INDIAN SUMMER. William Dean Howells
evening dress than in any other: the broad expanse of shirt bosom, with its three small studs of gold dropping, points of light, one below the other, softened his strong, almost harsh face, and balanced his rather large head. In his morning coat, people had to look twice at him to make sure that he did not look common; but now he was not wrong in thinking that he had an air of distinction, as he took his hat under his arm and stood before the pier-glass in his room. He was almost tempted to shave, and wear his moustache alone, as he used to do: he had let his beard grow because he found that under the lax social regimen at Des Vaches he neglected shaving, and went about days at a time with his face in an offensive stubble. Taking his chin between his fingers, and peering closer into the mirror, he wondered how Mrs. Bowen should have known him; she must have remembered him very vividly. He would like to take off his beard and put on the youthfulness that comes of shaving, and see what she would say. Perhaps, he thought, with a last glance at his toilet, he was overdoing it, if she were only to have a few people, as she promised. He put a thick neckerchief over his chest so as not to provoke that abominable rheumatism by any sort of exposure, and he put on his ulster instead of the light spring overcoat that he had gone about with all day.
He found that Palazzo Pinti, when you came to it, was rather a grand affair, with a gold-banded porter eating salad in the lodge at the great doorway, and a handsome gate of iron cutting you off from the regions above till you had rung the bell of Mrs. Bowen's apartment, when it swung open of itself, and you mounted. At her door a man in modified livery received Colville, and helped him off with his overcoat so skilfully that he did not hurt his rheumatic shoulder at all; there were half a dozen other hats and coats on the carved chests that stood at intervals along the wall, and some gayer wraps that exhaled a faint, fascinating fragrance on the chilly air. Colville experienced the slight exhilaration, the mingled reluctance and eagerness, of a man who formally re-enters an assemblage of society after long absence from it, and rubbing his hands a little nervously together, he put aside the yellow Abruzzi blanket portière, and let himself into the brilliant interior.
Mrs. Bowen stood in front of the fire in a brown silk of subdued splendour, and with her hands and fan and handkerchief tastefully composed before her. At sight of Colville she gave a slight start, which would have betrayed to him, if he had been another woman, that she had not really believed he would come, and came forward with a rustle and murmur of pleasure to meet him; he had politely made a rush upon her, so as to spare her this exertion, and he was tempted to a long-forgotten foppishness of attitude as he stood talking with her during the brief interval before she introduced him to any of the company. She had been honest with him; there were not more than twenty-five or thirty people there; but if he had overdone it in dressing for so small an affair, he was not alone, and he was not sorry. He was sensible of a better personal effect than the men in frock-coats and cut-aways were making, and he perceived with self-satisfaction that his evening dress was of better style than that of the others who wore it; at least no one else carried a crush hat.—
At forty-one a man is still very much of a boy, and Colville was obscurely willing that Mrs. Bowen, whose life since they last met at an evening party had been passed chiefly at New York and Washington, should see that he was a man of the world in spite of Des Vaches. Before she had decided which of the company she should first present him to, her daughter came up to his elbow with a cup of tea and some bread and butter on a tray, and gave him good-evening with charming correctness of manner. "Really," he said, turning about to take the cup, "I thought it was you, Mrs. Bowen, who had got round to my side with a sash on. How do you and Miss Effie justify yourselves in looking so bewitchingly alike?"
"You notice it, then?" Mrs. Bowen seemed delighted.
"I did every moment you were together to-day. You don't mind my having been so personal in my observations?"
"Oh, not at all," said Mrs. Bowen, and Colville laughed.
"It must be true," he said, "what a French lady said to me at the table-d'hôte dinner to-night: 'the Amerhicans always strhike the note of perhsonality.'" He neatly imitated the French lady's guttural accent.
"I suppose we do," mused Mis. Bowen, "and that we don't mind it in each other. I wish you would say which I shall introduce you to," she said, letting her glance stray invisibly over her company, where all the people seemed comfortably talking.
"Oh, there's no hurry; put it off till to-morrow," said Colville.
"Oh no; that won't do," said Mrs. Bowen, like a woman who has public duties to perform, and is resolute to sacrifice her private pleasure to them. But she postponed them a moment longer. "I hope you got home before the rain," she said.
"Yes," returned Colville. "That is, I don't mind a little sprinkling. Who is the Junonian young person at the end of the room?"
"Ah," said Mrs. Bowen, "you can't be introduced to her first. But isn't she lovely?"
"Yes. It's a wonderful effect of white and gold."
"You mustn't say that to her. She was doubtful about her dress, because she says that the ivory white with her hair makes her look just like white and gold furniture."
"Present me at once, then, before I forget not to say it to her."
"No; I must keep you for some other person: anybody can talk to a pretty girl."
Colville said he did not know whether to smile or shed tears at this embittered compliment, and pretended an eagerness for the acquaintance denied him.
Mrs. Bowen seemed disposed to intensify his misery. "Did you ever see a more statuesque creature—with those superb broad shoulders and that little head, and that thick braid brought round over the top? Doesn't her face, with that calm look in those starry eyes, and that peculiar fall of the corners of the mouth, remind you of some of those exquisite great Du Maurier women? That style of face is very fashionable now: you might think he had made it so."
"Is there a fashion in faces?" asked Colville.
"Why, certainly. You must know that."
"Then why aren't all the ladies in the fashion?"
"It isn't one that can be put on. Besides, every one hasn't got Imogene Graham's figure to carry it off."
"That's her name, then—Imogene Graham. It's a very pretty name."
"Yes. She's staying with me for the winter. Now that's all I can allow you to know for the present. Come! You must!"
"But this is worse than nothing." He made a feint of protesting as she led him away, and named him to the lady she wished him to know. But he was not really sorry; he had his modest misgivings whether he were equal to quite so much young lady as Miss Graham seemed. When he no longer looked at her he had a whimsical impression of her being a heroic statue of herself.
The lady whom Mrs. Bowen left him with had not much to say, and she made haste to introduce her husband, who had a great deal to say. He was an Italian, but master of that very efficient English which the Italians get together with unimaginable sufferings from our orthography, and Colville repeated the republican deputy's saying about a constitutional king, which he had begun to think was neat.
"I might prefer a republic myself," said the Italian, "but I think that gentleman is wrong to be a republican where he is, and for the present. The monarchy is the condition of our unity; nothing else could hold us together, and we must remain united if we are to exist as a nation. It's a necessity, like our army of half a million men. We may not like it in itself, but we know that it is our salvation." He began to speak of the economic state of Italy, of the immense cost of freedom and independence to a people whose political genius enables them to bear quietly burdens of taxation that no other government would venture to impose. He spoke with that fond, that appealing patriotism, which expresses so much to the sympathetic foreigner in Italy: the sense of great and painful uncertainty of Italy's future through the complications of diplomacy, the memory of her sufferings in the past, the spirit of quiet and inexhaustible patience for trials to come. This resolution, which is almost resignation, poetises the attitude of the whole people; it made Colville feel as if he had done nothing and borne nothing yet.
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