The Complete Novels. Мэри Шелли
would have shrunk in fear from her convulsive despair. Her only consolation during the violence which she did herself, was to watch the motions of an illuminated clock, and internally count the moments which must elapse before she could be alone.
At length the rooms began to thin. Mocking her own desires, she rallied her guests on their early departure. One by one they left her — at length she pressed the hand of her last visitor. “How cold and damp your hand is,” said her friend; “you are over fatigued, pray hasten to rest.” Perdita smiled faintly — her guest left her; the carriage rolling down the street assured the final departure. Then, as if pursued by an enemy, as if wings had been at her feet, she flew to her own apartment, she dismissed her attendants, she locked the doors, she threw herself wildly on the floor, she bit her lips even to blood to suppress her shrieks, and lay long a prey to the vulture of despair, striving not to think, while multitudinous ideas made a home of her heart; and ideas, horrid as furies, cruel as vipers, and poured in with such swift succession, that they seemed to jostle and wound each other, while they worked her up to madness.
At length she rose, more composed, not less miserable. She stood before a large mirror — she gazed on her reflected image; her light and graceful dress, the jewels that studded her hair, and encircled her beauteous arms and neck, her small feet shod in satin, her profuse and glossy tresses, all were to her clouded brow and woe-begone countenance like a gorgeous frame to a dark tempest-pourtraying picture. “Vase am I,” she thought, “vase brimful of despair’s direst essence. Farewell, Perdita! farewell, poor girl! never again will you see yourself thus; luxury and wealth are no longer yours; in the excess of your poverty you may envy the homeless beggar; most truly am I without a home! I live on a barren desart, which, wide and interminable, brings forth neither fruit or flower; in the midst is a solitary rock, to which thou, Perdita, art chained, and thou seest the dreary level stretch far away.”
She threw open her window, which looked on the palace-garden. Light and darkness were struggling together, and the orient was streaked by roseate and golden rays. One star only trembled in the depth of the kindling atmosphere. The morning air blowing freshly over the dewy plants, rushed into the heated room. “All things go on,” thought Perdita, “all things proceed, decay, and perish! When noontide has passed, and the weary day has driven her team to their western stalls, the fires of heaven rise from the East, moving in their accustomed path, they ascend and descend the skiey hill. When their course is fulfilled, the dial begins to cast westward an uncertain shadow; the eye-lids of day are opened, and birds and flowers, the startled vegetation, and fresh breeze awaken; the sun at length appears, and in majestic procession climbs the capitol of heaven. All proceeds, changes and dies, except the sense of misery in my bursting heart.
“Ay, all proceeds and changes: what wonder then, that love has journied on to its setting, and that the lord of my life has changed? We call the supernal lights fixed, yet they wander about yonder plain, and if I look again where I looked an hour ago, the face of the eternal heavens is altered. The silly moon and inconstant planets vary nightly their erratic dance; the sun itself, sovereign of the sky, ever and anon deserts his throne, and leaves his dominion to night and winter. Nature grows old, and shakes in her decaying limbs — creation has become bankrupt! What wonder then, that eclipse and death have led to destruction the light of thy life, O Perdita!”
Chapter 10
Thus sad and disarranged were the thoughts of my poor sister, when she became assured of the infidelity of Raymond. All her virtues and all her defects tended to make the blow incurable. Her affection for me, her brother, for Adrian and Idris, was subject as it were to the reigning passion of her heart; even her maternal tenderness borrowed half its force from the delight she had in tracing Raymond’s features and expression in the infant’s countenance. She had been reserved and even stern in childhood; but love had softened the asperities of her character, and her union with Raymond had caused her talents and affections to unfold themselves; the one betrayed, and the other lost, she in some degree returned to her ancient disposition. The concentrated pride of her nature, forgotten during her blissful dream, awoke, and with its adder’s sting pierced her heart; her humility of spirit augmented the power of the venom; she had been exalted in her own estimation, while distinguished by his love: of what worth was she, now that he thrust her from this preferment? She had been proud of having won and preserved him — but another had won him from her, and her exultation was as cold as a water quenched ember.
We, in our retirement, remained long in ignorance of her misfortune. Soon after the festival she had sent for her child, and then she seemed to have forgotten us. Adrian observed a change during a visit that he afterward paid them; but he could not tell its extent, or divine the cause. They still appeared in public together, and lived under the same roof. Raymond was as usual courteous, though there was, on occasions, an unbidden haughtiness, or painful abruptness in his manners, which startled his gentle friend; his brow was not clouded but disdain sat on his lips, and his voice was harsh. Perdita was all kindness and attention to her lord; but she was silent, and beyond words sad. She had grown thin and pale; and her eyes often filled with tears. Sometimes she looked at Raymond, as if to say — That it should be so! At others her countenance expressed — I will still do all I can to make you happy. But Adrian read with uncertain aim the charactery of her face, and might mistake. — Clara was always with her, and she seemed most at ease, when, in an obscure corner, she could sit holding her child’s hand, silent and lonely. Still Adrian was unable to guess the truth; he entreated them to visit us at Windsor, and they promised to come during the following month.
It was May before they arrived: the season had decked the forest trees with leaves, and its paths with a thousand flowers. We had notice of their intention the day before; and, early in the morning, Perdita arrived with her daughter. Raymond would follow soon, she said; he had been detained by business. According to Adrian’s account, I had expected to find her sad; but, on the contrary, she appeared in the highest spirits: true, she had grown thin, her eyes were somewhat hollow, and her cheeks sunk, though tinged by a bright glow. She was delighted to see us; caressed our children, praised their growth and improvement; Clara also was pleased to meet again her young friend Alfred; all kinds of childish games were entered into, in which Perdita joined. She communicated her gaiety to us, and as we amused ourselves on the Castle Terrace, it appeared that a happier, less care-worn party could not have been assembled. “This is better, Mamma,” said Clara, “than being in that dismal London, where you often cry, and never laugh as you do now.” — “Silence, little foolish thing,” replied her mother, “and remember any one that mentions London is sent to Coventry for an hour.”
Soon after, Raymond arrived. He did not join as usual in the playful spirit of the rest; but, entering into conversation with Adrian and myself, by degrees we seceded from our companions, and Idris and Perdita only remained with the children. Raymond talked of his new buildings; of his plan for an establishment for the better education of the poor; as usual Adrian and he entered into argument, and the time slipped away unperceived.
We assembled again towards evening, and Perdita insisted on our having recourse to music. She wanted, she said, to give us a specimen of her new accomplishment; for since she had been in London, she had applied herself to music, and sang, without much power, but with a great deal of sweetness. We were not permitted by her to select any but light-hearted melodies; and all the Operas of Mozart were called into service, that we might choose the most exhilarating of his airs. Among the other transcendant attributes of Mozart’s music, it possesses more than any other that of appearing to come from the heart; you enter into the passions expressed by him, and are transported with grief, joy, anger, or confusion, as he, our soul’s master, chooses to inspire. For some time, the spirit of hilarity was kept up; but, at length, Perdita receded from the piano, for Raymond had joined in the trio of” Taci ingiusto core,” in Don Giovanni, whose arch entreaty was softened by him into tenderness, and thrilled her heart with memories of the changed past; it was the same voice, the same tone, the self-same sounds and words, which often before she had received, as the homage of love to her — no longer was it that; and this concord of sound with its dissonance