The Collected Works of Frances Burney (Illustrated Edition). Frances Burney
is that every dirty tradesman in town to whom I owe a shilling, will be forming the same cursed combination those scoundrels formed this morning, of coming in a body, and waiting for their money, or else bringing an execution into my house.. The only way to silence report is by putting a good face upon the matter at once, and shewing ourselves to the world as if nothing had happened. Favour us, therefore, to-night with your company, which is really important to us, or ten to one, but in another fortnight, I shall be just in the same scrape.”
Cecilia, however incensed at this intelligence that his debts were still so numerous, felt now so much alarmed at the mention of an execution, as if she was in actual danger of ruin herself. Terrified, therefore, though not convinced, she yielded to their persuasions, and consented to accompany them.
They soon after separated to make some alteration in their dress, and then, calling in their way for Mrs Mears, they proceeded to the Pantheon.
CHAPTER 6
A MAN OF THE TON
At the door of the Pantheon they were joined by Mr Arnott and Sir Robert Floyer, whom Cecilia now saw with added aversion: they entered the great room during the second apt of the Concert, to which as no one of the party but herself had any desire to listen, no sort of attention was paid; the ladies entertaining themselves as if no Orchestra was in the room, and the gentlemen, with an equal disregard to it, struggling for a place by the fire, about which they continued hovering till the music was over.
Soon after they were seated, Mr Meadows, sauntering towards them, whispered something to Mrs Mears, who, immediately rising, introduced him to Cecilia; after which, the place next to her being vacant, he cast himself upon it, and lolling as much at his ease as his situation would permit, began something like a conversation with her.
“Have you been long in town, ma’am?”
“No, Sir.”
“This is not your first winter?”
“Of being in town, it is.”
“Then you have something new to see; O charming! how I envy you! — Are you pleased with the Pantheon?”
“Very much; I have seen no building at all equal to it.”
“You have not been abroad. Travelling is the ruin of all happiness! There’s no looking at a building here after seeing Italy.”
“Does all happiness, then, depend upon the sight of buildings?” said Cecilia, when, turning towards her companion, she perceived him yawning, with such evident inattention to her answer, that not chusing to interrupt his reverie, she turned her head another way.
For some minutes he took no notice of this; and then, as if suddenly recollecting himself, he called out hastily, “I beg your pardon, ma’am, you were saying something?”
“No, Sir, nothing worth repeating.” “O pray don’t punish me so severely as not to let me hear it!”
Cecilia, though merely not to seem offended at his negligence, was then again beginning an answer, when, looking at him as she spoke, she perceived that he was biting his nails with so absent an air, that he appeared not to know he had asked any question. She therefore broke off, and left him to his cogitation.
Sometime after he addressed her again, saying, “Don’t you find this place extremely tiresome, ma’am?”
“Yes, Sir,” said she, half laughing, “it is, indeed, not very entertaining!”
“Nothing is entertaining,” answered he, “for two minutes together. Things are so little different one from another, that there is no making pleasure out of any thing. We go the same dull round for ever; nothing new, no variety! all the same thing over again! Are you fond of public places, ma’am?”
“Yes, Sir, soberly, as Lady Grace says.”
“Then I envy you extremely, for you have some amusement always in your own power. How desirable that is!”
“And have not you the same resources?”
“O no! I am tired to death! tired of every thing! I would give the universe for a disposition less difficult to please. Yet, after all, what is there to give pleasure? When one has seen one thing, one has seen every thing. O, ’tis heavy work! Don’t you find it so, ma’am?”
This speech was ended with so violent a fit of yawning, that Cecilia would not trouble herself to answer it: but her silence, as before, passed wholly unnoticed, exciting neither question nor comment.
A long pause now succeeded, which he broke at last, by saying, as he writhed himself about upon his seat, “These forms would be much more agreeable if there were backs to them. “Tis intolerable to be forced to sit like a school-boy. The first study of life is ease. There is, indeed, no other study that pays the trouble of attainment. Don’t you think so, ma’am?”
“But may not even that,” said Cecilia, “by so much study, become labour?”
“I am vastly happy you think so.”
“Sir?”
“I beg your pardon, ma’am, but I thought you said — I really beg your pardon, but I was thinking of something else.”
“You did very right, Sir,” said Cecilia, laughing, “for what I said by no means merited any attention.”
“Will you do me the favour to repeat it?” cried he, taking out his glass to examine some lady at a distance.
“O no,” said Cecilia, “that would be trying your patience too severely.”
“These glasses shew one nothing but defects,” said he; “I am sorry they were ever invented. They are the ruin of all beauty; no complexion can stand them. I believe that solo will never be over; I hate a solo; it sinks, it depresses me intolerably.”
“You will presently, Sir,” said Cecilia, looking at the bill of the concert, “have a full piece; and that, I hope, will revive you.”
“A full piece! oh insupportable! it stuns, it fatigues, it overpowers me beyond endurance! no taste in it, no delicacy, no room for the smallest feeling.”
“Perhaps, then, you are only fond of singing?”
“I should be, if I could hear it; but we are now so miserably off in voices, that I hardly ever attempt to listen to a song, without fancying myself deaf from the feebleness of the performers. I hate every thing that requires attention. Nothing gives pleasure that does not force its own way.”
“You only, then, like loud voices, and great powers?”
“O worse and worse! — no, nothing is so disgusting to me. All my amazement is that these people think it worth while to give Concerts at all; one is sick to death of music.”
“Nay,” cried Cecilia, “if it gives no pleasure, at least it takes none away; for, far from being any impediment to conversation, I think every body talks more during the performance than between the acts. And what is there better you could substitute in its place?”
Cecilia, receiving no answer to this question, again looked round to see if she had been heard; when she observed her new acquaintance, with a very thoughtful air, had turned from her to fix his eyes upon the statue of Britannia.
Very soon after, he hastily arose, and seeming entirely to forget that he had spoke to her, very abruptly walked away.
Mr Gosport, who was advancing to Cecilia, and had watched part of this scene, stopt him as he was retreating, and said “Why Meadows, how’s this? are you caught at last?”
“O worn to death! worn to a thread!” cried he, stretching himself, and yawning; “I have been talking with a young lady to entertain her! O such heavy work! I would not go through it again for millions!