Detective Philo Gubb: Collected Mysteries. Ellis Parker Butler

Detective Philo Gubb: Collected Mysteries - Ellis Parker  Butler


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instincts of a real society lady and sometimes it irks me awful not to be able to let myself loose and bant like—”

      “Pant?” asked Mr. Gubb.

      “Bant was the word I used, Mr. Gubb,” Syrilla replied. “Maybe you wouldn’t guess it, lookin’ at me shovelin’ in the eatables this way, but eatin’ food is the croolest thing I have to do. It jars me somethin’ terrible. Yes, dearie, what I long for day and night is a chance to take my place in the social stratums I was born for and bant off the fat like other social ladies is doin’ right along. I don’t eat food because I like it, Mr. Gubb, but because a lady in a profession like mine has got to keep fatted up. My outside may be fat, Mr. Gubb, but I got a soul inside of me as skinny as any fash’nable lady would care to have, and as soon as possible I’m goin’ to quit the road and bant off six or seven hundred pounds. Would you believe it possible that I ain’t dared to eat a pickle for over seven years, because it might start me on the thinward road?”

      “I presume to suppose,” said Mr. Gubb politely, “that if you was to be offered a home that was rich with wealth and I was to take you there and place you beside your parental father, you wouldn’t refuse?”

      Mr. Gubb awaited the reply with eagerness. He tried to remain calm, but in spite of himself he was nervous.

      “Watch me!” said Syrilla. “If you could show me a nook like that, you couldn’t hold me in this show business with a tent-stake and bull tackle. But that’s a rosy dream!”

      “You ain’t got a locket with the photo’ of your mother’s picture into it?” asked Mr. Gubb.

      “No,” said Syrilla. “My pa and ma was unknown to me. I dare say they got sick of hearin’ me bawl and left me on a doorstep. The first I knew of things was that I was travelin’ with a show, representin’ a newborn babe in an incubator machine. I was incubated up to the time I was five years old, and got too long to go in the glass case.”

      “But some one was your guardian in charge of you, no doubt?” asked Gubb.

      “I had forty of them, dearie,” said Syrilla. “Whenever money run low, they quit because they couldn’t get paid on Saturday night.”

      “Hah!” said Mr. Gubb. “And does the name Jones bring back the memory of any rememberance to you?”

      “No, Mr. Gubb,” said Syrilla regretfully, seeing how eager he was. “It don’t.”

      “In that state of the case of things,” said Mr. Gubb, “I’ve got to go over to that wagon-pole and sit down and think awhile. I’ve got a certain clue I’ve got to think over and make sure it leads right, and if it does I’ll have something important to say to you.”

      The wagon-pole in question was attached to a canvas wagon near by, and Detective Gubb seated himself on it and thought. The side-show ladies and gentlemen, having finished, entered the side-show tent—with the exception of Syrilla, who remained to finish her meal. She ate a great deal at meals, before meals, and after meals. Mr. Gubb, from his seat on the wagon-pole, looked at Syrilla thoughtfully. He had not the least doubt that Syrilla was the lost daughter of Mr. Jones (or Medderbrook as he now called himself). The German-American tattoo artist had sworn to complete the eagle by putting its claws on Mr. Jones’s daughter, if need be, and here were the claws on Syrilla’s arm. But, just as it is desirable at times to have a handwriting expert identify a bit of writing, Mr. Gubb felt that if he could prove that the claws tattooed on Syrilla’s arm were the work of Mr. Schreckenheim, his case would be complete. He longed for Mr. Schreckenheim’s presence, but, lacking that, he had a happy idea. Mr. Enderbury, the tattooed man of the side-show, should be a connoisseur and would perhaps be able to identify the eagle’s claws. Leaving Syrilla still eating, Mr. Gubb entered the side-show tent.

      Mr. Enderbury, seated on a blue property case, was engaged in biting the entire row of finger nails on his right hand, and a frown creased his brow. He was enwrapped by a long purple bathrobe which tied closely about his neck. As he caught sight of Mr. Gubb, he started slightly and doubled his hand into a fist, but he immediately calmed himself and assumed a nonchalant air. As a matter of fact, Mr. Enderbury led a dog’s life. For years he had loved Syrilla devotedly, but he was so bashful he had never dared to confess his love to her, and year after year he saw her smile upon one thin man after another. Now it was Mr. Lonergan; again it was Mr. Winterberry—or it was Mr. Gubb, or Smith, or Jones, or Doe; but for Mr. Enderbury she seemed to have nothing but contempt. Mr. Enderbury had first seen her when she was posing in the infant incubator, and had loved her even then, for he was twenty when she was but five. The coming of a new rival always affected him as the coming of Mr. Gubb had, but for good reason he hated Mr. Gubb worse than any of the others.

      “Excuse me for begging your pardon,” said Mr. Gubb, “but in the deteckative business questions have to be asked. Have you ever chanced to happen to notice some tattoo work upon the arm of Miss Syrilla of this side-show?”

      “I have,” said Mr. Enderbury shortly.

      “A pair of eagle’s claws,” said Mr. Gubb. “Can you tell me, from your knowledge and belief, if the work there done was the work of a Mr. Herr Schreckenheim?”

      “I can tell you if I want to,” said Mr. Enderbury. “What do you want to know for?”

      “If those claws are the work of Mr. Herr Schreckenheim,” said Mr. Gubb, “I am prepared to offer to Miss Syrilla her daughterly place in a home of wealth at Riverbank, Iowa. If those claws are Schreckenheim claws, Miss Syrilla is the daughter of Mr. Jonas Medderbrook of the said burg, beyond the question of a particle of doubt.”

      Mr. Enderbury looked at Mr. Gubb with surprise.

      “That’s non—” he began. “And if Schreckenheim did those claws, you’ll take Syrilla away from this show? Forever?” he asked.

      “I will,” said Philo Gubb, “if she desires to wish to go.”

      “Then I have nothing whatever to say,” said Mr. Enderbury, and he shut his mouth firmly; nor would he say more.

      “Do you desire to wish me to understand that they are not the work of Mr. Herr Schreckenheim?” persisted Mr. Gubb.

      “I have nothing to say!” said Mr. Enderbury.

      “I consider that conclusive circumstantial evidence that they are,” said Detective Gubb, and he clanked out of the side-show.

      Syrilla was still seated at the grub table, finishing her meal, and Mr. Gubb seated himself opposite her. As delicately as he could, he told of Jonas Medderbrook and his lost daughter, of the home of wealth that awaited that daughter, and finally, of his belief that Syrilla was that daughter. It was clear that Syrilla was quite willing to take up a life of refinement and dieting if she was given an opportunity such as Mr. Gubb was able to offer in the name of Jonas Medderbrook; and, this being so, he questioned her regarding the eagle’s claws.

      “Mr. Gubb,” she said, “I wish to die on the spot if I know how I got them claws tattooed onto me. If you ask me, I’ll say it is the mystery of my life. They’ve been on me since I was a little girl no bigger than—why, who is that?”

      Mr. Gubb turned his head quickly, but he was not in time to see a plump, good-natured looking little German-American slip quickly out of sight behind the cook tent. Neither did he see the glitter of the sun on a large silver golf cup the plump German-American carried under his arm; but the German-American had recognized Mr. Gubb, even through his disguise of a cowboy.

      “No matter,” said Syrilla. “But these claws have been on my arm since I was a wee little girl, Mr. Gubb. I always thought they was a trademark of a hospital.”

      “I was not knowingly aware that hospitals had trademarks,” said Mr. Gubb.

      “Maybe they don’t,” said Syrilla. “But when I was a small child I had an accident and had to be took to a hospital, and it wasn’t until after that that anybody saw the eagle’s claws on me. I considered that maybe it was like the mark the laundry puts on a handkerchief it has laundered.”


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