The White Moll. Frank L. Packard

The White Moll - Frank L. Packard


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the date set for the operation and before her father, who was still able to be about, had entered the hospital, the flat had been broken into during the early morning hours. The thief, obviously not counting on the engineer's wakefulness, had been caught red-handed. At first defiant, the man had finally broken down, and had told a miserable story. It was hackneyed possibly, the same story told by a thousand others as a last defense in the hope of inducing leniency through an appeal to pity, but somehow to her that night the story had rung true. Pete McGee, alias the Bussard, the man had said his name was. He couldn't get any work; there was the shadow of a long abode in Sing Sing that lay upon him as a curse—a job here to-day, his record discovered to-morrow, and the next day out on the street again. It was very old, very threadbare, that story; there were even the sick wife, the hungry, unclothed children; but to her it had rung true. Her father had not placed the slightest faith in it, and but for her intervention the Bussard would have been incontinently consigned to the mercies of the police.

      Her face softened suddenly now as she walked along. She remembered well that scene, when, at the end, she had written down the address the man had given her.

      "Father is going to let you go, McGee, because I ask him to," she had said. "And to-morrow morning I will go to this address, and if I find your story is true, as I believe it is, I will see what I can do for you."

      "It's true, miss, so help me God!" the man had answered brokenly. "Youse come an' see. I'll be dere-an'-an'-God bless youse, miss!"

      And so they had let the man go free, and her father, with a whimsical, tolerant smile, had shaken his head at her. "You'll never find that address, Rhoda-or our friend the Bussard, either!"

      But she had found both the Bussard and the address, and destitution and a squalor unspeakable. Pathetic still, but the vernacular of the underworld where men called their women by no more gracious names than "molls" and "skirts" no longer strange to her ears, there came to her again now the Bussard's words in which he had paid her tribute on that morning long ago, and with which he had introduced her to a shrunken form that lay upon a dirty cot in the barefloored room:

      "Meet de moll I was tellin' youse about, Mag. She's white—all de way up. She's white, Mag; she's a white moll—take it from me."

      The White Moll!

      The firm little chin came suddenly upward; but into the dark eyes unbidden came a sudden film and mist. Her father's health had been too far undermined, and he had been unable to withstand the shock of the operation, and he had died in the hospital. There weren't any relatives, except distant ones on her mother's side, somewhere out in California, whom she had never seen. She and her father had been all in all to each other, chums, pals, comrades, since her mother's death many years ago. She had gone everywhere with him save when the demands of her education had necessarily kept them apart; she had hunted with him in South America, ridden with him in sections where civilization was still in the making, shared the crude, rough life of mining camps with him—and it had seemed as though her life, too, had gone out with his.

      She brushed her hand hastily across her eyes. There hadn't been any friends either, apart from a few of her father's casual business acquaintances; no one else—except the Bussard. It was very strange! Her reward for that one friendly act had come in a manner little expected, and it had come very quickly. She had sought and found a genuine relief from her own sorrow in doing what she could to alleviate the misery in that squalid, one-room home. And then the sphere of her activities had broadened, slowly at first, not through any preconceived intention on her part, but naturally, and as almost an inevitable corollary consequent upon her relations with the Bussard and his ill-fortuned family.

      The Bussard's circle of intimates was amongst those who lay outside the law, those who gambled for their livelihood by staking their wits, to win against the toils of the police; and so, more and more, she had come into close and intimate contact with the criminal element of New York, until to-day, throughout its length and breadth, she was known, and, she had reason to believe, was loved and trusted by every crook in the underworld. It was a strange eulogy, self-pronounced! But it was none the less true. Then, she had been Rhoda Gray; now, even the Bussard, doubtless, had forgotten her name in the one with which he himself, at that queer baptismal font of crimeland, had christened her—the White Moll. It even went further than that. It embraced what might be called the entourage of the underworld, the police and the social workers with whom she inevitably came in contact. These, too, had long known her as the White Moll, and had come, since she had volunteered no further information, tacitly to accept her as such, and nothing more.

      Again she shook her head. It wasn't altogether a normal life. She was only a woman, with all the aspirations of a woman, with all the yearning of youth for its measure of gayety and pleasure. True, she had not made a recluse of herself outside her work; but, equally, on the other hand, she had not made any intimate friends in her own station in life. She had never purposed continuing indefinitely the work she was doing, nor did she now; but, little by little, it had forced its claims upon her until those claims were not easy to ignore. Even though the circumstances in which her father had left her were barely more than sufficient for a modest little flat uptown, there was still always a little surplus, and that surplus counted in certain quarters for very much indeed. But it wasn't only that. The small amount of money that she was able to spend in that way had little to do with it. The bonds which linked her to the sordid surroundings that she had come to know so well were stronger far than that. There wasn't any money involved in this visit, for instance, that she was going now to make to Gypsy Nan. Gypsy Nan was...

      Rhoda Gray had halted before the doorway of a small, hovel-like, two-story building that was jammed in between two tenements, which, relatively, in their own class, were even more disreputable than was the little frame house itself. A secondhand-clothes store occupied a portion of the ground floor, and housed the proprietor and his family as well, permitting the rooms on the second floor to be "rented out"; the garret above was the abode of Gypsy Nan.

      There was a separate entrance, apart from that into the secondhand-clothes store, and she pushed this door open and stepped forward into an absolutely black and musty-smelling hallway. By feeling with her hands along the wall she reached the stairs and began to make her way upward. She had found Gypsy Nan last night huddled in the lower doorway, and apparently in a condition that was very much the worse for wear. She had stopped and helped the woman upstairs to her garret, whereupon Gypsy Nan, in language far more fervent than elegant, had ordered her to begone, and had slammed the door in her face.

      Rhoda Gray smiled a little wearily, as, on the second floor now, she groped her way to the rear, and began to mount a short, ladder-like flight of steps to the attic. Gypsy Nan's lack of cordiality did not absolve her, Rhoda Gray, from coming back to-night to see how the woman was—to crowd one more visit on her already over-expanded list. She had never had any personal knowledge of Gypsy Nan before, but, in a sense, the woman was no stranger to her. Gypsy Nan was a character known far and wide in the under-world as one possessing an insatiable and unquenchable thirst. As to who she was, or what she was, or where she got her money for the gin she bought, it was not in the ethics of the Bad Lands to inquire. She was just Gypsy Nan. So that she did not obtrude herself too obviously upon their notice, the police suffered her; so that she gave the underworld no reason for complaint, the underworld accepted her at face value as one of its own!

      There was no hallway here at the head of the ladder-like stairs, just a sort of narrow platform in front of the attic door. Rhoda Gray, groping out with her hands again, felt for the door, and knocked softly upon it. There was no answer. She knocked again. Still receiving no reply, she tried the door, found it unlocked, and, opening it, stood for an instant on the threshold. A lamp, almost empty, ill-trimmed and smoking badly, stood on a chair beside a cheap iron bed; it threw a dull, yellow glow about its immediate vicinity, and threw the remainder of the garret into deep, impenetrable shadows; but also it disclosed the motionless form of a woman on the bed.

      Rhoda Gray's eyes darkened, as she closed the door behind her, and stepped quickly forward to the bedside. For a moment she stood looking down at the recumbent figure; at the matted tangle of gray-streaked brown hair that straggled across a pillow which was none too clean; at the heavy-lensed, old-fashioned, steel-bowed spectacles, awry now, that were still grotesquely perched on the woman's


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