The Greatest Works of Émile Gaboriau. Emile Gaboriau
the malefactors.
XII
The Drama
About two leagues from Tarascon, on the left bank of the Rhone, not far from the wonderful gardens of M. Audibert, stood the chateau of Clameran, a weather-stained, neglected, but massive structure.
Here lived, in 1841, the old Marquis de Clameran and his two sons, Gaston and Louis.
The marquis was an eccentric old man. He belonged to the race of nobles, now almost extinct, whose watches stopped in 1789, and who kept time with the past century.
More attached to his illusions than to his life, the old marquis insisted upon considering all the stirring events which had happened since the first revolution as a series of deplorable practical jokes.
Emigrating with the Count d’Artois, he did not return to France until 1815, with the allies.
He should have been thankful to Heaven for the recovery of a portion of his immense family estates; a comparatively small portion, to be sure, but full enough to support him comfortably: he said, however, that he did not think the few paltry acres were worth thanking God for.
At first, he tried every means to obtain an appointment at court; but seeing all his efforts fail, he resolved to retire to his chateau, which he did, after cursing and pitying his king, whom he had worshipped.
He soon became accustomed to the free and indolent life of a country gentleman.
Possessing fifteen thousand francs a year, he spent twenty-five or thirty thousand, borrowing from every source, saying that a genuine restoration would soon take place, and that then he would regain possession of all his properties.
Following his example, his younger son lived extravagantly. Louis was always in pursuit of adventure, and idled away his time in drinking and gambling. The elder son, Gaston, anxious to participate in the stirring events of the time, prepared himself for action by quietly working, studying, and reading certain papers and pamphlets surreptitiously received, the very mention of which was considered a hanging matter by his father.
Altogether the old marquis was the happiest of mortals, living well, drinking high, hunting much, tolerated by the peasants, and execrated by the gentlemen of the neighborhood, who regarded him with contempt and raillery.
Time never hung heavy on his hands, except in mid-summer, when the valley of the Rhone was intensely hot; and even then he had infallible means of amusement, always new, though ever the same.
He detested, above all, his neighbor the Countess de la Verberie.
The Countess de la Verberie, the “bete noire” of the marquis, as he ungallantly termed her, was a tall, dry woman, angular in appearance and character, cold and arrogant toward her equals, and domineering over her inferiors.
Like her noble neighbor, she too had emigrated; and her husband was afterward killed at Lutzen, but unfortunately not in the French ranks.
In 1815, the countess came back to France. But while the Marquis de Clameran returned to comparative ease, she could obtain nothing from royal munificence, but the small estate and chateau of La Verberie.
It is true that the chateau of La Verberie would have contented most people; but the countess never ceased to complain of her unmerited poverty, as she called it.
The pretty chateau was more modest in appearance than the manor of the Clamerans; but it was equally comfortable, and much better regulated by its proud mistress.
It was built in the middle of a beautiful park, one of the wonders of that part of the country. It reached from the Beaucaire road to the river-bank, a marvel of beauty, with its superb old oaks, yoke-elms, and lovely groves, its meadow, and clear stream of water winding in among the trees.
The countess had but one child—a lovely girl of eighteen, named Valentine; fair, slender, and graceful, with large, soft eyes, beautiful enough to make the stone saints of the village church thrill in their niches, when she knelt piously at their feet.
The renown of her great beauty, carried on the rapid waters of the Rhone, was spread far and wide.
Often the bargemen and the robust wagoners, driving their powerful horses along the road, would stop to gaze with admiration upon Valentine seated under some grand old tree on the banks of the river, absorbed in her book.
At a distance her white dress and flowing tresses made her seem a mysterious spirit from another world, these honest people said; they thought it a good omen when they caught a glimpse of her as they passed up the river. All along between Arles and Valence she was spoken of as the “lovely fairy” of La Verberie.
If M. de Clameran detested the countess, Mme. de la Verberie execrated the marquis. If he nicknamed her “the witch,” she never called him anything but “the old gander.”
And yet they should have agreed, for at heart they cherished the same opinions, with different ways of viewing them.
He considered himself a philosopher, scoffed at everything, and had an excellent digestion. She nursed her rancor, and grew yellow and thin from rage and envy.
Nevertheless, they might have spent many pleasant evenings together, for, after all, they were neighbors. From Clameran could be seen Valentine’s greyhound running about the park of La Verberie; from La Verberie glimpses were had of the lights in the dining-room windows of Clameran.
And, as regularly as these lights appeared, every evening, the countess would say, in a spiteful tone:
“Ah, now their orgies are about to commence!”
The two chateaux were only separated by the fast-flowing Rhone, which at this spot was rather narrow.
But between the two families existed a hatred deeper and more difficult to avert than the course of the Rhone.
What was the cause of this hatred?
The countess, no less than the marquis, would have found it difficult to tell.
It was said that under the reign of Henri IV. or Louis XIII. a La Verberie betrayed the affections of a fair daughter of the Clamerans.
This misdeed led to a duel and bloodshed.
This groundwork of facts had been highly embellished by fiction; handed down from generation to generation, it had now become a long tragic history of robbery, murder, and rapine, which precluded any intercourse between the two families.
The usual result followed, as it always does in real life, and often in romances, which, however exaggerated they may be, generally preserve a reflection of the truth which inspires them.
Gaston met Valentine at an entertainment; he fell in love with her at first sight.
Valentine saw Gaston, and from that moment his image filled her heart.
But so many obstacles separated them!
For over a year they both religiously guarded their secret, buried like a treasure in the inmost recesses of their hearts.
And this year of charming, dangerous reveries decided their fate. To the sweetness of the first impression succeeded a more tender sentiment; then came love, each having endowed the other with superhuman qualities and ideal perfections.
Deep, sincere passion can only expand in solitude; in the impure air of a city it fades and dies, like the hardy plants which lose their color and perfume when transplanted to hot-houses.
Gaston and Valentine had only seen each other once, but seeing was to love; and, as the time passed, their love grew stronger, until at last the fatality which had presided over their first meeting brought them once more together.