The Complete Works of Robert Browning: Poems, Plays, Letters & Biographies in One Edition. Robert Browning
bring Italian Poets round to their old place again in my heart, giving new praise if I took old,—anyhow Dante is out of it all, as who knows but I, with all of him in my head and heart? But they do fret one, those tantalizing creatures, of fine passionate class, with such capabilities, and such a facility of being made pure mind of. And the special instance that vexed me, was that a man of sands and dog-roses and white rock and green sea-water just under, should come to Italy where my heart lives, and discover the sights and sounds ... certainly discover them. And so do all Northern writers; for take up handfuls of sonetti, rime, poemetti, doings of those who never did anything else,—and try and make out, for yourself, what ... say, what flowers they tread on, or trees they walk under,—as you might bid them, those tree and flower loving creatures, pick out of our North poetry a notion of what our daisies and harebells and furze bushes and brambles are—'Odorosi fioretti, rose porporine, bianchissimi gigli.' And which of you eternal triflers was it called yourself 'Shelley' and so told me years ago that in the mountains it was a feast
When one should find those globes of deep red gold—
Which in the woods the strawberry-tree doth bear,
Suspended in their emerald atmosphere.
so that when my Uncle walked into a sorb-tree, not to tumble sheer over Monte Calvano, and I felt the fruit against my face, the little ragged bare-legged guide fairly laughed at my knowing them so well—'Niursi—sorbi!' No, no,—does not all Naples-bay and half Sicily, shore and inland, come flocking once a year to the Piedigrotta fête only to see the blessed King's Volanti, or livery servants all in their best; as though heaven opened; and would not I engage to bring the whole of the Piano (of Sorrento) in likeness to a red velvet dressing gown properly spangled over, before the priest that held it out on a pole had even begun his story of how Noah's son Shem, the founder of Sorrento, threw it off to swim thither, as the world knows he did? Oh, it makes one's soul angry, so enough of it. But never enough of telling you—bring all your sympathies, come with loosest sleeves and longest lace-lappets, and you and yours shall find 'elbow room,' oh, shall you not! For never did man, woman or child, Greek, Hebrew, or as Danish as our friend, like a thing, not to say love it, but I liked and loved it, one liking neutralizing the rebellious stir of its fellow, so that I don't go about now wanting the fixed stars before my time; this world has not escaped me, thank God; and—what other people say is the best of it, may not escape me after all, though until so very lately I made up my mind to do without it;—perhaps, on that account, and to make fair amends to other people, who, I have no right to say, complain without cause. I have been surprised, rather, with something not unlike illness of late—I have had a constant pain in the head for these two months, which only very rough exercise gets rid of, and which stops my 'Luria' and much besides. I thought I never could be unwell. Just now all of it is gone, thanks to polking all night and walking home by broad daylight to the surprise of the thrushes in the bush here. And do you know I said 'this must go, cannot mean to stay, so I will not tell Miss Barrett why this and this is not done,'—but I mean to tell you all, or more of the truth, because you call me 'flatterer,' so that my eyes widened again! I, and in what? And of whom, pray? not of you, at all events,—of whom then? Do tell me, because I want to stand with you—and am quite in earnest there. And 'The Flight of the Duchess,' to leave nothing out, is only the beginning of a story written some time ago, and given to poor Hood in his emergency at a day's notice,—the true stuff and story is all to come, the 'Flight,' and what you allude to is the mere introduction—but the Magazine has passed into other hands and I must put the rest in some 'Bell' or other—it is one of my Dramatic Romances. So is a certain 'Saul' I should like to show you one day—an ominous liking—for nobody ever sees what I do till it is printed. But as you do know the printed little part of me, I should not be sorry if, in justice, you knew all I have really done,—written in the portfolio there,—though that would be far enough from this me, that wishes to you now. I should like to write something in concert with you, how I would try!
I have read your letter through again. Does this clear up all the difficulty, and do you see that I never dreamed of 'reproaching you for dealing out one sort of cards to me and everybody else'—but that ... why, 'that' which I have, I hope, said, so need not resay. I will tell you—Sydney Smith laughs somewhere at some Methodist or other whose wont was, on meeting an acquaintance in the street, to open at once on him with some enquiry after the state of his soul—Sydney knows better now, and sees that one might quite as wisely ask such questions as the price of Illinois stock or condition of glebe-land,—and I could say such—'could,'—the plague of it! So no more at present from your loving.... Or, let me tell you I am going to see Mr. Kenyon on the 12th inst.—that you do not tell me how you are, and that yet if you do not continue to improve in health ... I shall not see you—not—not—not—what 'knots' to untie! Surely the wind that sets my chestnut-tree dancing, all its baby-cone-blossoms, green now, rocking like fairy castles on a hill in an earthquake,—that is South West, surely! God bless you, and me in that—and do write to me soon, and tell me who was the 'flatterer,' and how he never was
Yours
R.B.
E.B.B. to R.B.
Monday—and Tuesday.
[Post-mark, May 6, 1845.]
So when wise people happen to be ill, they sit up till six o'clock in the morning and get up again at nine? Do tell me how Lurias can ever be made out of such ungodly imprudences. If the wind blows east or west, where can any remedy be, while such evil deeds are being committed? And what is to be the end of it? And what is the reasonableness of it in the meantime, when we all know that thinking, dreaming, creating people like yourself, have two lives to bear instead of one, and therefore ought to sleep more than others, ... throwing over and buckling in that fold of death, to stroke the life-purple smoother. You have to live your own personal life, and also Luria's life—and therefore you should sleep for both. It is logical indeed—and rational, ... which logic is not always ... and if I had 'the tongue of men and of angels,' I would use it to persuade you. Polka, for the rest, may be good; but sleep is better. I think better of sleep than I ever did, now that she will not easily come near me except in a red hood of poppies. And besides, ... praise your 'goodnatured body' as you like, ... it is only a seeming goodnature! Bodies bear malice in a terrible way, be very sure!—appear mild and smiling for a few short years, and then ... out with a cold steel; and the soul has it, 'with a vengeance,' ... according to the phrase! You will not persist, (will you?) in this experimental homicide. Or tell me if you will, that I may do some more tearing. It really, really is wrong. Exercise is one sort of rest and you feel relieved by it—and sleep is another: one being as necessary as the other.
This is the first thing I have to say. The next is a question. What do you mean about your manuscripts ... about 'Saul' and the portfolio? for I am afraid of hazardously supplying ellipses—and your 'Bos' comes to βους επι γλωσση.15 I get half bribed to silence by the very pleasure of fancying. But if it could be possible that you should mean to say you would show me.... Can it be? or am I reading this 'Attic contraction' quite the wrong way? You see I am afraid of the difference between flattering myself and being flattered; the fatal difference. And now will you understand that I should be too overjoyed to have revelations from the 'Portfolio,' ... however incarnated with blots and pen-scratches, ... to be able to ask impudently of them now? Is that plain?
It must be, ... at any rate, ... that if you would like to 'write something together' with me, I should like it still better. I should like it for some ineffable reasons. And I should not like it a bit the less for the grand supply of jests it would administer to the critical Board of Trade, about visible darkness, multiplied by two, mounting into palpable obscure. We should not mind ... should we? you would not mind, if you had got over certain other considerations deconsiderating to your coadjutor. Yes—but I dare not do it, ... I mean, think of it, ... just now, if ever: and I will tell you why in a Mediæval-Gothic-architectural manuscript.
The only poet by profession (if I may say so,) except yourself, with whom I ever had much intercourse even on paper, (if this is near to 'much') has been Mr. Horne. We approached each other on the point of one