The Greatest Works of Abraham Merritt. Abraham Merritt
and sense of irresponsibility, of freedom from care, that were oddly enjoyable. Larry became immediately his old gay self.
The green dwarf regarded us whimsically, sipping from his great flagon of rock crystal.
“Much do I desire to know of that world you came from,” he said at last —“through the rocks,” he added, slyly.
“And much do we desire to know of this world of yours, O Rador,” I answered.
Should I ask him of the Dweller; seek from him a clue to Throckmartin? Again, clearly as a spoken command, came the warning to forbear, to wait. And once more I obeyed.
“Let us learn, then, from each other.” The dwarf was laughing. “And first — are all above like you — drawn out”— he made an expressive gesture —“and are there many of you?”
“There are —” I hesitated, and at last spoke the Polynesian that means tens upon tens multiplied indefinitely —“there are as many as the drops of water in the lake we saw from the ledge where you found us,” I continued; “many as the leaves on the trees without. And they are all like us — varyingly.”
He considered skeptically, I could see, my remark upon our numbers.
“In Muria,” he said at last, “the men are like me or like Lugur. Our women are as you see them — like Yolara or those two who served you.” He hesitated. “And there is a third; but only one.”
Larry leaned forward eagerly.
“Brown-haired with glints of ruddy bronze, golden-eyed, and lovely as a dream, with long, slender, beautiful hands?” he cried.
“Where saw you HER?” interrupted the dwarf, starting to his feet.
“Saw her?” Larry recovered himself. “Nay, Rador, perhaps, I only dreamed that there was such a woman.”
“See to it, then, that you tell not your dream to Yolara,” said the dwarf grimly. “For her I meant and her you have pictured is Lakla, the hand-maiden to the Silent Ones, and neither Yolara nor Lugur, nay, nor the Shining One, love her overmuch, stranger.”
“Does she dwell here?” Larry’s face was alight.
The dwarf hesitated, glanced about him anxiously.
“Nay,” he answered, “ask me no more of her.” He was silent for a space. “And what do you who are as leaves or drops of water do in that world of yours?” he said, plainly bent on turning the subject.
“Keep off the golden-eyed girl, Larry,” I interjected. “Wait till we find out why she’s tabu.”
“Love and battle, strive and accomplish and die; or fail and die,” answered Larry — to Rador — giving me a quick nod of acquiescence to my warning in English.
“In that at least your world and mine differ little,” said the dwarf.
“How great is this world of yours, Rador?” I spoke.
He considered me gravely.
“How great indeed I do not know,” he said frankly at last. “The land where we dwell with the Shining One stretches along the white waters for —” He used a phrase of which I could make nothing. “Beyond this city of the Shining One and on the hither shores of the white waters dwell the mayia ladala — the common ones.” He took a deep draft from his flagon. “There are, first, the fair-haired ones, the children of the ancient rulers,” he continued. “There are, second, we the soldiers; and last, the mayia ladala, who dig and till and weave and toil and give our rulers and us their daughters, and dance with the Shining One!” he added.
“Who rules?” I asked.
“The fair-haired, under the Council of Nine, who are under Yolara, the Priestess and Lugur, the Voice,” he answered, “who are in turn beneath the Shining One!” There was a ring of bitter satire in the last.
“And those three who were judged?”— this from Larry.
“They were of the mayia ladala,” he replied, “like those two I gave you. But they grow restless. They do not like to dance with the Shining One — the blasphemers!” He raised his voice in a sudden great shout of mocking laughter.
In his words I caught a fleeting picture of the race — an ancient, luxurious, close-bred oligarchy clustered about some mysterious deity; a soldier class that supported them; and underneath all the toiling, oppressed hordes.
“And is that all?” asked Larry.
“No,” he answered. “There is the Sea of Crimson where —”
Without warning the globe beside us sent out a vicious note, Rador turned toward it, his face paling. Its surface crawled with whisperings — angry, peremptory!
“I hear!” he croaked, gripping the table. “I obey!”
He turned to us a face devoid for once of its malice.
“Ask me no more questions, strangers,” he said. “And now, if you are done, I will show you where you may sleep and bathe.”
He arose abruptly. We followed him through the hangings, passed through a corridor and into another smaller chamber, roofless, the sides walled with screens of dark grey. Two cushioned couches were there and a curtained door leading into an open, outer enclosure in which a fountain played within a wide pool.
“Your bath,” said Rador. He dropped the curtain and came back into the room. He touched a carved flower at one side. There was a tiny sighing from overhead and instantly across the top spread a veil of blackness, impenetrable to light but certainly not to air, for through it pulsed little breaths of the garden fragrances. The room filled with a cool twilight, refreshing, sleep-inducing. The green dwarf pointed to the couches.
“Sleep!” he said. “Sleep and fear nothing. My men are on guard outside.” He came closer to us, the old mocking gaiety sparkling in his eyes.
“But I spoke too quickly,” he whispered. “Whether it is because the Afyo Maie fears their tongues — or —” he laughed at Larry. “The maids are NOT yours!” Still laughing he vanished through the curtains of the room of the fountain before I could ask him the meaning of his curious gift, its withdrawal, and his most enigmatic closing remarks.
“Back in the great old days of Ireland,” thus Larry breaking into my thoughts raptly, the brogue thick, “there was Cairill mac Cairill — Cairill Swiftspear. An’ Cairill wronged Keevan of Emhain Abhlach, of the blood of Angus of the great people when he was sleeping in the likeness of a pale reed. Then Keevan put this penance on Cairill — that for a year Cairill should wear his body in Emhain Abhlach, which is the Land of Faery and for that year Keevan should wear the body of Cairill. And it was done.
“In that year Cairill met Emar of the Birds that are one white, one red, and one black — and they loved, and from that love sprang Ailill their son. And when Ailill was born he took a reed flute and first he played slumber on Cairill, and then he played old age so that Cairill grew white and withered; then Ailill played again and Cairill became a shadow — then a shadow of a shadow — then a breath; and the breath went out upon the wind!” He shivered. “Like the old gnome,” he whispered, “that they called Songar of the Lower Waters!”
He shook his head as though he cast a dream from him. Then, all alert —
“But that was in Iceland ages agone. And there’s nothing like that here, Doc!” He laughed. “It doesn’t scare me one little bit, old boy. The pretty devil lady’s got the wrong slant. When you’ve had a pal standing beside you one moment — full of life, and joy, and power, and potentialities, telling what he’s going to do to make the world hum when he gets through the slaughter, just running over with zip and pep of life, Doc — and the next instant, right in the middle of a laugh — a piece of damned shell takes off half his head and with it joy and power and all the rest of it”— his face twitched —“well, old man, in the face of THAT mystery a disappearing act such as the