The Greatest Works of Robert E. Howard: 300+ Titles in One Edition. Robert E. Howard

The Greatest Works of Robert E. Howard: 300+ Titles in One Edition - Robert E.  Howard


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and shot off, but the writhing figure of the girl struck and clung, and the chest hit the edge of the span near her. One falling object struck on one side of Conan and one on the other. Either was within arm's length; for the fraction of a split second the chest teetered ont he edge of the bridge, and Muriela clung by one arm, her face turned desperately toward Conan, her eyes dilated with the fear of death and her lips parted in a haunting cry of despair.

      Conan did not hesitate, nor did he even glance toward the chest that held the wealth of an epoch. With a quickness that would have shamed the spring of a hungry jaguar, he swooped, grasped the girl's arm just as her fingers slipped from the smooth stone, and snatched her up on the span with one explosive heave. The chest toppled on over and struck the water ninety feet below, where the body of the servant of Bit-Yakin had already vanished. A splash, a jetting flash of foam marked where the Teeth of Gwahlur disappeared for ever from the sight of man.

      Conan scarcely wasted a downward glance. He darted across the span and ran up the cliff stair like a cat, carrying the limp girl as if she had been an infant. A hideous ululation caused him to glance over his shoulder as he reached the higher arch, to see the other servants streaming back into the cavern below, blood dripping from their bared fangs. They raced up the stair that wound up from tier to tier, roaring vengefully; but he slung the girl unceremoniously over his shoulder, dashed through the tunnel and went down the cliffs like an ape himself, dropping and springing from hold to hold with breakneck recklessness. When the fierce countenances looked over the ledge of the aperture, it was to see the Cimmerian and the girl disappearing into the forest that surrounded the cliffs.

      "Well," said Conan, setting the girl on her feet within the sheltering screen of branches, "we can take our time now. I don't think those brutes will follow us outside the valley. Anyway, I've got a horse tied at a water-hole close by, if the lions haven't eaten him. Crom's devils! What are you crying about now?"

      She covered her tear-stained face with her hands, and her slim shoulders shook with sobs.

      "I lost the jewels for you," she wailed miserably. "It was my fault. If I'd obeyed you and stayed out on the ledge, that brute would never have seen me. You should have caught the gems and let me drown!"

      "Yes, I suppose I should," he agreed. "But forget it. Never worry about what's past. And stop crying, will you? That's better. Come on."

      "You mean you're going to keep me? Take me with you?" she asked hopefully.

      "What else do you suppose I'd do with you?" He ran an approving glance over her figure and grinned at the torn skirt which revealed a generous expanse of tempting ivory-tinted curves. "I can use an actress like you. There's no use going back to Keshia. There's nothing in Keshan now that I want. We'll go to Punt. The people of Punt worship an ivory woman, and they wash gold out of the rivers in wicker baskets. I'll tell them that Keshan is intriguing with Thutmekri to enslave them—which is true—and that the gods have sent me to protect them—for about a houseful of gold. If I can manage to smuggle you into their temple to exchange places with their ivory goddess, we'll skin them out of their jaw teeth before we get through with them!"

      The Phoenix on the Sword

       Table of Contents

       CHAPTER I

       CHAPTER II

       CHAPTER III

       CHAPTER IV

       CHAPTER V

      CHAPTER I

       Table of Contents

      "KNOW, oh prince, that between the years when the oceans drank Atlantis and the gleaming cities, and the years of the rise of the Sons of Aryas, there was an Age undreamed of, when shining kingdoms lay spread across the world like blue mantles beneath the stars—Nemedia, Ophir, Brythunia, Hyperborea, Zamora with its dark-haired women and towers of spider-haunted mystery, Zingara with its chivalry, Koth that bordered on the pastoral lands of Shem, Stygia with its shadow-guarded tombs, Hyrkania whose riders wore steel and silk and gold. But the proudest kingdom of the world was Aquilonia, reigning supreme in the dreaming west. Hither came Conan, the Cimmerian, black-haired, sullen- eyed,sword in hand, a thief, a reaver, a slayer, with gigantic melancholies and gigantic mirth, to tread the jeweled thrones of the Earth under his sandalled feet."—The Nemedian Chronicles

      OVER shadowy spire's and gleaming towers lay the ghostly darkness and silence that runs before dawn. Into a dim alley, one of a veritable labyrinth of mysterious winding ways, four masked figures came hurriedly from a door which a dusky hand furtively opened. They spoke not but went swiftly into the gloom, cloaks wrapped closely about them; as silently as the ghosts of murdered men they disappeared in the darkness. Behind them a sardonic countenance was framed in the partly opened door; a pair of evil eyes glittered malevolently in the gloom.

      "Go into the night, creatures of the night," a voice mocked. "Oh, fools, your doom hounds your heels like a blind dog, and you know it not." The speaker closed the door and bolted it, then turned and went up the corridor, candle in hand. He was a somber giant, whose dusky skin revealed his Stygian blood. He came into an inner chamber, where a tall, lean man in worn velvet lounged like a great lazy cat on a silken couch, sipping wine from a huge golden goblet.

      "Well, Ascalante," said the Stygian, setting down the candle, "your dupes have slunk into the streets like rats from their burrows. You work with strange tools."

      "Tools?" replied Ascalante. "Why, they consider me that. For months now, ever since the Rebel Four summoned me from the southern desert, I have been living in the very heart of my enemies, hiding by day in this obscure house, skulking through dark alleys and darker corridors at night. And I have accomplished what those rebellious nobles could not. Working through them, and through other agents, many of whom have never seen my face, I have honeycombed the empire with sedition and unrest. In short I, working in the shadows, have paved the downfall of the king who sits throned in the sun. By Mitra, I was a statesman before I was an outlaw."

      "And these dupes who deem themselves your masters?"

      "They will continue to think that I serve them, until our present task is completed. Who are they to match wits with Ascalante? Volmana, the dwarfish count of Karaban; Gromel, the giant commander of the Black Legion; Dion, the fat baron of Attalus; Rinaldo, the hare-brained minstrel. I am the force which has welded together the steel in each, and by the clay in each, I will crush them when the time comes. But that lies in the future; tonight the king dies."

      "Days ago I saw the imperial squadrons ride from the city," said the Stygian. "They rode to the frontier which the heathen Picts assail – thanks to the strong liquor which I've smuggled over the borders to madden them. Dion's great wealth made that possible. And Volmana made it possible to dispose of the rest of the imperial troops which remained in the city. Through his princely kin in Nemedia, it was easy to persuade King Numa to request the presence of Count Trocero of Poitain, seneschal of Aquilonia; and of course, to do him honor, he'll be accompanied by an imperial escort, as well as his own troops, and Prospero, King Conan's right-hand man. That leaves only the king's personal bodyguard in the city—beside the Black Legion. Through Gromel I've corrupted a spendthrift officer of that guard, and bribed him to lead his men away from the king's door at midnight.

      "Then, with sixteen desperate rogues of mine, we enter the palace by a secret tunnel. After the deed is done, even if the people do not rise to welcome us, Gromel's Black Legion will be sufficient to hold the city and the crown."

      "And Dion


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