed my strategy and be laughing at me. Some day, perhaps—”
The speaker stopped, with something like a sob in her throat.
“We are wasting precious time,” she went on, more calmly. “I had better tell you my history. In your story a woman commits a crime: she is guilty of a serious breach of trust to save the life of a man she loves. By doing so she places the future and the happiness of many people in the hands of an abandoned scoundrel. If she can only manage to regain the thing she has parted from the situation is saved. Is not that so?”
“So far you have stated the case correctly,” David murmured.
“As I said before, I am in practically similar case. Only, in my situation, I hastened everything and risked the happiness of many people for the sake of a little child.”
“Ah!” David cried. “Your own child? No! The child of one very near and dear to you, then. From the mere novelist point of view, that is a far more artistic idea than mine. I see that I shall have to amend my story before it is published.”
A rippling little laugh came like the song of a bird in the darkness.
“Dear Mr. Steel,” the voice said, “I implore you to do nothing of the kind. You are a man of fertile imagination—a plot more or less makes no difference to you. If you publish that story you go far on the way to ruin me.”
“I am afraid that I am in the dark in more senses than one,” David murmured.
“Then let me enlighten you. Daily your books are more widely read. My enemy is a great novel reader. You publish that story, and what results? You not only tell that enemy my story, but you show him my way out of the difficulty, and show him how he can checkmate my every move. Perhaps, after I have escaped from the net—”
“You are right,” Steel said, promptly. “From a professional point of view the story is abandoned. And now you want me to show you a rational and logical, a human way out.”
“If you can do so you have my everlasting gratitude.”
“Then you must tell me in detail what it is you want to recover. My heroine parts with a document which the villain knows to be a forgery. Money cannot buy it back because the villain can make as much money as he likes by retaining it. He does as he likes with the family property; he keeps my heroine’s husband out of England by dangling the forgery and its consequences over his head. What is to be done? How is the ruffian to be bullied into a false sense of security by the one man who desires to throw dust in his eyes?”
“Ah,” the voice cried, “ah, if you could only tell me that! Let myruffian only imagine that I am dead; let him have proofs of it, and the thing is done. I could reach him then; I could tear from him the letter that—but I need not go into details. But he is cunning as the serpent. Nothing but the most convincing proofs would satisfy him.”
“A certificate of death signed by a physician beyond reproach?”
“Yes, that would do. But you couldn’t get a medical man like that to commit felony.”
“No, but we could trick him into it,” Steel exclaimed. “In my story a fraud is perpetrated to blind the villain and to deprive him of his weapons. It is a case of the end justifying the means. But it is one thing, my dear lady, to commit fraud actually and to perpetrate it in a novel. In the latter case you can defy the police, but unfortunately you and I are dealing with real life. If I am to help you I must be a party to a felony.”
“But you will! You are not going to draw back now? Mr. Steel, I have saved your home. You are a happy man compared to what you were two hours ago. If the risk is great you have brains and imagination to get out of danger. Show me how to do it, and the rest shall be mine. You have never seen me, you know nothing, not even the name of the person who called you over the telephone. You have only to keep your own counsel, and if I wade in blood to my end you are safe. Tell me how I can die, disappear, leaving that one man to believe I am no more. And don’t make it too ingenious. Don’t forget that you promised to tell me a rational way out of the difficulty. How can it be done?”
“In my pocket I have a cutting from the Times, which contains a chapter from the history of a medical student who is alone in London. It closely resembles my plot. He says he has no friends, and he deems it prudent for reasons we need not discuss to let the world assume that he is dead. The rest is tolerably easy. He disguises himself and goes to a doctor of repute, whom he asks to come and see his brother—i.e.,himself—who is dangerously ill. The doctor goes later in the day and finds his patient in bed with severe internal inflammation. This is brought about by a free use of albumen. I don’t know what amount of albumen one would take without extreme risk, but you could pump that information out of any doctor. Well, our medical man calls again and yet again, and