Ramona. Helen Hunt Jackson
much the better?
The house, was of adobe, low, with a wide veranda on the three sides of the inner court, and a still broader one across the entire front, which looked to the south. These verandas, especially those on the inner court, were supplementary rooms to the house. The greater part of the family life went on in them. Nobody stayed inside the walls, except when it was necessary. All the kitchen work, except the actual cooking, was done here, in front of the kitchen doors and windows. Babies slept, were washed, sat in the dirt, and played, on the veranda. The women said their prayers, took their naps, and wove their lace there. Old Juanita shelled her beans there, and threw the pods down on the tile floor, till towards night they were sometimes piled up high around her, like corn-husks at a husking. The herdsmen and shepherds smoked there, lounged there, trained their dogs there; there the young made love, and the old dozed; the benches, which ran the entire length of the walls, were worn into hollows, and shone like satin; the tiled floors also were broken and sunk in places, making little wells, which filled up in times of hard rains, and were then an invaluable addition to the children's resources for amusement, and also to the comfort of the dogs, cats, and fowls, who picked about among them, taking sips from each.
The arched veranda along the front was a delightsome place. It must have been eighty feet long, at least, for the doors of five large rooms opened on it. The two westernmost rooms had been added on, and made four steps higher than the others; which gave to that end of the veranda the look of a balcony, or loggia. Here the Senora kept her flowers; great red water-jars, hand-made by the Indians of San Luis Obispo Mission, stood in close rows against the walls, and in them were always growing fine geraniums, carnations, and yellow-flowered musk. The Senora's passion for musk she had inherited from her mother. It was so strong that she sometimes wondered at it; and one day, as she sat with Father Salvierderra in the veranda, she picked a handful of the blossoms, and giving them to him, said, “I do not know why it is, but it seems to me if I were dead I could be brought to life by the smell of musk.”
“It is in your blood, Senora,” the old monk replied. “When I was last in your father's house in Seville, your mother sent for me to her room, and under her window was a stone balcony full of growing musk, which so filled the room with its odor that I was like to faint. But she said it cured her of diseases, and without it she fell ill. You were a baby then.”
“Yes,” cried the Senora, “but I recollect that balcony. I recollect being lifted up to a window, and looking down into a bed of blooming yellow flowers; but I did not know what they were. How strange!”
“No. Not strange, daughter,” replied Father Salvierderra. “It would have been stranger if you had not acquired the taste, thus drawing it in with the mother's milk. It would behoove mothers to remember this far more than they do.”
Besides the geraniums and carnations and musk in the red jars, there were many sorts of climbing vines—some coming from the ground, and twining around the pillars of the veranda; some growing in great bowls, swung by cords from the roof of the veranda, or set on shelves against the walls. These bowls were of gray stone, hollowed and polished, shining smooth inside and out. They also had been made by the Indians, nobody knew how many ages ago, scooped and polished by the patient creatures, with only stones for tools.
Among these vines, singing from morning till night, hung the Senora's canaries and finches, half a dozen of each, all of different generations, raised by the Senora. She was never without a young bird-family on hand; and all the way from Bonaventura to Monterey, it was thought a piece of good luck to come into possession of a canary or finch of Senora Moreno's 'raising.
Between the veranda and the river meadows, out on which it looked, all was garden, orange grove, and almond orchard; the orange grove always green, never without snowy bloom or golden fruit; the garden never without flowers, summer or winter; and the almond orchard, in early spring, a fluttering canopy of pink and white petals, which, seen from the hills on the opposite side of the river, looked as if rosy sunrise clouds had fallen, and become tangled in the tree-tops. On either hand stretched away other orchards—peach, apricot, pear, apple pomegranate; and beyond these, vineyards. Nothing was to be seen but verdure or bloom or fruit, at whatever time of year you sat on the Senora's south veranda.
A wide straight walk shaded by a trellis so knotted and twisted with grapevines that little was to be seen of the trellis wood-work, led straight down from the veranda steps, through the middle of the garden, to a little brook at the foot of it. Across this brook, in the shade of a dozen gnarled old willow-trees, were set the broad flat stone washboards on which was done all the family washing. No long dawdling, and no running away from work on the part of the maids, thus close to the eye of the Senora at the upper end of the garden; and if they had known how picturesque they looked there, kneeling on the grass, lifting the dripping linen out of the water, rubbing it back and forth on the stones, sousing it, wringing it, splashing the clear water in each other's faces, they would have been content to stay at the washing day in and day out, for there was always somebody to look on from above. Hardly a day passed that the Senora had not visitors. She was still a person of note; her house the natural resting-place for all who journeyed through the valley; and whoever came, spent all of his time, when not eating, sleeping, or walking over the place, sitting with the Senora on the sunny veranda. Few days in winter were cold enough, and in summer the day must be hot indeed to drive the Senora and her friends indoors. There stood on the veranda three carved oaken chairs, and a carved bench, also of oak, which had been brought to the Senora for safe keeping by the faithful old sacristan of San Luis Rey, at the time of the occupation of that Mission by the United States troops, soon after the conquest of California. Aghast at the sacrilegious acts of the soldiers, who were quartered in the very church itself, and amused themselves by making targets of the eyes and noses of the saints' statues, the sacristan, stealthily, day by day and night after night, bore out of the church all that he dared to remove, burying some articles in cottonwood copses, hiding others in his own poor little hovel, until he had wagon-loads of sacred treasures. Then, still more stealthily, he carried them, a few at a time, concealed in the bottom of a cart, under a load of hay or of brush, to the house of the Senora, who felt herself deeply honored by his confidence, and received everything as a sacred trust, to be given back into the hands of the Church again, whenever the Missions should be restored, of which at that time all Catholics had good hope. And so it had come about that no bedroom in the Senora's house was without a picture or a statue of a saint or of the Madonna; and some had two; and in the little chapel in the garden the altar was surrounded by a really imposing row of holy and apostolic figures, which had looked down on the splendid ceremonies of the San Luis Rey Mission, in Father Peyri's time, no more benignly than they now did on the humbler worship of the Senora's family in its diminished estate. That one had lost an eye, another an arm, that the once brilliant colors of the drapery were now faded and shabby, only enhanced the tender reverence with which the Senora knelt before them, her eyes filling with indignant tears at thought of the heretic hands which had wrought such defilement. Even the crumbling wreaths which had been placed on some of the statues' heads at the time of the last ceremonial at which they had figured in the Mission, had been brought away with them by the devout sacristan, and the Senora had replaced each one, holding it only a degree less sacred than the statue itself.
This chapel was dearer to the Senora than her house. It had been built by the General in the second year of their married life. In it her four children had been christened, and from it all but one, her handsome Felipe, had been buried while they were yet infants. In the General's time, while the estate was at its best, and hundreds of Indians living within its borders, there was many a Sunday when the scene to be witnessed there was like the scenes at the Missions—the chapel full of kneeling men and women; those who could not find room inside kneeling on the garden walks outside; Father Salvierderra, in gorgeous vestments, coming, at close of the services, slowly down the aisle, the close-packed rows of worshippers parting to right and left to let him through, all looking up eagerly for his blessing, women giving him offerings of fruit or flowers, and holding up their babies that he might lay his hands on their heads. No one but Father Salvierderra had ever officiated in the Moreno chapel, or heard the confession of a Moreno. He was a Franciscan, one of the few now left in the country; so revered and beloved by all who had come under his influence, that they would wait long months without the offices of the Church, rather than