GOLD OF THE GODS. Arthur B. Reeve
of the building we came to the section devoted to Egyptology. Kennedy paused. Standing there, upright against the wall, was a mummy case. To me, even now, the thing had a creepy look. Craig pushed aside the stone lid irreverently and gazed keenly into the uncanny depths of the stone sarcophagus. An instant later he was down on his hands and knees, carefully examining the interior by means of a pocket lens.
"I think I have made a start," he remarked, rising to his feet and facing us with an air of satisfaction.
We said nothing, and he pointed to some almost undiscernible marks in a thin layer of dust that had collected in the sarcophagus.
"If I'm not mistaken," he went on, "your thief got into the Museum during the daytime, and, when no one was looking, hid here. He must have stayed until the place was locked up at night. Then he could rob at his leisure, only taking care to confine his operations to the time between the rather infrequent rounds of the night watchman."
Kennedy bent down again. "Look," he indicated. "There are the marks of shoes in the dust, shoes with nails in the heels, of course. I shall have to compare the marks that I have found here with those I have collected, following out the method of the immortal Bertillon. Every make of shoes has its own peculiarities, both in the number and the arrangement of the nails. Offhand, however, I should say that these shoes were American-made--though that, of course, does not necessarily mean that an American wore them. I may even be able to determine which of a number of individual pairs of shoes made the marks. I cannot tell that yet, until I study them. Walter, I wish you'd go over to my laboratory. In the second right-hand drawer of my desk you'll find a package of paper. I'd like to have it."
"Don't you think you ought to preserve the marks?" I heard Norton hint, as I left. He had been watching Kennedy in open-eyed amazement and interest.
"Exactly what I am sending Walter to do," he returned. "I have some specially prepared paper that will take those dust marks up and give me a perfect replica."
I hurried back as fast as I could, and Kennedy bent to the task of preserving the marks.
"Have you any idea who might have an object in stealing the dagger?" Kennedy asked, when he had finished.
Norton shrugged his shoulders. "I believe some weird superstitions were connected with it," he replied. "It had a three-sided blade, and, as I told you, both the blade and the hilt were covered with peculiar markings."
There seemed to be nothing more that could be discovered from a further examination of the Museum. It was plain enough that the thief must have let himself out of a side door which had a spring lock on it and closed itself. Not a mark or scratch was to be found on any of the window or door locks; nothing else seemed to have been disturbed.
Evidently the thief had been after that one, to him priceless, object. Having got it, he was content to get away, leaving untouched the other treasures, some of which were even intrinsically valuable for the metal and precious stones in them. The whole affair seemed so strange to me, however, that, somehow, I could not help wondering whether Norton had told us the whole or only half the story as he knew it about the dagger and its history.
Still talking with the archaeologist, Kennedy and I returned to his laboratory.
We had scarcely reached the door when we heard the telephone ringing insistently. I answered, and it happened to be a call for me. It was the editor of the Star endeavouring to catch me, before I started downtown to the office, in order to give me an assignment.
"That's strange," I exclaimed, hanging up the receiver and turning to Craig. "I've got to go out on a murder case--"
"An interesting case?" asked Craig, interrupting his own train of investigation with a flash of professional interest.
"Why, a man has been murdered in his apartment on Central Park, West, I believe. Luis de Mendoza is the name, and it seems--"
"Don Luis de Mendoza?" repeated Norton, with a startled exclamation. "Why, he was an influential Peruvian, a man of affairs in his country, and an accomplished scholar. I--I--if you don't mind, I'd like to go over with you. I know the Mendozas."
Kennedy was watching Norton's face keenly. "I think I'll go, too, Walter," he decided. "You won't lack assistants on this story, apparently."
"Perhaps you can be of some assistance to them, also," put in Norton to Kennedy, as we left.
It was only a short ride downtown, and our cab soon pulled up before a rather ornate entrance of a large apartment in one of the most exclusive sections of the city. We jumped out and entered, succeeding in making our way to the sixth floor, where Mendoza lived, without interference from the hallboy, who had been completely swamped by the rush that followed the excitement of finding one of the tenants murdered.
There was no missing the place. The hall had been taken over by the reporters, who had established themselves there, terrible as an army with concealed pads and pencils. From one of the morning men already there I learned that our old friend Dr. Leslie, the coroner, was already in charge.
Somehow, whether it was through Kennedy's acquaintance with Dr. Leslie or Norton's acquaintance with the Mendozas and the Spanish tongue, we found ourselves beyond the barrier of the door which shut out my rivals.
As we stood for a moment in a handsome and tastefully furnished living room a young lady passed through hurriedly. She paused in the middle of the room as she saw us and eyed us tremulously, as though to ask us why we had intruded. It was a rather awkward situation.
Quickly Norton came to the rescue. "I hope you will pardon me, Senorita," he bowed in perfect Spanish, "but--"
"Oh, Professor Norton, it is you!" she cried in English, recognizing him. "I'm so nervous that I didn't see you at first."
She glanced from him to us, inquiringly. I recollected that my editor had mentioned a daughter who might prove to be an interesting and important figure in the mystery. She spoke in an overwrought, agitated tone. I studied her furtively.
Inez de Mendoza was unmistakably beautiful, of the dark Spanish type, with soft brown eyes that appealed to one when she talked, and a figure which at any less tragic moment one might have been pardoned for admiring. Her soft olive skin, masses of dark hair, and lustrous, almost voluptuous, eyes contrasted wonderfully with the finely chiselled lines of her nose, the firm chin, and graceful throat and neck. Here one recognized a girl of character and family in the depths of whose soul smouldered all the passion of a fiery race.
"I hope you will pardon me for intruding," Norton repeated. "Believe me, it is not with mere idle curiosity. Let me introduce my friend, Professor Kennedy, the scientific detective, of whom you have heard, no doubt. This is his assistant, Mr. Jameson, of the Star. I thought perhaps they might stand between you and that crowd in the hall," he added, motioning toward the reporters on the other side of the door. "You can trust them absolutely. I'm sure that if there is anything any of us can do to aid you in--in your trouble, you may be sure that we are at your service."
She looked about a moment in the presence of three strangers who had invaded the quietness of what had been, at least temporarily, home. She seemed to be seeking some one on whom to lean, as though some support had suddenly been knocked from under her, leaving her dazed at the change.
"Oh, madre de Dios!" she cried. "What shall I do? Oh, my father-- my poor father!"
Inez Mendoza was really a pathetic and appealing figure as she stood there in the room, alone.
Quickly she looked us over, as if, by same sort of occult intuition of woman, she were reading our souls. Then, instinctively almost, she turned to Kennedy. Kennedy seemed to recognize her need. Norton and I retired, somewhat more than figuratively.
"You--you are a detective?" she queried. "You can read mystery-- like a book?"
Kennedy smiled encouragingly. "Hardly as my friend Walter here often paints me," he returned. "Still, now and then, we are able to use the vast knowledge of wise men the world over to help those in trouble. Tell me--everything," he soothed, as though knowing that to talk would prove a safety-valve for her pent-up emotions. "Perhaps I can help you."
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