The Collected Works of Frances Burney (Illustrated Edition). Frances Burney
compared to the strength of those emotions when excited by Signore Pacchierotti in particular; and though not half the excellencies of that superior singer were necessary either to amaze or charm her unaccustomed ears, though the refinement of his taste and masterly originality of his genius, to be praised as they deserved, called for the judgment and knowledge of professors, yet a natural love of music in some measure supplied the place of cultivation, and what she could neither explain nor understand, she could feel and enjoy.
The opera was Artaserse; and the pleasure she received from the music was much augmented by her previous acquaintance with that interesting drama; yet, as to all noviciates in science, whatever is least complicated is most pleasing, she found herself by nothing so deeply impressed, as by the plaintive and beautiful simplicity with which Pacchierotti uttered the affecting repetition of sono innocente! his voice, always either sweet or impassioned, delivered those words in a tone of softness, pathos, and sensibility, that struck her with a sensation not more new than delightful.
But though she was, perhaps, the only person thus astonished, she was by no means the only one enraptured; for notwithstanding she was too earnestly engaged to remark the company in general, she could not avoid taking notice of an old gentleman who stood by one of the side scenes, against which he leant his head in a manner that concealed his face, with an evident design to be wholly absorbed in listening: and during the songs of Pacchierotti he sighed so deeply that Cecilia, struck by his uncommon sensibility to the power of music, involuntarily watched him, whenever her mind was sufficiently at liberty to attend to any emotions but its own.
As soon as the rehearsal was over, the gentlemen of Mrs Harrel’s party crowded before her box; and Cecilia then perceived that the person whose musical enthusiasm had excited her curiosity, was the same old gentleman whose extraordinary behaviour had so much surprized her at the house of Mr Monckton. Her desire to obtain some information concerning him again reviving, she was beginning to make fresh enquiries, when she was interrupted by the approach of Captain Aresby.
That gentleman, advancing to her with a smile of the extremest self-complacency, after hoping, in a low voice, he had the honour of seeing her well, exclaimed, “How wretchedly empty is the town! petrifying to a degree! I believe you do not find yourself at present obsede by too much company?”
“At present, I believe the contrary!” cried Mr Gosport.
“Really!” said the Captain, unsuspicious of his sneer, “I protest I have hardly seen a soul. Have you tried the Pantheon yet, ma’am?”
“No, sir.”
“Nor I; I don’t know whether people go there this year. It is not a favourite spectacle with me; that sitting to hear the music is a horrid bore. Have you done the Festino the honour to look in there yet?”
“No, sir.”
“Permit me, then, to have the honour to beg you will try it.”
“O, ay, true,” cried Mrs Harrel; “I have really used you very ill about that; I should have got you in for a subscriber: but Lord, I have done nothing for you yet, and you never put me in mind. There’s the ancient music, and Abel’s concert; — as to the opera, we may have a box between us; — but there’s the ladies’ concert we must try for; and there’s — O Lord, fifty other places we must think of!”
“Oh times of folly and dissipation!” exclaimed a voice at some distance; “Oh mignons of idleness and luxury! What next will ye invent for the perdition of your time! How yet further will ye proceed in the annihilation of virtue!”
Everybody stared; but Mrs Harrel coolly said, “Dear, it’s only the man-hater!”
“The man-hater?” repeated Cecilia, who found that the speech was made by the object of her former curiosity; “is that the name by which he is known?”
“He is known by fifty names,” said Mr Monckton; “his friends call him the moralist; the young ladies, the crazy-man; the macaronies, the bore; in short, he is called by any and every name but his own.”
“He is a most petrifying wretch, I assure you,” said the Captain; “I am obsede by him partout; if I had known he had been so near, I should certainly have said nothing.”
“That you have done so well,” cried Mr Gosport, “that if you had known it the whole time, you could have done it no better.”
The Captain, who had not heard this speech, which was rather made at him than to him, continued his address to Cecilia; “Give me leave to have the honour of hoping you intend to honour our select masquerade at the Pantheon with your presence. We shall have but five hundred tickets, and the subscription will only be three guineas and a half.”
“Oh objects of penury and want!” again exclaimed the incognito; “Oh vassals of famine and distress! Come and listen to this wantonness of wealth! Come, naked and breadless as ye are, and learn how that money is consumed which to you might bring raiment and food!”
“That strange wretch,” said the Captain, “ought really to be confined; I have had the honour to be degoute by him so often, that I think him quite obnoxious. I make it quite a principle to seal up my lips the moment I perceive him.”
“Where is it, then,” said Cecilia, “that you have so often met him?”
“O,” answered the Captain, “partout; there is no greater bore about town. But the time I found him most petrifying was once when I happened to have the honour of dancing with a very young lady, who was but just come from a boarding-school, and whose friends had done me the honour to fix upon me upon the principle of first bringing her out: and while I was doing mon possible for killing the time, he came up, and in his particular manner, told her I had no meaning in any thing I said! I must own I never felt more tempted to be enrage with a person in years, in my life.”
Mr Arnott now brought the ladies word that their carriage was ready, and they quitted their box: but as Cecilia had never before seen the interior parts of a theatre, Mr Monckton, hoping while they loitered to have an opportunity of talking with her, asked Morrice why he did not shew the lions? Morrice, always happy in being employed, declared it was just the thing he liked best, and begged permission to do the honours to Mrs Harrel, who, ever eager in the search of amusement, willingly accepted his offer.
They all, therefore, marched upon the stage, their own party now being the only one that remained.
“We shall make a triumphal entry here,” cried Sir Robert Floyer; “the very tread of the stage half tempts me to turn actor.”
“You are a rare man,” said Mr Gosport, “if, at your time of life, that is a turn not already taken.”
“My time of life!” repeated he; “what do you mean by that? do you take me for an old man?”
“No, sir, but I take you to be past childhood, and consequently to have served your apprenticeship to the actors you have mixed with on the great stage of the world, and, for some years at least, to have set up for yourself.”
“Come,” cried Morrice, “let’s have a little spouting; ’twill make us warm.”
“Yes,” said Sir Robert, “if we spout to an animating object. If Miss Beverley will be Juliet, I am Romeo at her service.”
At this moment the incognito, quitting the corner in which he had planted himself, came suddenly forward, and standing before the whole group, cast upon Cecilia a look of much compassion, and called out, “Poor simple victim! hast thou already so many pursuers? yet seest not that thou art marked for sacrifice! yet knowest not that thou art destined for prey!”
Cecilia, extremely struck by this extraordinary address, stopt short and looked much disturbed: which, when he perceived, he added, “Let the danger, not the warning affect you! discard the sycophants that surround you, seek the virtuous, relieve the poor, and save yourself from the impending destruction of unfeeling prosperity!”
Having uttered these words with vehemence