The Ladies' Paradise. Эмиль Золя
knowing how to take her leave in the midst of all these people. At last she thanked Madame Aurélie, and on passing Mouret and Bourdoncle, she bowed. The gentlemen, however, were examining the pattern of a mantle with Madame Frédéric and took no further notice of her. Clara looked in a vexed way towards Marguerite, as if to predict that the new-comer would not have a very pleasant time of it in the establishment. Denise doubtless felt this indifference and rancour behind her, for she went downstairs with the same troubled feeling that had possessed her on going up, asking herself whether she ought to be sorry or glad at having come. Could she count on having the situation? She doubted it, amidst the uneasiness which had prevented her from clearly understanding what had been said. Of her various sensations, two remained and gradually effaced all others—the emotion, almost fear, with which Mouret had inspired her, and the pleasure she had derived from the amiability of Hutin, the only pleasure she had enjoyed the whole morning, a souvenir of charming sweetness which filled her with gratitude. When she crossed the shop on her way out she looked for the young man, happy in the idea of thanking him again with her eyes, and she was very sorry not to see him.
"Well, mademoiselle, have you succeeded?" inquired a timid voice, as she at last reached the pavement. She turned round and recognised the tall, awkward young fellow who had spoken to her in the morning. He also had just come out of The Ladies' Paradise, and seemed even more frightened than herself, still bewildered by the examination through which he had just passed.
"I really don't know as yet, sir," she replied.
"You're like me, then. What a way they have of looking at you and talking to you in there—eh? I'm applying for a place in the lace department. I was at Crevecœur's in the Rue du Mail."
They were once more standing face to face; and, not knowing how to take leave, they again began to blush. Then the young man, by way of saying something, timidly ventured to ask in his good-natured, awkward way: "What is your name, mademoiselle?"
"Denise Baudu."
"My name is Henri Deloche."
Then they smiled, and, yielding to a fraternal feeling born of the similarity of their positions, shook each other by the hand.
"Good luck!" said Deloche.
"Yes, good luck!" was Denise's reply.
CHAPTER III.
Every Saturday, between four and six, Madame Desforges offered a cup of tea and a few sweet biscuits to those friends who were kind enough to visit her. She occupied the third floor of a house at the corner of the Rue de Rivoli and the Rue d'Alger; and the windows of her two drawing-rooms overlooked the gardens of the Tuileries.
That Saturday, just as a footman was about to introduce him into the principal drawing-room, Mouret from the anteroom perceived, through an open doorway, Madame Desforges crossing the smaller salon. She stopped on seeing him, and he went in that way, bowing to her with a ceremonious air. But when the footman had closed the door, he quickly caught hold of the young woman's hand, and tenderly kissed it.
"Take care, I have company!" she remarked, in a low voice, glancing towards the door of the larger room. "I've just come to fetch this fan to show them," and so saying she playfully tapped him on the face with the tip of the fan she held. She was dark and inclined to stoutness, and had big jealous eyes.
However, he still held her hand and inquired: "Will he come?"
"Certainly," she replied: "I have his promise."
They both referred to Baron Hartmann, the director of the Crédit Immobilier. Madame Desforges, daughter of a Councillor of State, was the widow of a speculator, who had left her a fortune, underrated to the point of nothingness by some and greatly over-estimated by others. During her husband's lifetime she had already known Baron Hartmann, whose financial tips had proved very useful to them; and later on, after her husband's death, the connection had been kept up in a discreet fashion; for she never courted notoriety in any way, and was received everywhere in the upper-middle class to which she belonged. Even now too when she had other lovers—the passion of the banker, a sceptical, crafty man, having subsided into a mere paternal affection—she displayed such delicate reserve and tact, such adroit knowledge of the world that appearances were saved, and no one would have ventured to openly express any doubt of her conduct. Having met Mouret at a mutual friend's she had at first detested him; but had been carried away by the violent love which he professed for her, and since he had begun manœuvring to approach Baron Hartmann through her, she had gradually got to love him with real and profound tenderness, adoring him with all the violence of a woman of thirty-five, who only acknowledged the age of twenty-nine, and distressed at feeling him younger than herself, which made her tremble lest she should lose him.
"Does he know about it?" he resumed.
"No, you'll explain the affair to him yourself," was her reply.
Meantime she looked at him, reflecting that he couldn't know anything or he would not employ her in this way with the baron, whom he appeared to consider simply as an old friend of hers. However, Mouret still held her hand and called her his good Henriette, at which she felt her heart melting. Then silently she presented her lips, pressed them to his, and whispered: "Remember they're waiting for me. Come in behind me."
A murmur of voices, deadened by the heavy hangings, came from the principal drawing-room. Madame Desforges went in, leaving the folding doors open behind her, and handed the fan to one of the four ladies who were seated in the middle of the room.
"There it is," said she; "I didn't know exactly where it was. My maid would never have found it." And turning round she added in her cheerful way: "Come in, Monsieur Mouret, come through the little drawing-room; it will be less solemn."
Mouret bowed to the ladies, whom he knew. The drawing-room, with its Louis XVI. furniture upholstered in flowered brocatel, its gilded bronzes and large green plants, had a pleasant, cozy, feminine aspect, albeit the ceiling was so lofty; and through the two windows could be seen the chestnut trees of the Tuileries Gardens, whose leaves were blowing about in the October wind.
"But this Chantilly isn't at all bad!" exclaimed Madam Bourdelais, who had taken the fan.
She was a short fair woman of thirty, with a delicate nose and sparkling eyes. A former school-fellow of Henriette's, married to a chief clerk at the Ministry of Finances, and belonging to an old middle-class family, she managed her household and three children with rare activity, good grace, and exquisite knowledge of practical life.
"And you paid twenty-five francs for it?" she resumed, examining each mesh of the lace. "At Luc, I think you said, to a country-woman? No, it isn't dear; still you had to get it mounted, hadn't you?"
"Of course," replied Madame Desforges. "The mounting cost me two hundred francs."
Madame Bourdelais began to laugh. And that was what Henriette called a bargain! Two hundred francs for a plain ivory mount, with a monogram! And that for a mere piece of Chantilly, over which she had perhaps saved five francs. Similar fans could be had, ready mounted, for a hundred and twenty francs, and she named a shop in the Rue Poissonnière where she had seen them.
However, the fan was handed round to all the ladies. Madame Guibal barely glanced at it. She was a tall, slim woman, with red hair, and a face full of indifference, in which her grey eyes, belying her unconcerned air, occasionally cast a hungry gleam of selfishness. She was never seen out with her husband, a barrister well-known at the Palais de Justice, who led, it was said, a pretty free life between his briefs and his pleasures.
"Oh," she murmured, passing the fan to Madame de Boves, "I've scarcely bought one in my life. One always receives too many of such things."
"You are fortunate, my dear, in having a gallant husband," answered the countess in a tone of delicate irony. And bending over to her daughter, a tall girl of twenty, she added: "Just look at the monogram, Blanche. What pretty work! It's the monogram that must have increased the price of the mounting like that."
Madame de Boves had just turned forty. She was a superb woman, with the neck and shoulders