The Golden Scarecrow. Hugh Walpole
Fridays there is a lean and ragged man wearing large and, to the children of the Square, terrifying spectacles. He is a very gloomy fellow and sings hymn-tunes, "Rock of Ages," "There is a Happy Land," and "Jerusalem the Golden." On Saturdays there is a stout, happy little man with a harp. He has white hair and looks like a retired colonel. He cannot play the harp very much, but he is quite the most popular visitor of the week, and must be very rich indeed does he receive in other squares so handsome a reward for his melody as this one bestows; he is known as "Colonel Harry." In and out of these regular visitors there are, of course, many others. There is a dark, sinister man with a harmonium and a shivering monkey on a chain; there is an Italian woman, wearing bright wraps round her head, and she has a cage of birds who tell fortunes; there is a horsey, stable-bred, ferret-like man with, two performing dogs, and there is quite an old lady in a black bonnet and shawl who sings duets with her grand-daughter, a young thing of some fifty summers.
There can be nothing in the world more charming than the way the Square receives its friends. Let it number amongst its guests a Duchess, that is no reason why it should scorn "Colonel Harry" or "Mouldy Jim," the singer of hymns. Scorn, indeed, cannot be found within its grey walls, soft grey, soft green, soft white and blue—in these colours is the Square's body clothed, no anger in its mild eyes, nor contempt anywhere at its heart.
The Square is proud, and is proud with reason, of its garden. It is not a large garden as London gardens go. It has in its centre a fountain. Neptune, with a fine wreath of seaweed about his middle, blowing water through, his conch. There are two statues, the one of a general who fought in the Indian Mutiny and afterwards lived and died in the Square, the other of a mid-Victorian philanthropist whose stout figure and urbane self-satisfaction (as portrayed by the sculptor) bear witness to an easy conscience and an unimaginative mind. There is, round and about the fountain, a lovely green lawn, and there are many overhanging trees and shady corners. An air of peace the garden breathes, and that although children are for ever racing up and down it, shattering the stillness of the air with their cries, rivalling the bells of St. Matthew's round the corner with their piercing notes.
But it is the quality of the Square that nothing can take from it its peace, nothing temper its tranquillity. In the heat of the days motor-cars will rattle through, bells will ring, all the bustle of a frantic world invade its security; for a moment it submits, but in the evening hour, when the colours are being washed from the sky, and the moon, apricot-tinted, is rising slowly through the smoke, March Square sinks, with a little sigh, back into her peace again. The modern world has not yet touched her, nor ever shall.
II
The Duchess of Crole had three months ago a son, Henry Fitzgeorge, Marquis of Strether. Very fortunate that the first-born should be a son, very fortunate also that the first-born should be one of the healthiest, liveliest, merriest babies that it has ever been any one's good fortune to encounter. All smiles, chuckles and amiability is Henry Fitzgeorge; he is determined that all shall be well.
His birth was for a little time the sensation of the Square. Every one knew the beautiful Duchess; they had seen her drive, they had seen her walk, they had seen her in the picture-papers, at race-meetings and coming away from fashionable weddings. The word went round day by day as to his health; he was watched when he came out in his perambulator, and there was gossip as to his appearance and behaviour.
"A jolly little fellow."
"Just like his father."
"Rather early to say that, isn't it?"
"Well, I don't know, got the same smile. His mother's rather languid."
"Beautiful woman, though."
"Oh, lovely!"
Upon a certain afternoon in March about four o'clock, there was quite a gathering of persons in Henry Fitzgeorge's nursery. There was his mother, with those two great friends of hers, Lady Emily Blanchard and the Hon. Mrs. Vavasour; there was Her Grace's mother, Mrs. P. Tunster (an enormously stout lady); there was Miss Helen Crasper, who was staying in the house. These people were gathered at the end of the cot, and they looked down upon Henry Fitzgeorge, and he lay upon his back, gazed at them thoughtfully, and clenched and unclenched his fat hands.
Opposite his cot were some very wide windows, and three windows were filled with galleons of cloud—fat, bolster, swelling vessels, white, save where, in their curving sails, they had caught a faint radiance from the hidden sun. In fine procession, against the blue, they passed along. Very faint and muffled there came up from the Square the lingering notes of "Robin Adair." This is a Wednesday afternoon, and it is the lady with the black straw hat who is singing. The nursery has white walls—it is filled with colour; the fire blazes with a yellow-red gleam that rises and falls across the shining floor.
"I brought him a rattle, Jane, dear," said Mrs. Tunster, shaking in the air a thing of coral and silver. "He's got several, of course, but I guess you'll go a long way before you find anything cuter."
"It's too pretty," said Lady Emily.
"Too lovely," said the Hon. Mrs. Vavasour.
The Duchess looked down upon her son. "Isn't he old?" she said. "Thousands of years. You'd think he was laughing at the lot of us."
Mrs. Tunster shook her head. "Now don't you go imagining things, Jane, my dear. I used to be just like that, and your father would say, 'Now, Alice.'"
Her Grace raised her head. Her eyes were a little tired. She looked from her son to the clouds, and then back again to her son. She was remembering her own early days, the rich glowing colour of her own American country, the freedom, the space, the honesty.
"I guess you're tired, dear," said her mother. "With the party to-night and all. Why don't you go and rest a bit?"
"His eyes are old! He does despise us all."
Lady Emily, who believed in personal comfort and as little thinking as possible, put her arm through her friend's.
"Come along and give us some tea. He's a dear. Good-bye, you little darling. He is a pet. There, did you see him smiling? You darling. Tea I must have, Jane, dear—at once."
"You go on. I'm coming. Ring for it. Tell Hunter. I'll be with you in two minutes, mother."
Mrs. Tunster left her rattle in the nurse's hands. Then, with the two others, departed. Outside the nursery door she said in an American whisper:—"Jane isn't quite right yet. Went about a bit too soon. She's headstrong. She always has been. Doesn't do for her to think too much."
Her Grace was alone now with her son and heir and the nurse. She bent over the cot and smiled upon Henry Fitzgeorge; he smiled back at her, and even gave an absent-minded crow; but his gaze almost instantly swung back again to the window, through which, deeply and with solemn absorption, he watched the clouds.
She gave him her hand, and he closed his fingers about one of hers; but even that grasp was abstracted, as though he were not thinking of her at all, but was simply behaving like a gentleman.
"I don't believe he's realised me a bit, nurse," she said, turning away from the cot.
"Well, Your Grace, they always take time. It's early days."
"But what's he thinking of all the time?"
"Oh, just nothing, Your Grace."
"I don't believe it's nothing. He's trying to settle things. This—what it's all about—what he's got to do about it."
"It may be so, Your Grace. All babies are like that at first."
"His eyes are so old, so grave."
"He's a jolly little fellow, Your Grace."
"He's very little trouble, isn't he?"
"Less trouble than any baby I've ever had to do with. Got His Grace's happy temperament, if I may say so."
"Yes," the mother laughed. She crossed over to the window and looked down.