The Master-Christian. Marie Corelli
to support a Lie, can drive back the storm-cloud of the wrath of that "Unknown Quantity" called God, whose thunders do most terribly declare the truth "with power and great glory." "How long O Lord, how long!" Not long, we think, O friends!—not long now shall we wait for the Divine Pronouncement of the End. Hints of it are in the air,—signs and portents of it are about us in our almost terrific discoveries of the invisible forces of Light and Sound,—we are not given such tremendous powers to play with in our puny fashion for the convenience of making our brief lives easier to live and more interesting,—no, there is some deeper reason,—one, which in our heedless way of dancing over our own Earth-grave, we never dream of. And we go on making our little plans, building our ships and making loud brags of our armies, and our skill, and our prowess both by land and sea, and our amazing importance to ourselves and to others,—which importance has reached such a height at the present day as to make of us a veritable spectacle for Olympian laughter,—and we draw out our little sums of life from the Eternal exchequer, and add them up and try to obtain the highest interest for them, always forgetting to calculate that in making up the sum total, that mysterious "Unknown Quantity" will have to come in, and (un less it has been taken into due counting from the first) will be a figure likely to swamp the whole banking business. And in this particular phase of speculation and exchange, Paris has long been playing a losing game. So steadily has she lost, in honour, in prestige, in faith, in morals, in justice, in honesty and in cleanly living, that it does not seem possible she can ever retrieve herself. Her men are dissolute,—her women shameless—her youth of both sexes depraved,—her laws are corrupt—her arts de cadent—her religion dead. What next can be expected of her?—or rather to what extent will Destiny permit her to go before the bolt of destruction falls? "Thus far, and no farther" has ever been the Principle of Nature—and Paris has almost touched the "Thus far."
Sitting quietly in her tidy kitchen near the open window, after the Cardinal's departure, Madame Patoux knitted busily, her thoughts flying faster than her glittering needles. A certain vague impression of solemnity had been left on her mind by the events of the morning,—she could not quite reason out the why or the wherefore of it—and yet—it was a fact that after Monseigneur had gone, she had, when entering the rooms he had vacated, felt a singular sense of awe.
"Almost as if one were in the Cathedral at the ringing of the 'Sanctus'" she murmured under her breath, glancing about timidly at the plain furniture and bare walls. And after putting everything in order, she closed and locked the doors jealously, with a determination that she would not let those rooms to the first chance-comer for a long time,—no, though she might have to lose money by her refusal. And now, as she sat actively employed in knitting socks for Henri, whom she could see sitting with his sister outside on the bench under the house porch, reading or pretending to read, she began to wonder what opinion those two young miscreants had formed in their minds respecting the Cardinal, and also what they thought of the boy who had been taken so suddenly under his protection. She was almost tempted to call Henri and ask him a few questions on the subject,—but she had learnt to value peace and quietness when she could secure those rare blessings at the hands of her children, and when they were employed with a book and visibly out of mischief she thought it wisest to leave them alone. And so she left them in the present instance, pushing her window open as she sat and knitted, for the air was warm and balmy, and the long rays of sunshine streaming across the square were of the hue of a ripe nectarine just gathered, and the delicate mouldings and traceries and statues on the porch of the Cathedral appeared like so many twinings of grey gossamer web glistening in a haze of gold. Now and then neighbours passed, and nodded or called a greeting which Madame Patoux answered cheerily, still knitting vivaciously; and the long shafts of sunshine grew longer, casting deeper shadows as the quarters chimed. All at once there was a cry,—a woman's figure came rushing precipitately across the square,—Madame Patoux sprang up, and her children ran out of the porch as they recognised Martine Doucet.
"Martine! Martine! What is it!" they all cried simultaneously.
Martine, breathless, dishevelled, laughing and sobbing alternately, tried to speak, but could only gesticulate and throw up her hands in a kind of ecstasy, but whether of despair or joy could not be guessed. Madame Patoux shook her by the arm.
"Martine!—speak—what is it!"
Martine made a violent effort.
"Fabien!—Fabien—" she gasped, flinging herself to and fro and still sobbing and laughing.
"Mon Dieu!" cried Madame in horror. "Is the child dead?"
"No, no!—" and Martine again tossed her arms aloft in a kind of frenzy. "No—but look you!—there IS a God! Yes!—we thought He was an invention of the priests—but no—He is a real God after all!—Oh mes enfants!" and she tried to grasp the amazed Henri and Babette in her arms, "You are two of His angels!—you took my boy to the Cardinal—"
The children glanced at each other.
"Yes—yes!" they murmured breathlessly.
"Well! and see what has happened!—See!—Here comes Fabien—!"
And as she spoke exultantly with an excitement that seemed to inspire every nerve of her body, a little figure came running lightly towards them,—the light strong figure of a boy with fair curls flying in the wind, and a face in which the large, grey, astonished eyes flashed with an almost divine joy.
"Mother!—Mother!" he cried.
Madame Patoux felt as though the heavens had suddenly opened to let the angels down. Was this Fabien? Fabien, who had hobbled painfully upon crutches all his life, and had left her house in his usual condition an hour or so ago?—This straight-limbed child, running with the graceful and easy movement of a creature who had never known a day's pain?
"Fabien, is it thou?" almost screamed Henri, "Speak, is it thou?"
"It is I" said Fabien, and he stopped, panting for breath,—then threw his arms round his mother's neck and faced them,—"It is I—strong and well!—thanks to God and the prayers of the Cardinal!"
For a moment there was a dead silence,—a silence of stupefied amazement unbroken save by the joyful weeping of Martine. Then suddenly a deep-toned bell rang from the topmost tower of Notre Dame—and in the flame-red of the falling sun the doves that make their homes among the pinnacles of the great Cathedral, rose floating in cloudy circles towards the sky. One bell—and then another—yet another!—
"The Angelus!" cried Babette dropping on her knees and folding her hands, "The Angelus!—Mother—Martine—Henri!—Fabien!—the Angelus!"—
Down they all knelt, a devotional group, in the porch through which the good Cardinal had so lately passed, and the bells chimed sweetly and melodiously as Fabien reverently repeated the Angelic Salutation amid responses made with tears and thanksgiving, and neighbours and townfolk hearing of the miracle came hastening to the Hotel Poitiers to enquire into its truth, and pausing as they saw the cluster of kneeling figures in the porch instinctively and without question knelt also,—then as the news spread, group after group came running and gathering together, and dropping on their knees amazed and awe-struck, till the broad Square showed but one black mass of a worshipping congregation under the roseate sky, their voices joining in unison with the clear accents of one little happy child; while behind them rose the towers of Notre Dame, and over their heads the white doves flew and the bells of the Angelus rang. And the sun dropped slowly into the west, crimson and glorious like the shining rim of a Sacramental Cup held out and then drawn slowly back again by angel hands within the Veil of Heaven.
VII.
Meanwhile, unconscious of the miracle his prayer had wrought, Cardinal Bonpre and his young charge Manuel, arrived in Paris, and drove from the station direct to a house situated near the Bois du Boulogne, where the Cardinal's niece, Angela Sovrani, only daughter of Prince Sovrani, and herself famous throughout Europe as a painter of the highest promise, had a suite of rooms and studio, reserved