MARQUISE OF LOSSIE'S ADVENTURES: Malcolm & The Marquis's Secret. George MacDonald
did naething o' the sort, ye ill tongued wuman!" said Malcolm in anger.
"Ho! ho!" trumpeted Mrs Catanach. "Ill tongued, am I? An' what neist?"
"Ill deedit," returned Malcolm, "—whan ye flang my bonny salmon troot till yer oogly deevil o' a dog."
"Ho! ho! ho! Ill deedit, am I? I s' no forget thae bonny names! Maybe yer lordship wad alloo me the leeberty o' speirin' anither question at ye, Ma'colm MacPhail."
"Ye may speir 'at ye like, sae lang 's ye canna gar me stan' to hearken. Guid day to ye, Mistress Catanach. Yer company was nane o' my seekin': I may lea' 't whan I like."
"Dinna ye be ower sure o' that," she called after him venomously.
But Malcolm turned his head no more.
As soon as he was out of sight, Mrs Catanach rose, ascended the dune, and propelled her rotundity along the yielding top of it. When she arrived within speaking distance of Lady Florimel, who lay lost in her dreary regard of sand and sea, she paused for a moment, as if contemplating her.
Suddenly, almost by Lady Florimel's side, as if he had risen from the sand, stood the form of the mad laird.
"I dinna ken whaur I come frae," he said.
Lady Florimel started, half rose, and seeing the dwarf so near, and on the other side of her a repulsive looking woman staring at her, sprung to her feet and fled. The same instant the mad laird, catching sight of Mrs Catanach, gave a cry of misery, thrust his fingers in his ears, darted down the other side of the dune and sped along the shore. Mrs. Catanach shook with laughter.
"I hae skailled (dispersed) the bonny doos!" she said. Then she called aloud after the flying girl,—"My leddy! My bonny leddy!"
Florimel paid no heed, but ran straight for the door of the tunnel, and vanished. Thence leisurely climbing to the temple of the winds, she looked down from a height of safety upon the shore and the retreating figure of Mrs. Catanach. Seating herself by the pedestal of the trumpet blowing Wind, she assayed her reading again, but was again startled—this time by a rough salute from Demon. Presently her father appeared, and Lady Florimel felt something like a pang of relief at being found there, and not on the farther side of the dune making it up with Malcolm.
CHAPTER XIX:
DUNCAN'S PIPES
A few days after the events last narrated, a footman in the marquis's livery entered the Seaton, snuffing with emphasized discomposure the air of the village, all ignorant of the risk he ran in thus openly manifesting his feelings; for the women at least were good enough citizens to resent any indignity offered their town. As vengeance would have it, Meg Partan was the first of whom, with supercilious airs and "clippit" tongue, he requested to know where a certain blind man, who played on an instrument called the bagpipes, lived.
"Spit i' yer loof an' caw (search) for him," she answered—a reply of which he understood the tone and one disagreeable word.
With reddening cheek he informed her that he came on his lord's business.
"I dinna doobt it," she retorted; "ye luik siclike as rins ither fowk's eeran's."
"I should be obliged if you would inform me where the man lives," returned the lackey—with polite words in supercilious tones.
"What d' ye want wi' him, honest man?" grimly questioned the Partaness, the epithet referring to Duncan, and not the questioner.
"That 1 shall have the honour of informing himself," he replied.
"Weel, ye can hae the honour o' informin' yersel' whaur he bides," she rejoined, and turned away from her open door.
All were not so rude as she, however, for he found at length a little girl willing to show him the way.
The style in which his message was delivered was probably modified by the fact that he found Malcolm seated with his grandfather at their evening meal of water brose and butter; for he had been present when Malcolm was brought before the marquis by Bykes, and had in some measure comprehended the nature of the youth: it was in politest phrase, and therefore entirely to Duncan's satisfaction in regard of the manner as well as matter of the message, that he requested Mr Duncan MacPhail's attendance on the marquis the following evening at six o'clock, to give his lordship and some distinguished visitors the pleasure of hearing him play on the bagpipes during dessert. To this summons the old man returned stately and courteous reply, couched in the best English he could command; which, although considerably distorted by Gaelic pronunciation and idioms, was yet sufficiently intelligible to the messenger, who carried home the substance for the satisfaction of his master, and what he could of the form for the amusement of his fellow servants.
Duncan, although he received it with perfect calmness, was yet overjoyed at the invitation. He had performed once or twice before the late marquis, and having ever since assumed the style of Piper to the Marquis of Lossie, now regarded the summons as confirmation in the office. The moment the sound of the messenger's departing footsteps died away, he caught up his pipes from the corner, where, like a pet cat, they lay on a bit of carpet, the only piece in the cottage, spread for them between his chair and the wall, and, though cautiously mindful of its age and proved infirmity, filled the bag full, and burst into such a triumphant onset of battle, that all the children of the Seaton were in a few minutes crowded about the door. He had not played above five minutes, however, when the love of finery natural to the Gael, the Gaul, the Galatian, triumphed over his love of music, and he stopped with an abrupt groan of the instrument to request Malcolm to get him new streamers. Whatever his notions of its nature might be, he could not come of the Celtic race without having in him somewhere a strong faculty for colour, and no doubt his fancy regarding it was of something as glorious as his knowledge of it must have been vague. At all events he not only knew the names of the colours in ordinary use, but could describe many of the clan tartans with perfect accuracy; and he now gave Malcolm complete instructions as to the hues of the ribbons he was to purchase. As soon as he had started on the important mission, the old man laid aside his instrument, and taking his broadsword from the wall, proceeded with the aid of brick dust and lamp oil, to furbish hilt and blade with the utmost care, searching out spot after spot of rust, to the smallest, with the delicate points of his great bony fingers. Satisfied at length of its brightness, he requested Malcolm, who had returned long before the operation was over, to bring him the sheath, which, for fear of its coming to pieces, so old and crumbling was the leather, he kept laid up in the drawer with his sporran and his Sunday coat. His next business, for he would not commit it to Malcolm, was to adorn the pipes with the new streamers. Asking the colour of each, and going by some principle of arrangement known only to himself he affixed them, one after the other, as he judged right, shaking and drawing out each to its full length with as much pride as if it had been a tone instead of a ribbon. This done, he resumed his playing, and continued it, notwithstanding the remonstrances of his grandson, until bedtime.
That night he slept but little, and as the day went on grew more and more excited. Scarcely had he swallowed his twelve o'clock dinner of sowens and oatcake, when he wanted to go and dress himself for his approaching visit. Malcolm persuaded him however to lie down a while and hear him play, and succeeded, strange as it may seem with such an instrument, in lulling him to sleep. But he had not slept more than five minutes when he sprung from the bed, wide awake, crying—"My poy, Malcolm! my son! you haf let her sleep in; and ta creat peoples will be impatient for her music, and cursing her in teir hearts!"
Nothing would quiet him but the immediate commencement of the process of dressing, the result of which was, as I have said, even pathetic, from its intermixture of shabbiness and finery. The dangling brass capped tails of his sporran in front, the silver mounted dirk on one side, with its hilt of black oak carved into an eagle's head, and the steel basket of his broadsword gleaming at the other; his great shoulder brooch of rudely chased brass; the pipes with their withered bag and gaudy streamers; the faded kilt, oiled and soiled; the stockings darned in twenty places by the