Innocent : her fancy and his fact. Marie Corelli
of their father and mother, and encouraged to excel in country pursuits and to understand the art of profitable farming. It was in their days that Briar Farm entered upon its long career of prosperity, which still continued. The Sieur Amadis died in his seventieth year, and by his own wish, expressed in his "Last Will and Testament," was buried in a sequestered spot on his own lands, under a stone slab which he had himself fashioned, carving upon it his recumbent figure in the costume of a knight, a cross upon his breast and a broken sword at his side. His wife, though several years younger than himself, only lived a twelve-month after him and was interred by his side. Their resting-place was now walled off, planted thickly with flowers, and held sacred by every succeeding heir to the farm as the burial-place of the first Jocelyns. Steadily and in order, the families springing from the parent tree of the French knight Amadis had occupied Briar Farm in unbroken succession, and through three centuries the property had been kept intact, none of its possessions being dispersed and none of its land being sold. The house was practically in the same sound condition as when the Sieur Amadis fitted and furnished it for his own occupation,—there was the same pewter, the same solid furniture, the same fine tapestry, preserved by the careful mending of many hundreds of needles worked by hands long ago mingled with the dust of the grave, and, strange as it may seem to those who are only acquainted with the flimsy manufactures of to-day, the same stout hand-wrought linen, which, mended and replenished each year, lasted so long because never washed by modern methods, but always by hand in clear cold running water. There were presses full of this linen, deliriously scented with lavender, and there were also the spinning-wheels that had spun the flax and the hand-looms on which the threads had been woven. These were witnesses to the days when women, instead of gadding abroad, were happy to be at home—when the winter evenings seemed short and bright because as they sat spinning by the blazing log fire they were cheerful in their occupation, singing songs and telling stories and having so much to do that there was no time to indulge in the morbid analysis of life and the things of life which in our present shiftless day perplex and confuse idle and unhealthy brains.
And now after more than three centuries, the direct male line of Amadis de Jocelin had culminated in Hugo, commonly called Farmer Jocelyn, who, on account of some secret love disappointment, the details of which he had never told to anyone, had remained unmarried. Till the appearance on the scene of the child, Innocent, who was by the village folk accepted and believed to be the illegitimate offspring of this ill-starred love, it was tacitly understood that Robin Clifford, his nephew, and the only son of his twin sister, would be the heir to Briar Farm; but when it was seen how much the old man seemed to cling to Innocent, and to rely upon her ever tender care of him, the question arose as to whether there might not be an heiress after all, instead of an heir. And the rustic wiseacres gossiped, as is their wont, watching with no small degree of interest the turn of events which had lately taken place in the frank and open admiration and affection displayed by Robin for his illegitimate cousin, as it was thought she was, and as Farmer Jocelyn had tacitly allowed it to be understood. If the two young people married, everybody agreed it would be the right thing, and the best possible outlook for the continued prosperity of Briar Farm. For after all, it was the farm that had to be chiefly considered, so they opined,—the farm was an historic and valuable property as well as an excellent paying concern. The great point to be attained was that it should go on as it had always gone on from the days of the Sieur Amadis,—and that it should be kept in the possession of the same family. This at any rate was known to be the cherished wish of old Hugo Jocelyn, though he was not given to any very free expression of his feelings. He knew that his neighbours envied him, watched him and commented on his actions,—he knew also that the tale he had told them concerning Innocent had to a great extent whispered away his own good name and fastened a social slur upon the girl,—yet he could not, according to his own views, have seen any other way out of the difficulty. The human world is always wicked-tongued; and it is common knowledge that any man or woman introducing an "adopted" child into a family is at once accused, whether he or she be conscious of the accusation or not, of passing off his own bastard under the "adoption" pretext. Hugo Jocelyn was fairly certain that none of his neighbours would credit the romantic episode of the man on horseback arriving in a storm and leaving a nameless child on his hands. The story was quite true,—but truth is always precisely what people refuse to believe.
The night on which Innocent had learned her own history for the first time was a night of consummate beauty in the natural world. When all the gates and doors of the farm and its outbuildings had been bolted and barred for the night, the moon, almost full, rose in a cloudless heaven and shed pearl-white showers of radiance all over the newly-mown and clean-swept fields, outlining the points of the old house gables and touching with luminous silver the roses that clambered up the walls. One wide latticed window was open to the full inflowing of the scented air, and within its embrasure sat a lonely little figure in a loose white garment with hair tumbling carelessly over its shoulders and eyes that were wet with tears. The clanging chime of the old clock below stairs had struck eleven some ten minutes since, and after the echo of its bell had died away there had followed a heavy and intense silence. The window looked not upon the garden, but out upon the fields and a suggestive line of dark foliage edging them softly in the distance,—away down there, under a huge myriad-branched oak, slept the old knight Sieur Amadis de Jocelin and his English rustic wife, the founders of the Briar Farm family. The little figure in the dark embrasure of the window clasped its white hands and turned its weeping eyes towards that ancient burial-place, and the moon-rays shone upon its fair face with a silvery glimmer, giving it an almost spectral pallor. "Why was I ever born?" sighed a trembling voice—"Oh, dear God! Why did you let it be?"
The vacant air, the vacant fields looked blankly irresponsive. They had no sympathy to give,—they never have. To great Mother Nature it is not important how or why a child is born, though she occasionally decides that it shall be of the greatest importance how and why the child shall live. What does it matter to the forces of creative life whether it is brought into the world "basely," as the phrase goes, or honourably? The child exists,—it is a human entity—a being full of potential good or evil,—and after a certain period of growth it stands alone, and its parents have less to do with it than they imagine. It makes its own circumstances and shapes its own career, and in many cases the less it is interfered with the better. But Innocent could not reason out her position in any cold-blooded or logical way. She was too young and too unhappy. Everything that she had taken pride in was swept from her at once. Only that very morning she had made one of her many pilgrimages down to the venerable oak beneath whose trailing branches the Sieur Amadis de Jocelin lay, covered by the broad stone slab on which he had carved his own likeness, and she had put a little knot of the "Glory" roses between his mailed hands which were folded over the cross on his breast, and she had said to the silent effigy:
"It is the last day of the haymaking, Sieur Amadis! You would be glad to see the big crop going in if you were here!"
She was accustomed to talk to the old stone knight in this fanciful way,—she had done so all her life ever since she could remember. She had taken an intense pride in thinking of him as her ancestor; she had been glad to trace her lineage back over three centuries to the love-lorn French noble who had come to England in the train of the Due d'Anjou—and now—now she knew she had no connection at all with him,—that she was an unnamed, unbaptised nobody—an unclaimed waif of humanity whom no one wanted! No one in all the world—except Robin! He wanted her;—but perhaps when he knew her true history his love would grow cold. She wondered whether it would be so. If it were she would not mind very much. Indeed it would be best, for she felt she could never marry him.
"No, not if I loved him with all my heart!" she said, passionately—"Not without a name!—not till I have made a name for myself, if only that were possible!"
She left the window and walked restlessly about her room, a room that she loved very greatly because it had been the study of the Sieur Amadis. It was a wonderful room, oak-panelled from floor to ceiling, and there was no doubt about its history,—the Sieur Amadis himself had taken care of that. For on every panel he had carved with his own hand a verse, a prayer, or an aphorism, so that the walls were a kind of open notebook inscribed with his own personal memoranda. Over the wide chimney his coat-of-arms was painted, the colours having faded into tender hues like those of autumn leaves, and the motto underneath was "Mon coeur me soutien." Then