Thelma. Marie Corelli

Thelma - Marie  Corelli


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and the boat shot forward,—then swerved sharply round in the direction,—and there before them lay a small sandy creek, white and shining as though sprinkled with powdered silver. From this, a small but strongly-built wooden pier ran out into the sea. It was carved all over with fantastic figures, and in it at equal distances, were fastened iron rings, such as are used for the safe mooring of boats. One boat was there already, and Errington recognized it with delight. It was that in which he had seen the mysterious maiden disappear. High and dry on the sand, out of reach of the tides, was a neat sailing-vessel; its name was painted round the stern—The Valkyrie.

      As the two friends ran their boat on shore, and fastened it to the furthest ring of the convenient pier, they caught the distant sound of the plaintiff "coo-cooing" of turtle doves.

      "You've done it this time, old boy," said Lorimer, speaking in a whisper, though he knew not why. "This is the old bonde's own private landing-place evidently, and here's a footpath leading somewhere. Shall we follow it?"

      Philip emphatically assented, and, treading softly, like the trespassers they felt themselves to be, they climbed the ascending narrow way that guided them up from the seashore, round through a close thicket of pines, where their footsteps fell noiselessly on a thick carpet of velvety green moss, dotted prettily here and there with the red gleam of ripening wild strawberries. Everything was intensely still, and as yet there seemed no sign of human habitation. Suddenly a low whirring sound broke upon their ears, and Errington, who was a little in advance of his companion, paused abruptly with a smothered exclamation, and drew back on tip-toe, catching Lorimer by the arm.

      "By Jove!" he whispered excitedly, "we've come right up to the very windows of the house. Look!"

      Lorimer obeyed, and for once, the light jest died upon his tips. Surprise and admiration held him absolutely silent.

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      "Elle filait et souriait—et je crois qu'elle enveloppa mon coeur avec son fil."—HEINE.

      Before them, close enough for their outstretched hands to have touched it, was what appeared to be a framed picture, exquisitely painted,—a picture perfect in outline matchless in color, faultless in detail,—but which was in reality nothing but a large latticed window thrown wide open to admit the air. They could now see distinctly through the shadows cast by the stately pines, a long, low, rambling house, built roughly, but strongly, of wooden rafters, all overgrown with green and blossoming creepers; but they scarcely glanced at the actual building, so strongly was their attention riveted on the one window before them. It was surrounded by an unusually broad framework, curiously and elaborately carved, and black as polished ebony. Flowers grew all about it,—sweet peas, mignonette, and large purple pansies—while red and white climbing roses rioted in untrained profusion over its wide sill. Above it was a quaintly built dovecote, where some of the strutting fan-tailed inhabitants were perched, swelling out their snowy breasts, and discoursing of their domestic trials in notes of dulcet melancholy; while lower down, three or four ring-doves nestled on the roof in a patch of sunlight, spreading up their pinions like miniature sails, to catch the warmth and lustre.

      Within the deep, shadowy embrasure, like a jewel placed on dark velvet, was seated a girl spinning,—no other than the mysterious maiden of the shell cavern. She was attired in a plain, straight gown, of some soft white woolen stuff, cut squarely at her throat; her round, graceful arms were partially bare, and as the wheel turned swiftly, and her slender hands busied themselves with the flax, she smiled, as though some pleasing thought had touched her mind. Her smile had the effect of sudden sunshine in the dark room where she sat and span,—it was radiant and mirthful as the smile of a happy child. Yet her dark blue eyes remained pensive and earnest, and the smile soon faded, leaving her fair face absorbed and almost dreamy. The whirr-whirring of the wheel grew less and less rapid,—it slackened,—it stopped altogether,—and, as though startled by some unexpected sound, the girl paused and listened, pushing away the clustering masses of her rich hair from her brow. Then rising slowly from her seat, she advanced to the window, put aside the roses with one hand, and looked out,—thus forming another picture as beautiful, if not more beautiful, than the first.

      Lorimer drew his breath hard. "I say, old fellow," he whispered; but Errington pressed his arm with vice-like firmness, as a warning to him to be silent, while they both stepped farther back into the dusky gloom of the pine boughs.

      The girl, meanwhile, stood motionless, in a half-expectant attitude, and, seeing her there, some of the doves on the roof flew down and strutted on the ground before her, coo-cooing proudly, as though desirous of attracting her attention. One of them boldly perched on the window-sill; she glanced at the bird musingly, and softly stroked its opaline wings and shining head without terrifying it. It seemed delighted to be noticed, and almost lay down under her hand in order to be more conveniently caressed. Still gently smoothing its feathers, she leaned further out among the clambering wealth of blossoms, and called in a low, penetrating tone, "Father! father! is that you?"

      There was no answer; and, after waited a minute or two, she moved and resumed her former seat, the stray doves flew back to their customary promenade on the roof, and the drowsy whirr-whirr of the spinning-wheel murmured again its monotonous hum upon the air.

      "Come on, Phil," whispered Lorimer, determined not to be checked this time; "I feel perfectly wretched! It's mean of us to be skulking about here, as if we were a couple of low thieves waiting to trap some of those birds for a pigeon-pie. Come away,—you've seen her; that's enough."

      Errington did not move. Holding back a branch of pine, he watched the movements of the girl at her wheel with absorbed fascination.

      Suddenly her sweet lips parted, and she sang a weird, wild melody, that seemed, like a running torrent, to have fallen from the crests of the mountains, bringing with it echoes from the furthest summits, mingled with soft wailings of a mournful wind.

      Her voice was pure as the ring of fine crystal—deep, liquid, and tender, with a restrained passion in it that stirred Errington's heart and filled it with a strange unrest and feverish yearning,—emotions which were new to him, and which, while he realized their existence, moved him to a sort of ashamed impatience. He would have willingly left his post of observation now, if only for the sake of shaking off his unwonted sensations; and he took a step or two backwards for that purpose, when Lorimer, in his turn, laid a detaining hand on his shoulder.

      "For Heaven's sake, let us hear the song through!" he said in subdued tones. "What a voice! A positive golden flute!"

      His rapt face betokened his enjoyment, and Errington, nothing loth, still lingered, his eyes fixed on the white-robed slim figure framed in the dark old rose-wreathed window—the figure that swayed softly with the motion of the wheel and the rhythm of the song,—while flickering sunbeams sparkled now and then on the maiden's dusky gold hair, or touched up a warmer tint on her tenderly flushed cheeks, and fair neck, more snowy than the gown she wore. Music poured from her lips as from the throat of a nightingale. The words she sang were Norwegian, and her listeners understood nothing of them; but the melody,—the pathetic appealing melody,—soul-moving as all true melody must be, touched the very core of their hearts, and entangled them in a web of delicious reveries.

      "Talk of Ary Scheffer's Gretchen!" murmured Lorimer with a sigh. "What a miserable, pasty, milk-and-watery young person she is beside that magnificent, unconscious beauty! I give in, Phil! I admit your taste. I'm willing to swear that she's a Sun-Angel if you like. Her voice has convinced me of that."

      At that instant the song ceased. Errington turned and regarded him steadfastly.

      "Are you hit, George?" he said softly, with a forced smile.

      Lorimer's face flushed, but he met his friend's eyes frankly.

      "I am no poacher, old fellow," he answered in the same quiet accents; "I think you know that. If that girl's mind is as lovely as her face, I say, go in and win!"

      Sir


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