The Greatest Works of Marie Belloc Lowndes. Marie Belloc Lowndes
should have been there--the sign, the symbol, of the cross.
A flood of memories came surging through his mind--memories of childish prayers learnt at his mother's knee, of certain revisions which time had brought to his first innocent, unquestioning faith. And with those memories came anger and a sense of humiliation. For there was nothing, absolutely nothing, to show that these boxes before him held what had once been the dwelling-place of that daily miracle, the sentient soul of man. These defenceless dead had been subjected to a last, continuous, intolerable insult; in their flesh he felt that his own humanity was degraded. Here was nothing to separate the human dead from the beasts of the field; these boxes would have looked the same had they held merely the bodies of animals prepared for the inquisitive, probing research of science.
His young imagination, strung to the highest pitch, penetrated those shuttered receptacles and showed him on the face of each occupant that strange ironic smile with which the dead husk of man seems often to betray the full knowledge now possessed by the spirit which has fled. That riddle of existence, of which through the ages philosophers and kings had sought the key, was now an open book to all those who lay here in the still majesty of death. Yes, they could well afford to smile--to smile at the littleness which denied to their tenements of flesh the smallest symbol of belief that death was not the end of all.
His companion had also marked the absence of any sign of the Christian's hope in this house of death, and through her mind there ran the confused recollection of holy words:--
"It is sown in corruption; it is raised in incorruption. It is sown in dishonour; it is raised in glory.
"Behold, I shew you a mystery; we shall not all sleep....
"O death, where is thy sting? O grave, where is thy victory?"
Comfortable words! They seemed, merely by their flight through the tense ganglia of her brain, to break into the awful loneliness of these recent tabernacles of the spirit, and bestow on them the benison denied them in its pride by the human family from whose bosom they had been torn.
Then swiftly her mind turned to the thought of those who were still watching and waiting, in that misery of suspense of which she now knew each pang. Every one--surely every one--of these dead who now surrounded her,--silent, solitary, had been loved--for love comes in some guise to all poor human creatures. Those mouths, cheeks, eyes, those rippling waves of woman's hair, had been kissed--ah, how often. The perishing flesh had been clasped heart to heart....
There came over her soul a great rush of pity for those others, the vast and scattered company, mourning, mourning, and yet reaching out in wild hope and desire for their loved ones, whose bodies were all the while here. They did not know, yet hither came winging unerringly, like flights of homing doves, their myriad prayers, their passionate loving thoughts and wistful thirsty longing for one word, one kiss, one touch of the hand.... Surely such thoughts and prayers sanctified this charnel-house.
She herself was of that company--that company who were not sure. Some, doubtless, obstinate, refused to believe that death in any form had overtaken the missing; others feared to come here and look. She had not feared....
The janitor spoke to her, and she started violently.
"You are quite convinced, madame, that Number 4 is not he whom you seek?"
These words, that question, evidently embodied a formula the man was bound to use.
Mrs. Dampier bent her head.
"You, monsieur, also have no doubt?"
"None at all," said Gerald briefly.
With a sudden movement the man put the sinister carriage in motion, but when he had got it close to the door of the mortuary, he stopped a moment:--"We have many compliments on our brancard," he said cheerfully. "It is very ingenious, is it not? You see the wheels are so large that a mere touch pushes it backwards and forwards. It is quite easy to wheel back into place again."
Gerald Burton took out a five-franc piece. He left Nancy Dampier standing, an infinitely pathetic, forlorn little figure, in the sunlit portion of the yard, and approached the man.
"We must go now," he said hurriedly. "I suppose it is quite easy to leave by the way we came in--through the engine-room?"
"One moment, monsieur, one moment! Before showing you out I must put Number 4 back with his other companions. There is no fear of his being lonely, poor man! We had five brought in this morning."
They had not long to wait before the concierge joined them again.
"Won't monsieur and madame stay and just see everything else there is to be seen?" he asked eagerly. "We have the most interesting relics of great criminals, notably of Troppman. Troppman was before my time, monsieur, but the day that his seven victims were publicly exposed there--" he pointed with his thumb to the inconspicuous door through which he had just wheeled Number 4--"ah, that was a red-letter day for the Morgue! Eighteen thousand people came to gaze on those seven bodies. And it was lucky, monsieur, that in those days we were open to the public, for it was the landlord of their hotel who recognised the poor creatures."
He was now preceding his two visitors through the operating theatre where are held the post-mortems. From thence he led them into the hall where they had first gained admission. "Well, monsieur, if you really do not care to see our relics--?" He opened the great door through which so few living men and women ever pass.
Gerald Burton and Nancy Dampier walked out into the sunlight, and the last thing they saw of the Morgue was the smiling face of the concierge--it was not often that he received ten francs for doing his simple duty.
"Au plaisir de vous revoir, monsieur, madame: au plaisir de vous revoir!" he said gaily. And as the courteous old French mode of adieu fell upon their ears, Gerald Burton felt an awful sensation of horror, of oppression, yes and of dread, steal over him.
Nancy Dampier, looking up at her companion, suddenly forgot herself. "Mr. Burton," she exclaimed, her voice full of concern, "I'm afraid this has made you feel ill? I oughtn't to have let you come here!" And it was she who in her clear, low voice told the cabman the address of the Hôtel Saint Ange.
Gerald Burton muttered a word of half-angry excuse. He was keenly ashamed of what he took to be his lack of manliness.
But during the weeks, aye and the months that followed he found himself constantly haunted by the gentle, ironic words of farewell uttered by the concierge of the Morgue: "Au plaisir de vous revoir, monsieur, madame: au plaisir de vous revoir!"
Chapter VII
The American abroad has a touching faith, first, in the might and power of his country to redress all wrongs, and secondly, in the personal prestige of his Ambassador.
As a rule this faith is justified by works, but in the special and very peculiar case of John Dampier, Senator Burton was destined to meet with disappointment.
With keen vexation he learnt that the distinguished and genial individual who just then represented the great sister Republic in Paris, and on whom he himself had absolutely counted for advice and help, for they were old friends and allies, had taken sick leave for three months.
Paris, during an Exhibition Year, seems mysteriously to lose the wonderful climate which a certain British Minister for Foreign Affairs once declared to be the only one that suited every diplomat's constitution!
The Senator and his daughter drove on from the American Embassy to the American Consulate, and it was with a feeling of considerable satisfaction that they were shown by a courteous janitor into the pleasant, airy waiting-room where a large engraving of Christopher Columbus, and a huge photograph of the Washington Monument, welcome the wandering American.
Even in this waiting-room there was an air of cheerful activity, a constant coming and going, which showed that whatever might be the case with the Embassy, the Consulate, at any rate, was very much