MARIE BELLOC LOWNDES - British Murder Mysteries Collection: 17 Books in One Edition. Marie Belloc Lowndes
this beautiful girl—for she looked a girl—inspired in him. But that, so he told himself, for he tried to be fair-minded, was no doubt owing to the way Roger Gretorex’s mother had spoken of Ivy Lexton that morning.
“Tell Mr. Paxton–Smith, as far you know it, the truth, the whole truth, and nothing but the truth,” he went on. “Many ladies, when in conference with their legal adviser, are tempted to hold something back. There can be no greater mistake. You can be absolutely sure of Mr. Paxton–Smith’s discretion; and unless he knows everything you can tell him, it will be impossible for him to advise you adequately.”
She was gazing at him with affrighted eyes. Tell the truth, the whole truth, and nothing but the truth? Why, she couldn’t even begin to think of doing that! But, even so, the old lawyer’s words impressed her. Why, oh! why, had she been tempted to tell the man from Scotland Yard that half-truth as to Roger and his love for her? By now, when it had become clear to her that no one suspected her, she had almost forgotten what had brought about that dangerous admission.
“You are, I understand, going to be the chief witness for the Crown,” said Mr. Oram solemnly.
“I didn’t know that! What does being that mean?” faltered Ivy.
“It means,” he said drily, “that the prosecution is counting on you to aid them in proving that Roger Gretorex became that most despicable of human beings, a slow, secret poisoner, in order that you might be free to become his wife.”
She unconsciously stayed her steps, and was staring up at him as if hypnotised by his words.
He looked down fixedly into her face. What lay hidden behind those lovely eyes, that exquisite little mouth, now spoilt, according to his taste, by a smear of scarlet paint?
“Only God knows the secrets of all hearts, Mrs. Lexton. I have not asked you, and I do not propose to ask you, if you believe that unhappy young man to be guilty of the fearful crime of which he is accused, and for which he is about to stand on trial for his life. But if there is any doubt in your mind, and, far more, if you believe him innocent, I beg you, earnestly, to consider and weigh every word you utter from now on.”
But, even as he made that appeal, moved out of his usual cautious self by his real regard for Roger Gretorex and his intense pity for Roger’s mother, he felt convinced that Ivy Lexton would, in all circumstances and contingencies, only consider herself and what was to her own advantage.
How amazing that such a man as was Miles Rushworth should be moved to passion by such a frivolous, mindless, selfish woman! But that such was the case John Oram had far too much knowledge of human nature to doubt, even for a moment. He was, indeed, by now as sure as was Ivy herself that, in due course, Mrs. Jervis Lexton would become Mrs. Miles Rushworth.
Suddenly Ivy said something which very much surprised her companion, and made him dislike her even more than he already disliked her.
“Are you going to cable everything that has happened to Mr. Rushworth?” she asked in a frightened tone.
“Mr. Rushworth will learn precisely what the Cape Town newspapers choose to publish, and what you choose to cable to him. He has not asked me to communicate with him, and I am not proposing to do so.”
He held out his hand. “And now I must say good-bye, Mrs. Lexton. I will try to arrange that Mr. Paxton–Smith shall ring you up before lunch. He will then make an appointment to see you. I should like, if I may, to give you one word of advice. It is this. Refuse, however great the temptation, to disclose anything that concerns your husband’s death to anyone, excepting, of course, to Mr. Paxton–Smith.”
“Then shan’t I see you again?” she asked.
Though deep in her heart she was glad to be seeing the last of Mr. Oram, she knew him to be her only link, in London, with Miles Rushworth.
“Should Mr. Rushworth cable me instructions to do so, I shall of course transmit to you any money or any messages he may choose to send through me. But, apart from that, it is clear that in your own interest Roger Gretorex’s legal adviser should have no more communication with you.”
That same afternoon Philip Paxton–Smith had his first interview with Ivy Lexton. Unlike John Oram, he took an instant fancy to the prettiest client and most attractive little woman, so he told himself, that a Providence which was apt to be kind in that way to the shrewd and popular solicitor had ever sent his way.
So it was that, after a very few moments, Ivy found herself chatting to him almost happily.
He listened with unaffected, indeed absorbed, interest to her sentimental half-true, half-false, account of her first meeting with Roger Gretorex. Of how the young man had “fallen for her” at once, and how she had seen coming, and tried to stave off, his declaration of passionate love.
She also managed to convey to her new friend’s sympathetic ears what manner of man she now desired Jervis Lexton to be supposed to have been. Easy-going, good-tempered, devoted to her, and yet entirely selfish, frightfully extravagant, and, when they were not out together enjoying a good time, a great deal at his club.
“Poor lonely little woman,” said the lawyer to himself. “The real wonder is that she remained as straight as she did.”
Paxton–Smith and his partner did a very different class of business from that associated with the firm of which John Oram was now senior partner. They were constantly associated with what are loosely called “society cases,” and Paxton–Smith himself, something of a gay bachelor, was seen a good deal in that section of the London world which seems to live for pleasure. He was well liked by men. As for women, well, he liked women—and they liked him too.
During his first interview with Ivy Lexton, after he had, as he believed, won her entire confidence, he cleverly led her to give an almost verbatim report of the conversation which she had had with Inspector Orpington. And though once or twice he shook his head when he heard what she had admitted, he was able to do to her what he failed to do to himself, that is, make her believe that, on the whole, she had been wise rather than unwise in her dealings with the man in whose charge had been the preliminary inquiries concerning her husband’s death.
Philip Paxton–Smith was both a clever man and a clever lawyer. But “this dear little woman,” as he already called her to himself, was more than a match for him. How amazed would he have been could some entity outside himself have been able to convince him, at the end of the two and a half hours that he spent with Ivy Lexton that afternoon, that she had, as a matter of fact, so completely deceived him as to make him believe her everything she was not!
True, he had begun by thinking her just a little stupid; but he had ended by realising that she was far more intelligent than many of the women with whom he was in contact. That, naturally, had made him like her all the more, for there is nothing more tiresome or annoying to any good lawyer than having to deal with a dull and obstinate client.
As for Ivy, she was happier after Paxton–Smith had left her than she had felt since the terrible moment when the card of Inspector Orpington had first been brought in to her.
Not only did the genial lawyer inspire her with confidence, but she was naturally pleased and relieved to feel that he believed everything she told him. It was such a comfort, such a moral support, to feel that he “liked” her, and that he was going to do his very best to help her through what even she now realised was going to be a dangerous and anxious time.
By the morning following the day of Ivy’s first memorable interview with her lawyer, it was obvious to all those concerned with the case that what was already called “The Lexton Mystery” was going to develop into a cause célèbre.
Already the personality of Jervis Lexton’s young widow was becoming of moment, indeed of absorbing interest, to hundreds of thousands of newspaper readers. And as the dark, early winter days slipped by, men and women engaged in wordy combat as to whether she was the sweet, wholly innocent, guileless woman portrayed by her admirers, or a typical example of the selfish, heartless, extravagant little minx old-fashioned folk are wont to describe the modern girl and young woman.