THE PALLISER NOVELS & THE CHRONICLES OF BARSETSHIRE: Complete Series. Anthony Trollope
also to writing on other subjects. Much of the literary criticism which we now have is very bad indeed;—. so bad as to be open to the charge both of dishonesty and incapacity. Books are criticised without being read,—are criticised by favour,—and are trusted by editors to the criticism of the incompetent. If the names of the critics were demanded, editors would be more careful. But I fear the effect would be that we should get but little criticism, and that the public would put but little trust in that little. An ordinary reader would not care to have his books recommended to him by Jones; but the recommendation of the great unknown comes to him with all the weight of the Times, the Spectator, or the Saturday.
Though I admit so much, I am not a recreant from the doctrine I then preached. I think that the name of the author does tend to honesty, and that the knowledge that it will be inserted adds much to the author’s industry and care. It debars him also from illegitimate license and dishonest assertions. A man should never be ashamed to acknowledge that which he is not ashamed to publish. In The Fortnightly everything has been signed, and in this way good has, I think, been done. Signatures to articles in other periodicals have become much more common since The Fortnightly was commenced.
After a time Mr. Lewes retired from the editorship, feeling that the work pressed too severely on his moderate strength. Our loss in him was very great, and there was considerable difficulty in finding a successor. I must say that the present proprietor has been fortunate in the choice he did make. Mr. John Morley has done the work with admirable patience, zeal, and capacity. Of course he has got around him a set of contributors whose modes of thought are what we may call much advanced; he being “much advanced” himself, would not work with other aids. The periodical has a peculiar tone of its own; but it holds its own with ability, and though there are many who perhaps hate it, there are none who despise it. When the company sold it, having spent about 9000 on it, it was worth little or nothing. Now I believe it to be a good property.
My own last personal concern with it was on a matter, of foxhunting. [Footnote: I have written various articles for it since, especially two on Cicero, to which I devoted great labour.] There came out in it an article from the pen of Mr. Freeman the historian, condemning the amusement, which I love, on the grounds of cruelty and general brutality. Was it possible, asked Mr. Freeman, quoting from Cicero, that any educated man should find delight in so coarse a pursuit? Always bearing in mind my own connection with The Fortnightly, I regarded this almost as a rising of a child against the father. I felt at any rate bound to answer Mr. Freeman in the same columns, and I obtained Mr. Morley’s permission to do so. I wrote my defence of foxhunting, and there it is. In regard to the charge of cruelty, Mr. Freeman seems to assert that nothing unpleasant should be done to any of God’s creatures except f or a useful purpose. The protection of a lady’s shoulders from the cold is a useful purpose; and therefore a dozen fur-bearing animals may be snared in the snow and left to starve to death in the wires, in order that the lady may have the tippet,—though a tippet of wool would serve the purpose as well as a tippet of fur. But the congregation and healthful amusement of one or two hundred persons, on whose behalf a single fox may or may not be killed, is not a useful purpose. I think that Mr. Freeman has failed to perceive that amusement is as needful and almost as necessary as food and raiment. The absurdity of the further charge as to the general brutality of the pursuit, and its consequent unfitness for an educated man, is to be attributed to Mr. Freeman’s ignorance of what is really done and said in the hunting-field,—perhaps to his misunderstanding of Cicero’s words. There was a rejoinder to my answer, and I asked for space for further remarks. I could have it, the editor said, if I much wished it; but he preferred that the subject should be closed. Of course I was silent. His sympathies were all with Mr. Freeman,—and against the foxes, who, but for foxhunting, would cease to exist in England. And I felt that The Fortnighty was hardly the place for the defence of the sport. Afterwards Mr. Freeman kindly suggested to me that he would be glad to publish my article in a little book to be put out by him condemnatory of foxhunting generally. He was to have the last word and the first word, and that power of picking to pieces which he is known to use in so masterly a manner, without any reply from me! This I was obliged to decline. If he would give me the last word, as be would have the first, then, I told him, I should be proud to join him in the book. This offer did not however meet his views.
It had been decided by the Board of Management, somewhat in opposition to my own ideas on the subject, that the Fortnightly Review should always contain a novel. It was of course natural that I should write the first novel, and I wrote The Belton Estate. It is similar in its attributes to Rachel Ray and to Miss Mackenzie. It is readable, and contains scenes which are true to life; but it has no peculiar merits, and will add nothing to my reputation as a novelist. I have not looked at it since it was published; and now turning back to it in my memory, I seem to remember almost less of it than of any book that I have written.
Chapter XI.
“The Claverings,” the “Pall Mall Gazette,” “Nina Balatka,” and “Linda Tressel”
The Claverings, which came out in 1866 and 1867, was the last novel which I wrote for the Cornhill; and it was for this that I received the highest rate of pay that was ever accorded to me. It was the same length as Framley Parsonage, and the price was 2800. Whether much or little, it was offered by the proprietor of the magazine, and was paid in a single cheque.
In The Claverings I did not follow the habit which had now become very common to me, of introducing personages whose names are already known to the readers of novels, and whose characters were familiar to myself. If I remember rightly, no one appears here who had appeared before or who has been allowed to appear since. I consider the story as a whole to be good, though I am not aware that the public has ever corroborated that verdict. The chief character is that of a young woman who has married manifestly for money and rank,—so manifestly that she does not herself pretend, even while she is making the marriage, that she has any other reason. The man is old, disreputable, and a wornout debauchee. Then comes the punishment natural to the offence. When she is free, the man whom she had loved, and who had loved her, is engaged to another woman. He vacillates and is weak,—in which weakness is the fault of the book, as he plays the part of hero. But she is strong—strong in her purpose, strong in her desires, and strong in her consciousness that the punishment which comes upon her has been deserved.
But the chief merit of The Clarverings is in the genuine fun of some of the scenes. Humour has not been my forte, but I am inclined to think that the characters of Captain Boodle, Archie Clavering, and Sophie Gordeloup are humorous. Count Pateroff, the brother of Sophie, is also good, and disposes of the young hero’s interference in a somewhat masterly manner. In The Claverings, too, there is a wife whose husband is a brute to her, who loses an only child—his heir—and who is rebuked by her lord because the boy dies. Her sorrow is, I think, pathetic. From beginning to end the story is well told. But I doubt now whether any one reads The Claverings. When I remember how many novels I have written, I have no right to expect that above a few of them shall endure even to the second year beyond publication. This story closed my connection with the Cornhill Magazine;—but not with its owner, Mr. George Smith, who subsequently brought out a further novel of mine in a separate form, and who about this time established the Pall Mall Gazette, to which paper I was for some years a contributor.
It was in 1865 that the Pall Mall Gazette was commenced, the name having been taken from a fictitious periodical, which was the offspring of Thackeray’s brain. It was set on foot by the unassisted energy and resources of George Smith, who had succeeded by means of his magazine and his publishing connection in getting around him a society of literary men who sufficed, as far as literary ability went, to float the paper at one under favourable auspices. His two strongest staffs probably were “Jacob Omnium,” whom I regard as the most forcible newspaper writer of my days, and Fitz-James Stephen, the most conscientious and industrious. To them the Pall Mall Gazette owed very much of its early success,—and to the untiring energy and general ability of its proprietor. Among its other contributors were George Lewes, Hannay,—who, I think, came up from Edinburgh for employment on its columns,—Lord Houghton, Lord Strangford, Charles Merivale, Greenwood the