THE COMPLETE WORKS OF E. F. BENSON (Illustrated Edition). Эдвард Бенсон
were of good dimensions, there was a hall and dining-room on the ground floor, with a broad staircase leading up to the first floor where there were two or three bedrooms and a long admirable sitting-room with four windows looking across the road to the meadows and the high bank bounding the river. Beyond that lay the great empty levels of the marsh, with the hill of Tilling rising out of it half a mile away to the west. Close behind the house was the cliff which had once been the coastline before the marshes were drained and reclaimed, and this would be a rare protection against northerly and easterly winds. All these pleasant rooms looked south, and all had this open view away seawards; they had character and dignity, and at once Lucia began to see herself living here. The kitchen and offices were in a wing by themselves, and here again there was character, for the kitchen had evidently been a coach-house, and still retained the big double doors appropriate to such. There had once been a road from it to the end of the kitchen garden, but with its disuse as a coach-house, the road had been replaced by a broad cinder path now bordered with beds of useful vegetables.
'Ma molto conveniente,' said Lucia more than once, for it was now perfectly safe to talk Italian again, since the Contessa, no less than she, was determined to avoid a duet in that language. 'Mi piace molto. E un bel giardino.'
'How I love hearing you talk Italian,' ejaculated Irene, 'especially since I know it's the very best. Will you teach it me? Oh, I am so pleased you like the house.'
'But I am charmed with it,' said Lucia. 'And there's a garage with a very nice cottage attached which will do beautifully for Cadman and Foljambe.'
She broke off suddenly, for in the fervour of her enthusiasm for the house, she had not thought about the awful catastrophe which must descend on Georgie, if she decided to live at Tilling. She had given no direct thought to him, and now for the first time she realized the cruel blow that would await him, when he came back tomorrow, all bronzed from his week at Folkestone. He had been a real Deus ex machina to her: his stroke of genius had turned a very hazardous moment into a blaze of triumph, and now she was going to plunge a dagger into his domestic heart by the news that she and therefore Cadman and therefore Foljambe were not coming back to Riseholme at all . . .
'Oh, are they going to marry?' asked Irene. 'Or do you mean they just live together? How interesting!'
'Dear Irene, do not be so modern,' said Lucia, quite sharply. 'Marriage of course, and banns first. But never mind that for the present. I like those great double doors to the kitchen. I shall certainly keep them.'
'How ripping that you're thinking about kitchen-doors already,' said Irene. 'That really sounds as if you did mean to buy the house. Won't Mapp have a fit when she hears it! I must be there when she's told. She'll say "Darling Lulu, what a joy," and then fall down and foam at the mouth.'
Lucia gazed out over the marsh where the level rays of sunset turned a few low-lying skeins of mist to rose and gold. The tide was high and the broad channel of the river running out to sea was brimming from edge to edge. Here and there, where the banks were low, the water had overflowed on to adjacent margins of land; here and there, spread into broad lakes, it lapped the confining dykes. There were sheep cropping the meadows, there were seagulls floating in the water, and half a mile away to the west the red roofs of Tilling glowed as if molten not only with the soft brilliance of the evening light, but (to the discerning eye) with the intensity of the interests that burned beneath them . . . Lucia hardly knew what gave her the most satisfaction, the magic of the marsh, her resolve to live here, or the recollection of the complete discomfiture of Elizabeth.
Then again the less happy thought of Georgie recurred, and she wondered what arguments she could use to induce him to leave Riseholme and settle here. Tilling with all its manifold interests would be incomplete without him, and how dismally incomplete Riseholme would be to him without herself and Foljambe. Georgie had of late taken his painting much more seriously than ever before, and he had often during the summer put off dinner to an unheard-of lateness in order to catch a sunset, and had risen at most inconvenient hours to catch a sunrise. Lucia had strongly encouraged this zeal, she had told him that if he was to make a real career as an artist he had no time to waste. Appreciation and spurring-on was what he needed: perhaps Irene could help.
She pointed to the glowing landscape. 'Irene, what would life be without sunsets?' she asked. 'And to think that this miracle happens every day, except when it's very cloudy!'
Irene looked critically at the view. 'Generally speaking, I don't like sunsets,' she said. 'The composition of the sky is usually childish. But good colouring about this one.'
'There are practically no sunsets at Riseholme,' said Lucia. 'I suppose the sun goes down, but there's a row of hills in the way. I often think that Georgie's development as an artist is starved there. If he goes back there he will find no one to make him work. What do you think of his painting, dear?'
'I don't think of it at all,' said Irene.
'No? I am astonished. Of course your own is so different in character. Those wrestlers! Such movement! But personally I find very great perception in Georgie's work. A spaciousness, a calmness! I wish you would take an interest in it and encourage him. You can find beauty anywhere if you look for it.'
'Of course I'll do my best if you want me to,' said Irene. 'But it will be hard work to find beauty in Georgie's little valentines.'
'Do try. Give him some hints. Make him see what you see. All that boldness and freedom. That's what he wants . . . Ah, the sunset is fading. Buona notte, bel sole! We must be getting home too. Addio, mia bella casa. But Georgie must be the first to know, Irene, do not speak of it until I have told him. Poor Georgie: I hope it will not be a terrible blow to him.'
* * *
Georgie came straight to Mallards on his arrival next morning from Folkestone with Cadman and Foljambe. His recall, he knew, meant that the highly dangerous Contessa had gone, and his admission by Grosvenor, after the door had been taken off the chain, that Lucia's influenza was officially over. He looked quite bronzed, and she gave him the warmest welcome.
'It all worked without a hitch,' she said as she told him of the plots and counter-plots which had woven so brilliant a tapestry of events. 'And it was that letter of Mrs Brocklebank's which you sent me that clapped the lid on Elizabeth. I saw at once what I could make of it. Really, Georgie, I turned it into a stroke of genius.'
'But it was a stroke of genius already,' said Georgie. 'You only had to copy it out and send it to the Contessa.'
Lucia was slightly ashamed of having taken the supreme credit for herself: the habit was hard to get rid of.
'My dear, all the credit shall be yours then,' she said handsomely. 'It was your stroke of genius. I copied it out very carelessly as if I had scribbled it off without thought. That was a nice touch, don't you think? The effect? Colossal, so Irene tells me, for I could not be there myself. That was only yesterday. A few desperate wriggles from Elizabeth, but of course no good. I do not suppose there was a more thoroughly thwarted woman in all Sussex than she.'
Georgie gave a discreet little giggle.
'And what's so terribly amusing is that she was right all the time about your influenza and your Italian and everything,' he said. 'Perfectly maddening for her.'
Lucia sighed pensively.
'Georgie, she was malicious,' she observed, 'and that never pays.'
'Besides, it serves her right for spying on you,' Georgie continued.
'Yes, poor thing. But I shall begin now at once to be kind to her again. She shall come to lunch tomorrow, and you of course. By the way, Georgie, Irene takes so much interest in your painting. It was news to me, for her style is so different from your beautiful, careful work.'
'No! That's news to me too,' said Georgie. 'She never seemed to see my sketches before: they might have been blank sheets of paper. Does she mean it? She's not pulling my leg?'
'Nothing of the sort. And I couldn't help thinking it was a great opportunity for you to learn something about more modern methods. There is something you know in those fierce canvases of hers.'
'I wish