The Complete Works of Robert Browning: Poems, Plays, Letters & Biographies in One Edition. Robert Browning

The Complete Works of Robert Browning: Poems, Plays, Letters & Biographies in One Edition - Robert  Browning


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little — that, by the indulgence of my father and mother, I was allowed to live my own life and choose my own course in it; which, having been the same from the beginning to the end, necessitated a permission to read nearly all sorts of books, in a well-stocked and very miscellaneous library. I had no other direction than my parents’ taste for whatever was highest and best in literature; but I found out for myself many forgotten fields which proved the richest of pastures: and, so far as a preference of a particular ‘style’ is concerned, I believe mine was just the same at first as at last. I cannot name any one author who exclusively influenced me in that respect, — as to the fittest expression of thought — but thought itself had many impulsions from very various sources, a matter not to your present purpose. I repeat, this is very little to say, but all in my power — and it is heartily at your service — if not as of any value, at least as a proof that I gratefully feel your kindness, and am, dear Sir Yours very truly, Robert Browning.

      In December 1887 he wrote ‘Rosny’, the first poem in ‘Asolando’, and that which perhaps most displays his old subtle dramatic power; it was followed by ‘Beatrice Signorini’ and ‘Flute-Music’. Of the ‘Bad Dreams’ two or three were also written in London, I think, during that winter. The ‘Ponte dell’ Angelo’ was imagined during the next autumn in Venice. ‘White Witchcraft’ had been suggested in the same summer by a letter from a friend in the Channel Islands which spoke of the number of toads to be seen there. In the spring of 1888 he began revising his works for the last, and now entirely uniform edition, which was issued in monthly volumes, and completed by the July of 1889. Important verbal corrections were made in ‘The Inn Album’, though not, I think, in many of the later poems; but that in which he found most room for improvement was, very naturally, ‘Pauline’; and he wrote concerning it to Mr. Smith the following interesting letter.

      29, De Vere Gardens, W.: Feb. 27, ‘88.

      My dear Smith, — When I received the Proofs of the 1st. vol. on Friday evening, I made sure of returning them next day — so accurately are they printed. But on looking at that unlucky ‘Pauline’, which I have not touched for half a century, a sudden impulse came over me to take the opportunity of just correcting the most obvious faults of expression, versification and construction, — letting the thoughts — such as they are — remain exactly as at first: I have only treated the imperfect expression of these just as I have now and then done for an amateur friend, if he asked me and I liked him enough to do so. Not a line is displaced, none added, none taken away. I have just sent it to the printer’s with an explanatory word: and told him that he will have less trouble with all the rest of the volumes put together than with this little portion. I expect to return all the rest tomorrow or next day.

      As for the sketch — the portrait — it admits of no very superior treatment: but, as it is the only one which makes me out youngish, — I should like to know if an artist could not strengthen the thing by a pencil touch or two in a few minutes — improve the eyes, eyebrows, and mouth somewhat. The head too wants improvement: were Pen here he could manage it all in a moment. Ever truly yours, Robert Browning.

      Any attempt at modifying the expressed thoughts of his twenty-first year would have been, as he probably felt, a futile tampering with the work of another man; his literary conscience would have forbidden this, if it had been otherwise possible. But he here proves by his own words what I have already asserted, that the power of detail correction either was, or had become by experience, very strong in him.

      The history of this summer of 1888 is partly given in a letter to Lady Martin.

      29, De Vere Gardens, W.: Aug. 12, ‘88.

      He did start for Italy on the following day, but had become so ill, that he was on the point of postponing his departure. He suffered throughout the journey as he had never suffered on any journey before; and during his first few days at Primiero, could only lead the life of an invalid. He rallied, however, as usual, under the potent effects of quiet, fresh air, and sunshine; and fully recovered his normal state before proceeding to Venice, where the continued sense of physical health combined with many extraneous circumstances to convert his proposed short stay into a long one. A letter from the mountains, addressed to a lady who had never been abroad, and to whom he sometimes wrote with more descriptive detail than to other friends, gives a touching glimpse of his fresh delight in the beauties of nature, and his tender constant sympathy with the animal creation.

      Primiero: Sept. 7, ‘88.

      … . .

      ‘The weather continues exquisitely temperate, yet sunny, ever since the clearing thunderstorm of which I must have told you in my last. It is, I am more and more confirmed in believing, the most beautiful place I was ever resident in: far more so than Gressoney or even St.-Pierre de Chartreuse. You would indeed delight in seeing the magnificence of the mountains, — the range on either side, which morning and evening, in turn, transmute literally to gold, — I mean what I say. Their utterly bare ridges of peaks and crags of all shape, quite naked of verdure, glow like yellow ore; and, at times, there is a silver change, as the sun prevails or not.

      ‘The valley is one green luxuriance on all sides; Indian corn, with beans, gourds, and even cabbages, filling up the interstices; and the flowers, though not presenting any novelty to my uninstructed eyes, yet surely more large and purely developed than I remember to have seen elsewhere. For instance, the tiger-lilies in the garden here must be above ten feet high, every bloom faultless, and, what strikes me as peculiar, every leaf on the stalk from bottom to top as perfect as if no insect existed to spoil them by a notch or speck… .

      ‘… Did I tell you we had a little captive fox, — the most engaging of little vixens? To my great joy she has broken her chain and escaped, never to be recaptured, I trust. The original wild and untameable nature was to be plainly discerned even in this early stage of the whelp’s life: she dug herself, with such baby feet, a huge hole, the use of which was evident, when, one day, she pounced thence on a stray turkey


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