The Greatest Works of Abraham Merritt. Abraham Merritt

The Greatest Works of Abraham Merritt - Abraham  Merritt


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and Marakinoff thrust his hand to him.

      And only I could have noticed Larry’s shrinking, his microscopic hesitation before he took it, and his involuntary movement, as though to shake off something unclean, when the clasp had ended.

      Marakinoff, without another look at me, turned and went quickly within. The guards took their places. I looked at Larry inquiringly.

      “Don’t ask a thing now, Doc!” he said tensely. “Wait till we get home. But we’ve got to get damned busy and quick — I’ll tell you that now —”

       1. I have no space here even to outline the eschatology of this people, nor to catalogue their pantheon. Siya and Siyana typified worldly love. Their ritual was, however, singularly free from those degrading elements usually found in love-cults. Priests and priestesses of all cults dwelt in the immense seven-terraced structure, of which the jet amphitheatre was the water side. The symbol, icon, representation, of Siya and Siyana — the globe and the up-striving figures — typified earthly love, feet bound to earth, but eyes among the stars. Hell or heaven I never heard formulated, nor their equivalents; unless that existence in the Shining One’s domain could serve for either. Over all this was Thanaroa, remote; unheeding, but still maker and ruler of all — an absentee First Cause personified! Thanaroa seemed to be the one article of belief in the creed of the soldiers — Rador, with his reverence for the Ancient Ones, was an exception. Whatever there was, indeed, of high, truly religious impulse among the Murians, this far, High God had. I found this exceedingly interesting, because it had long been my theory — to put the matter in the shape of a geometrical formula — that the real attractiveness of gods to man increases uniformly according to the square of their distance — W. T. G.

       2. I find that I have neglected to explain the working of these interesting mechanisms that were telephonic, dictaphonic, telegraphic in one. I must assume that my readers are familiar with the receiving apparatus of wireless telegraphy, which must be “tuned” by the operator until its own vibratory quality is in exact harmony with the vibrations — the extremely rapid impacts — of those short electric wavelengths we call Hertzian, and which carry the wireless messages. I must assume also that they are familiar with the elementary fact of physics that the vibrations of light and sound are interchangeable. The hearing-talking globes utilize both these principles, and with consummate simplicity. The light with which they shone was produced by an atomic “motor” within their base, similar to that which activated the merely illuminating globes. The composition of the phonic spheres gave their surfaces an acute sensitivity and resonance. In conjunction with its energizing power, the metal set up what is called a “field of force,” which linked it with every particle of its kind no matter how distant. When vibrations of speech impinged upon the resonant surface its rhythmic light-vibrations were broken, just as a telephone transmitter breaks an electric current. Simultaneously these light-vibrations were changed into sound — on the surfaces of all spheres tuned to that particular instrument. The “crawling” colours which showed themselves at these times were literally the voice of the speaker in its spectrum equivalent. While usually the sounds produced required considerable familiarity with the apparatus to be understood quickly, they could, on occasion, be made startlingly loud and clear — as I was soon to realize — W. T. G.

      CHAPTER XX

       THE TEMPTING OF LARRY

       Table of Contents

      We paused before thick curtains, through which came the faint murmur of many voices. They parted; out came two — ushers, I suppose, they were — in cuirasses and kilts that reminded me somewhat of chain-mail — the first armour of any kind here that I had seen. They held open the folds.

      The chamber, on whose threshold we stood, was far larger than either anteroom or hall of audience. Not less than three hundred feet long and half that in depth, from end to end of it ran two huge semi-circular tables, paralleling each other, divided by a wide aisle, and heaped with flowers, with fruits, with viands unknown to me, and glittering with crystal flagons, beakers, goblets of as many hues as the blooms. On the gay-cushioned couches that flanked the tables, lounging luxuriously, were scores of the fair-haired ruling class and there rose a little buzz of admiration, oddly mixed with a half-startled amaze, as their gaze fell upon O’Keefe in all his silvery magnificence. Everywhere the light-giving globes sent their roseate radiance.

      The cuirassed dwarfs led us through the aisle. Within the arc of the inner half — circle was another glittering board, an oval. But of those seated there, facing us — I had eyes for only one — Yolara! She swayed up to greet O’Keefe — and she was like one of those white lily maids, whose beauty Hoang–Ku, the sage, says made the Gobi first a paradise, and whose lusts later the burned-out desert that it is. She held out hands to Larry, and on her face was passion — unashamed, unhiding.

      She was Circe — but Circe conquered. Webs of filmiest white clung to the rose-leaf body. Twisted through the corn-silk hair a threaded circlet of pale sapphires shone; but they were pale beside Yolara’s eyes. O’Keefe bent, kissed her hands, something more than mere admiration flaming from him. She saw — and, smiling, drew him down beside her.

      It came to me that of all, only these two, Yolara and O’Keefe, were in white — and I wondered; then with a tightening of nerves ceased to wonder as there entered — Lugur! He was all in scarlet, and as he strode forward a silence fell a tense, strained silence.

      His gaze turned upon Yolara, rested upon O’Keefe, and instantly his face grew — dreadful — there is no other word than that for it. Marakinoff leaned forward from the centre of the table, near whose end I sat, touched and whispered to him swiftly. With appalling effort the red dwarf controlled himself; he saluted the priestess ironically, I thought; took his place at the further end of the oval. And now I noted that the figures between were the seven of that Council of which the Shining One’s priestess and Voice were the heads. The tension relaxed, but did not pass — as though a storm-cloud should turn away, but still lurk, threatening.

      My gaze ran back. This end of the room was draped with the exquisitely coloured, graceful curtains looped with gorgeous garlands. Between curtains and table, where sat Larry and the nine, a circular platform, perhaps ten yards in diameter, raised itself a few feet above the floor, its gleaming surface half-covered with the luminous petals, fragrant, delicate.

      On each side below it, were low carven stools. The curtains parted and softly entered girls bearing their flutes, their harps, the curiously emotion-exciting, octaved drums. They sank into their places. They touched their instruments; a faint, languorous measure throbbed through the rosy air.

      The stage was set! What was to be the play?

      Now about the tables passed other dusky-haired maids, fair bosoms bare, their scanty kirtles looped high, pouring out the wines for the feasters.

      My eyes sought O’Keefe. Whatever it had been that Marakinoff had said, clearly it now filled his mind — even to the exclusion of the wondrous woman beside him. His eyes were stern, cold — and now and then, as be turned them toward the Russian, filled with a curious speculation. Yolara watched him, frowned, gave a low order to the Hebe behind her.

      The girl disappeared, entered again with a ewer that seemed cut of amber. The priestess poured from it into Larry’s glass a clear liquid that shook with tiny sparkles of light. She raised the glass to her lips, handed it to him. Half-smiling, half-abstractedly, he took it, touched his own lips where hers had kissed; drained it. A nod from Yolara and the maid refilled his goblet.

      At once there was a swift transformation in the Irishman. His abstraction vanished; the sternness fled; his eyes sparkled. He leaned caressingly toward Yolara; whispered. Her blue eyes flashed triumphantly; her chiming laughter rang. She raised her own glass — but within it was not that clear drink that filled Larry’s! And again he drained his own; and, lifting it, full once more, caught the baleful eyes of Lugur, and held it toward him mockingly. Yolara swayed close — alluring, tempting. He arose, face all reckless gaiety; rollicking deviltry.

      “A


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