The Greatest Works of B. M. Bower - 51 Titles in One Volume (Illustrated Edition). B. M. Bower
when they tried to rouse him to the present. Sometimes he would talk of the old days, though not often; frequently he would ask about various members of the Happy Family. Wouldn't they try and come to spend the Fourth at the old ranch, with a real old-time reunion? Seeing them might pull J. G. back into life before he slipped too far out and away from them. There was no organic reason, she wrote, why he should not live for several years yet. His rheumatism troubled him a great deal, but aside from that, his health should be much better than it was. He was letting go on life. It might be his last Fourth of July, she had stated frankly. It would be, unless they could get hold of him somehow and pull him back.
So here they were, trying not to seem conscious of her appeal; trying not to betray the shock they felt at the change in the old man sitting there by the window in a wheel chair, a soft robe thrown across his knees on this hot midsummer day.
Shrunken, stooped through sheer lack of energy, he sat there staring at them with that remote look in his lusterless eyes which comes when the soul is beginning to loosen its hold upon the body. His handclasp lacked the old sturdy grip of the fingers; his voice was flat, expressionless, tired. He had the habit of repeating words vaguely and of asking the same question twice or even oftener, forgetting that it had been answered. Yet there were moments when he rallied and was the Old Man they remembered, probing their activities with something approaching real interest. These moments they clung to, sought to prolong.
"They tell me you're a movin'-pitcher man now," he said accusingly to Andy Green, who was at that minute selecting a monogrammed cigarette from the Native Son's silver case. "That so? And they say Mig-uell here is an actor, and Pink too. Somebuddy was tellin' me Pink, here, puts on dresses and plays a woman's part in the movies. What's the straight of the story? Any truth in it?"
"I'm afraid so, J. G. Pink doubles for Minna Waska in all her stunt stuff and a lot of her straight drama. She's that Indian princess that stars in Westerns. Pink's about two thirds of Minna Waska. The girl in the close-ups and love scenes is a Pilack girl with a pair of wonderful eyes that get over big on the screen. It takes 'em both to be Minna Waska, so I guess you could say Pink plays a woman's part, all right."
The Old Man grunted and eyed Pink dubiously.
"Any rider in Hollywood 'd be tickled at the chance to do my work and draw down the salary I'm getting," Pink defended himself, coloring a little under the look of disapproval. "There's plenty can ride as well as I can, and if they get fifty a week they consider themselves lucky. They're all too big to double for a girl, though. I get five hundred a week—that's why I double for Minna Waska."
"What's doublin'?" demanded J. G. pettishly, having failed to grasp it all.
They explained to him again what doubling meant. They told him all about how the Native Son had suddenly found himself a favorite with the screen public because of his slim grace in the saddle and his face that photographed so well, so that now he was playing leads under his screen name of Luis Mendoza, with a salary of fifteen hundred a week and the prospect of getting twice that much when his present contract expired. They related their successes—how Andy was making good as a director of Westerns for Universal, and how Weary owned a fine lot of horses which he rented to different studios. Weary was making all the money he could spend and remain sober, he declared, with that sunny smile they remembered so well, that had carved deep lines around his eyes.
"Looks like the Flyin' U is prospering too," he added, swinging the subject away from himself as was his habit. "Mig almost took a fit and fell off the bluff up here when he got sight of that big red barn you've got now. He was looking for the silo that oughta go with it."
"Well, we've been thinking of putting in a silo," Chip confessed somewhat guiltily. "We're raising nothing but blooded stock now, and a silo would certainly cut down the cost of winter feeding. You can't turn a thousand-dollar cow out on the range to rustle through the winter, you know. Nor thoroughbred horses, either. We're running everything under fence and we need better shelter than we did in the old days. So we had to have a big barn," he finished in whimsical apology, looking at Miguel.
"You didn't have to paint it red," the Native Son retorted. "From the top of the hill this location could be duplicated in Iowa or Indiana or any one of a dozen States. You've killed the old range atmosphere, Chip. A two-story red barn is about as Western as a high board fence—and as picturesque. And you're an artist too! And the Little Doctor here—I can't seem to get that red barn in the picture at all."
Her sudden laughter halted his whimsical, half-earnest diatribe.
"Even artists have to eat and wear clothes," she reminded him. "One could starve in picturesque, thoroughly Western atmosphere, but we prefer to adapt ourselves to changing conditions and go on living, just as you boys have done. Big red barns are an economic necessity, these days. Perhaps not red—but it's a good warm color that holds up well in all weathers. We're like Pink; we do it because there's more money in it than trying to patch up old sheds and letting our stock freeze."
"You're as bad as the Kid," Chip grinned ruefully. "He thinks we ought to turn this blooded stock loose in the Badlands so we'd have to run a round-up outfit, same as we used to. Called me a hayseed the other day, the young whelp!"
"Oh, yeah—where's the Kid?" Weary pulled his pitying glance away from the Old Man. "I was going to ask about him. Big as you are, Chip, I'll bet!"
"Bigger," Chip answered laconically. "A good inch taller; weighs about what I did when I was riding every day—" He broke off abruptly, glancing involuntarily toward the Little Doctor.
"He's home, ain't he?"
"Oh, yes—got home a week ago. Rode horseback up from Laramie where we've had him in school. Crazy about horses, but—"
"But what?" Pink boldly inquired. "He ain't the kind that can't stick on a horse, is he? That don't seem possible, the way he started out when he was a little tad. It oughta run in the blood. Don't it?"
"I don't know," Chip confessed with manifest reluctance. "He likes horses and he's got no use for cars—you can hardly get him into one. He's got three good saddle horses and he seems to spend most of his time fooling around them. He sets a horse like a rider. I don't know how he'd perform on a real salty bronk."
"I hope," the Little Doctor spoke up, "he has more sense than to try performing on one. The time for that has gone by. Our boy is going to be a doctor."
"Yeah?" Weary started as if some one had given him a blow on the back. The Old Man gave a snort of dissent, and Pink sent a quick, inquiring look toward Andy Green.
"She means," Chip explained dryly, "that she wants him to be a doctor, since he won't take any interest in the ranch. We don't know what he thinks about it, though. We don't," he added queerly, "know what he thinks about anything, much. He's taken possession of those weaning sheds and corral down in the lower pasture, and he keeps his horses down there all summer and rides around in the hills a lot. We don't see much of him, to tell you the truth."
"I want him to keep in the open air as much as possible during the summer," his mother spoke up quickly. "Claude is a very quiet, studious boy, and he is growing so fast that he needs all the fresh air and sunshine he can get. I did want him to go to some good college in the East, but he chose Laramie University—because it's nearer home, I suppose; and it's a very good school, we find. We're all very proud of Claude, and his father is just pretending he doesn't know that we're to have a young M.D. in the family one of these days."
"That'll be fine," Weary observed with a lukewarm interest. "I never used to think the Kid would ever be anything but a real old cow-puncher. That's the way he started out, and I'd 'a' thought he'd keep it up. It kinda surprises me to hear he's taken to studying medicine."
"Well, of course he hasn't, yet," his mother admitted. "He has to lay the foundation first. And he does love horses as well as he ever did. I think he must spend most of his time in the saddle during the summers, to make up for being indoors all winter."
"Funny he don't take to ranching," Pink remarked doubtfully. "You'd think—"
"Oh, he'll fool with a rope—he's pretty good at spinning a loop. But he sure ain't cut out for