The Greatest Works of Cleveland Moffett. Cleveland Moffett
the lady, he had not left the corridor outside the door of Number Six until the moment when he entered the room and discovered the crime. During this interval of perhaps a quarter of an hour he had moved down the corridor a short distance, but not farther than the door of Number Four. He was sure of this because one of the doors to the banquet room was just opposite the door of Number Four, and he had stood there listening to a Fourth-of-July speaker who was discussing the relations between France and America. Joseph, being something of a politician, was greatly interested in this.
"Then this banquet-room door was open?" questioned Pougeot.
"Yes, sir, it was open about a foot—some of the guests wanted air."
"How did you stand as you listened to the speaker? Show me." M. Pougeot led Joseph to the banquet-room door.
"Like this," answered the waiter, and he placed himself so that his back was turned to Number Six.
"So you would not have seen anyone who might have come out of Number Six at that time or gone into Number Six?"
"I suppose not."
"And if the door of Number Six had opened while your back was turned, would you have heard it?"
Joseph shook his head. "No, sir; there was a lot of applauding—like that," he paused as a roar of laughter came from across the hall.
The commissary turned quickly to one of his men. "See that they make less noise. And be careful no one leaves the banquet room on any excuse. I'll be there presently." Then to the waiter: "Did you hear any sound from Number Six? Anything like a shot?"
"No, sir."
"Hm! It must have been the thunder. Now tell me this, could anyone have passed you in the corridor while you stood at the banquet-room door without your knowing it?"
Joseph's round, red face spread into a grin. "The corridor is narrow, sir, and I"—he looked down complacently at his ample form—"I pretty well fill it up, don't I, sir?"
"You certainly do. Give me a sheet of paper." And with a few rapid pencil strokes the commissary drew a rough plan of the banquet room, the corridor, and the seven private dining rooms. He marked carefully the two doors leading from the banquet room into the corridor, the one where Joseph listened, opposite Number Four, and the one opposite Number Six.
"Here you are, blocking the corridor at Number Four"; he made a mark on the plan at that point. "By the way, are there any other exits from the banquet room except these two corridor doors?"
"No, sir."
"Good! Now pay attention. While you were listening at this door—I'll mark it A—with your back turned to Number Six, a person might have left the banquet room by the farther door—I'll mark it B—and stepped across the corridor into Number Six without your seeing him. Isn't that true?"
"Yes, sir, it's possible."
"Or a person might have gone into Number Six from either Number Five or Number Seven without your seeing him?"
"Excuse me, there was no one in Number Five during that fifteen minutes, and the party who had engaged Number Seven did not come."
"Ah! Then if any stranger went into Number Six during that fifteen minutes he must have come from the banquet room?"
"Yes, sir."
"By this door, B?"
"That's the only way he could have come without my seeing him."
"And if he went out from Number Six afterwards, I mean if he left the hotel, he must have passed you in the corridor?"
"Exactly." Joseph's face was brightening.
"Now, did anyone pass you in the corridor, anyone except the lady?"
"Yes, sir," answered the waiter eagerly, "a young man passed me."
"Going out?"
"Yes, sir."
"Did you know where he came from?"
"I supposed he came from the banquet room."
"Did this happen before the lady went out, or after?"
"Before."
"Can you describe this young man, Joseph?"
The waiter frowned and rubbed his red neck. "I think I should know him, he was slender and clean shaven—yes, I'm sure I should know him."
"Did anyone else pass you, either going out or coming in?"
"No, sir."
"Are you sure?"
"Absolutely sure."
"That will do."
Joseph heaved a sigh of relief and was just passing out when the commissary cried out with a startled expression: "A thousand thunders! Wait! That woman—what did she wear?"
The waiter turned eagerly. "Why, a beautiful evening gown, sir, cut low with a lot of lace and——"
"No, no. I mean, what did she wear outside? Her wraps? Weren't they in Number Six?"
"No, sir, they were downstairs in the cloakroom."
"In the cloakroom!" He bounded to his feet. "Bon sang de bon Dieu! Quick! Fool! Don't you understand?"
This outburst stirred Joseph to unexampled efforts; he fairly hurled his massive body down the stairs, and a few moments later returned, panting but happy, with news that the lady in Number Six had left a cloak and leather bag in the cloakroom. These articles were still there.
"Ah, that is something!" murmured the commissary, and he hurried down to see the things for himself.
The cloak was of yellow silk, embroidered in white, a costly garment from a fashionable maker; but there was nothing to indicate the wearer. The bag was a luxurious trifle in Brazilian lizard skin, with solid-gold mountings; but again there was no clew to the owner, no name, no cards, only some samples of dress goods, a little money, and an unmarked handkerchief.
"Don't move these things," directed M. Pougeot. "It's possible some one will call for them, and if anyone should call, why—that's Gibelin's affair. Now we'll see these Americans."
It was a quarter past ten, and the hilarity of proceedings at the Fourth-of-July banquet (no ladies present) had reached its height. A very French-looking student from Bridgeport, Connecticut, had just started an uproarious rendering of "My Bonnie Lies Over the Ocean," with Latin-Quarter variations, when there came a sudden hush and a turning of heads toward the half-open door, through which a voice was heard in peremptory command. Something had happened, something serious, if one could judge by the face of François, the head waiter, who stood at the corridor entrance.
"Not so fast," he insisted, holding the young men back, and a moment later there entered a florid-faced man with authoritative mien, closely followed by two policemen.
"Horns of a purple cow!" muttered the Bridgeport art student, who loved eccentric oaths. "The house is pulled!"
"Gentlemen," began M. Pougeot, while the company listened in startled silence, "I am sorry to interrupt this pleasant gathering, especially as I understand that you are celebrating your national holiday; unfortunately, I have a duty to perform that admits of no delay. While you have been feasting and singing, as becomes your age and the occasion, an act of violence has taken place within the sound of your voices—I may say under cover of your voices."
He paused and swept his eyes in keen scrutiny over the faces before him, as if trying to read in one or the other of them the answer to some question not yet asked.
"My friends," he continued, and now his look became almost menacing, "I am here as an officer of the law because I have reason to believe that a guest at this banquet is connected with a crime committed in this restaurant within the last