The Essential Writings of Emma Orczy. Emma Orczy
the idea of having to shoulder the responsibility of what might or might not occur in that case. He would have preferred to receive final orders from a member of an influential committee, one who alone could issue orders over the head of the Chief Commissary.
It was then with a feeling of intense relief that precisely at twenty minutes past two he saw the sable-clad figure of Chauvelin working his way towards him through the crowd.
"Well? And what have you done?" Chauvelin queried curtly, and refused the chair which Conty had obsequiously offered him.
"You have heard the proclamation, citizen?" Conty responded; "about work at the factory this afternoon?"
"I have. But I am asking you what you have done."
"Nothing, citizen. I was waiting for you."
"You didn't carry out my orders?"
"I hadn't any, citizen."
"Two days ago I gave you my commands to prepare the way for an armed raid on the château as soon as I was back in Choisy. Yesterday I sent you word that I would be back to-day. But I see no sign of a raid being organised either by you or anyone else."
"The decree was only promulgated a couple of hours ago. All the able-bodied men and women will have to go back to work in a few minutes; there was nothing to be done."
"How do you mean? There was nothing to be done? What about all these people here? I can see at least a hundred that do not work in the factory, more than enough for what I want."
Conty gave a contemptuous shrug.
"The halt and the maimed," he retorted acidly; "the weaklings and the women. I thought every moment you would come, Citizen Chauvelin, and issue a counter decree giving the workers their usual Day of Rest. As you didn't come, I didn't know what to do."
"So you let them all get into the doldrums."
"What could I do, citizen?" Conty reiterated sullenly. "I had no orders."
"You had no initiative, you mean? If you had you would have realised that if half the population of Choisy will in a moment or two go to work, the other half will still be here and ready for any mischief."
"Those bumpkins...!"
"Yes, louts and muckworms and cinderwenches. And let me tell you, Citizen Conty, that it is not for you to sneer at such excellent material, rather see that you utilise it as I directed you to do in the name of the government who know how to punish slackness as well as to reward energy."
Having said this, Chauvelin turned his back abruptly on the discomfited Conty and made for the door. Even as he did so an outside bell clanged out the summons for the workers to return to the factory. There was a general hubbub, chairs pushed aside and scraping against the stone floor, the tramp of feet all making for the door, voices shouting from one end of the room to the other. And right through the din, there came to Chauvelin's ears, at the very moment that he passed through the swing-doors, a sound that dominated every other, just a prolonged merry, irritatingly inane laugh.
Hardly had the last able-bodied man gone out of the place than Citizen Conty had climbed on the top of a table, and begun his harangue by apostrophising the musicians.
"What mean you, rascals," he cried lustily, "by scraping your fiddles to give us nothing but sentimental ballads fit only for weaklings to hear? Our fine men have gone to work for their country, and here you are trying to make us sing about shepherdesses and their cats. Mordieu! have you never heard of the air that every patriotic Frenchman should know, an air that puts fire into our blood, not water: 'Allons enfants de la patrie! Le jour de gloire est arrivé!"
At first the people did not take much notice of Conty; the men had gone and there was nothing much to do but go back to one's own hovels and mope there till they returned. But when presently the musicians, in response to the speaker's challenge, took up the strains of the revolutionary song, they straightened out their backs, turned about the better to hear the impassioned oratory which now poured from Citizen Conty's lips.
He was in his element. He held all these poor, half-starved people in a fever by the magic of his oratory, and he would not allow their fever to cool down again. From an abstract reference to any château to the actual mention of La Rodière did not take him long. Now he was speaking of Docteur Pradel, the respected citizen of Choisy, the friend of the poor, who had dared to express his political opinions in the presence of those arrogant ci-devants, and what had happened? He had been insulted, outraged, thrashed like a dog!
"And you, citizens," he once more bellowed, "though the government has not called upon you to fashion bayonets and sabres, are you going to sit still and allow your sworn enemies, the enemies of France, to ride rough-shod over you now that our glorious revolution has levelled all ranks and brought the most exalted heads down under the guillotine? You have no sabres or bayonets, it is true, but you have your scythes and your axes and you have your fists. Are you going to sit still, I say, and not show those traitors up there on the hill that there is only one sovereignty in the world that counts and which they must obey, the sovereignty of the people?"
The magic words had their usual effect. A perfect storm of applause greeted them, and all at once they began to sing: "Allons enfants de la patrie!" and the musicians blew their trumpets and banged their drums and soon there reigned in the restaurant the sort of mighty row beloved by agitators.
CHAPTER TWENTY-TWO
At the Château
It did not take Conty long after that to persuade a couple of hundred people who were down in the dumps and saw no prospect of getting out of them that it was their duty to go at once to the Château de la Rodière and show those arrogant ci-devants that when the sovereignty of the people was questioned, it would know how to turn the tables on those who dared to flout it. So most of what was left of the population of Choisy assembled on the Grand' Place, there formed itself into a compact body and started to march through the town, and thence up the hill, headed by a band of musicians who had sprung up from nowhere a few days ago and had since then greatly contributed to the gaiety inside the cafés and restaurants by their spirited performance of popular airs. On this great occasion they headed the march with their fiddles and trumpets and drum. There were five of them altogether and their leader, a great hulking fellow who should have been fighting for his country instead of scraping the catgut, was soon very popular with the crowd. His rendering of the "Marseillaise" might be somewhat faulty, but he was such a lively kind of vagabond that he put everyone into good humour long before they reached the château.
And they remained in rare good humour. For them this march, this proposed baiting of the aristos was just an afternoon's holiday, something to take them out of themselves, to help them to forget their misery, their squalor, the ever-present fear that conditions of life would get worse rather than better. Above all, it lured them into the belief that this glorious revolution had done something stupendous for them — they didn't quite know what, poor things, but there it was: the millennium, so the men from Paris kept on assuring them.
Actually a mob — an angry mob — say in England, in Russia or Germany, is usually just a mass of dull, tenacious and probably vindictive humanity; but in France, even during the fiercest days of revolution, there was always an element of inventiveness, almost of genius, in the crowd of men and women that went hammering at the gates of châteaux, insisted on seeing its owners, even when, as in Versailles, these were still their King and Queen, and devised a score of ways of humiliating and baiting them without necessarily resorting to violence. Thus, a French mob is unlike any other in the world.
And so it was in this instance with the hundred or two of women and derelicts who marched up the hill to La Rodière in the wake of an unwashed, out-at-elbows, raffish troupe of musicians. They stumped along, those, at any rate who were able-bodied, shouting and singing snatches of the "Marseillaise," not feeling the cold, which was bitter, nor the fatigue of breasting the incline up to the