The Greatest Works of B. M. Bower - 51 Titles in One Volume (Illustrated Edition). B. M. Bower
with you, Luck. You know we all—”
“What did Bently Brown say? Did you put the proposition up to him as I suggested?”
“Luck, you know I told you Brown wouldn’t consider—”
“Say, Mart, get all those rambling words out of your system, and then call me up and tell me what I want to know!” And Luck hung up the receiver and went shivering back to bed. From the things he said to himself, he was letting that temper of his run away with him in spite of Martinson’s warning.
He had just ceased having spasms of shivering, and had found his warm nest of the night, and was feeling glad that it was raining so that he could stay in bed as long as he liked, when the phone jingled shrilly again. Had he been certain that it was Martinson, Luck would have lain there and let it ring itself tired. But there is always the doubt when a telephone bell calls peremptorily. He waited sulkily until the girl at the switchboard in the office below settled down to prolong the siege. Luck knew that girl would never quit now that she was sure he was in. He crawled out again, this time dragging the bedspread with him for drapery.
“H’l-lo!” There was no compromise in his voice, which was guttural.
“Luck? This is Martinson. You are to retake all of the Bently Brown pictures which you have made so far, under the personal supervision of Bently Brown himself, who will pass upon all film before accepted by the company. This is final.”
“Martinson? This is Luck. You and Bently Brown and the Acme Film Company can go where the heat’s never turned off. This is final.”
Whereupon Luck slammed the receiver into its brackets, trailed over to a table and gleaned “the makings” from among the litter of papers, programs, “stills,” and letters, and rolled himself a much-needed smoke. He was sorry chiefly because he had been compelled to use such mild language over the telephone. It would be almost worth a trip to the office just to tell Martinson without stint what he thought of him and all his works.
He crawled back into bed and smoked his cigarette with due regard for the bedclothes, and wondered what kind of a fool they took him for if they imagined for one minute that he would produce so much as a sub-title under the personal supervision of Bently Brown.
After awhile it occurred to him that, unless he relented from his final statement to Martinson, he was a young man out of a job, but that did not worry him much. Of course, if he left the Acme Company, he would have to look around for an opening somewhere else, where he could take his Happy Family and maybe produce….
Right there Luck got up and unlocked his trunk, which was also his chest of treasures, and found the carbon copy of his range scenario. He had not named it yet. In thinking of it and in talking about it with the boys he had been content to call it his Big Picture. If he could place himself and his Big Picture and his boys with some company that would appreciate the value of the combination, his rupture with the Acme Company would be simply a bit of good luck. While he huddled close to the radiator that was beginning to hiss and rumble encouragingly, he glanced rapidly over the meagerly described scenes which were to his imagination so full of color.
“Pam. bleak mesa—snow—cattle drifting before wind. Dale and Johnny dis. riding to foreground. Reg. cold—horses leg-weary—boys all in—”
To Luck, sitting there in his pajamas as close as he could get to a slow-warming steam radiator, those curtailed sentences projected his mental self into a land of cold and snow and biting wind, where the cattle drifted dismally before the storm. Andy Green and Miguel Rapponi were riding slowly toward him on shuffling horses as bone-weary as their masters. Snow was packed in the wrinkles of the boys’ clothing. Snow was packed in the manes and tails of the horses that moved with their heads drooping in utter dejection. “Boys all in,” said the script laconically. Luck, staring at the little thread of escaping steam from the radiator valve, saw Andy and the Native Son drooping in the saddles, swaying stiffly with the movements of their mounts. He saw them to the last little detail,—to the drift of snow on their hatbrims and the tiny icicles clinging to the high collars of their sourdough coats, where their breath had frozen.
If he could get a company to let him put that on, he would not care, he told himself, if he never made another picture in his life. If he could get a company to send him and the boys where that stuff could be found—
Well, it was only eight o’clock in the morning, a rainy morning at that, when all good movie people would lie late in bed for the pure luxury of taking their ease. But Luck, besides acting upon strong convictions and then paying the price without whimpering, never let an impulse grow stale from want of use. He reached for the fat telephone directory and searched out the numbers of those motion-picture companies which he did not remember readily. Then, beginning at the first number on his hastily compiled list, he woke five different managers out of their precious eight-o’clock sleep to answer his questions.
Whatever they may have thought of Luck Lindsay just then, they replied politely, and did not tell him offhand that there was no possible opening for him in their companies. Three of them made appointments with him at their offices. One promised to call him up just as soon as he “had a line on anything.” One said that, with the rainy weather coming on, they were cutting down to straight studio stuff, but that he would keep Luck in mind if anything turned up.
Then I suppose the whole five called him names behind his back, figuratively speaking, for being such an early riser on such a day. Not one of them asked him any questions about his reasons for leaving the Acme; reasons, in the motion-picture business, are generally invented upon demand and have but a fictitious value at best. And since it is never a matter of surprise when any director or any member of any company decides to try a new field, it would seem that change is one of the most unchanging features of the business.
Luck had no qualms of conscience, either for his treatment of Martinson and his overtures, or for his disturbances of five other perfectly inoffensive movie managers. He dressed with mechanical precision and with his mind shuttling back and forth from his Big Picture to the possibilities of his next position. He folded his scenario and placed it in a long envelope, hunted until he found his rubbers, took his raincoat over his arm and his umbrella in his hand, and went blithely to the elevator. It was too stormy for his machine, so he caught a street car and went straight to the bungalow where the Happy Family were still snoring at peace with the world and each other.
Still Luck had no qualms of conscience. He lingered in the kitchen just long enough to say howdy to Rosemary Green who was anxiously watching a new and much admired coffee percolator “to see if it were going to perk,” she told him gravely. He assured Rosemary that he had come all the way out there in the hope of being invited to breakfast. Then he went into a sleep-charged atmosphere and gave a real, old-time range yell.
“Why, I saw that peaked little person with Mr. Martinson,” Mrs. Andy remarked slightingly at the breakfast table. “Was that Bently Brown? And he has the nerve to want to stand around and boss you—oh, find, me an umbrella, somebody! I shall choke if I can’t go and tell him to his silly, pink face what a conceited little idiot he is!” (You will see why it was that Rosemary Green had been adopted without question as a member of the Happy Family.) “I hope you told him straight out, Luck Lindsay, that these boys would simply tear him limb from limb if he ever dared to butt in on your work. Why, it’s you that made the picture fit to look at!”
Luck let his eyes thank her for her loyalty, and held out his empty cup for more coffee. “I came out,” he drawled quietly, “to find out what you fellows are going to do about it. Of course, they’ll get somebody else to go ahead with the stuff, and you boys can stay with it—”
“Well, say! Did you come away out here in the rain to insult us fellers?” Big Medicine roared suddenly from the foot of the table. “I’ll take a lot from you, but by cripes they’s got to be a line drawed somewheres!”
“You bet. And right there’s where we draw it, Luck,” spoke up the dried little man who seldom spoke at the table, but concentrated his attention upon the joy of eating what Mrs. Andy set before him. “I come out here to work for you. That peters out, by gorry I’ll go back to chufferin a