The Human Race. Figuier Louis
nape of his neck, and the oval form of his cranium, indicate that Finn blood flows in his veins; his maxillary power, and the size of his teeth, evidence a preference for an animal diet. He has the high forehead of the thinker, but not the long eyes of the artist.
“The insular position of England, its excellent situation upon the Atlantic, its numerous and magnificent seaport towns, its watercourses and the facilities for conducting its internal navigation, all suggest a large maritime commerce and the habits which accompany it. But neither the soil, the climate, nor the geographical position, can account for the aptitudes imported by different races.
“The Englishman is two-fold—Celt and German—and it is only a superficial examination which can confound them.
“The Celt, whom in the absence of precise notions of an earlier population we have come to consider as indigenous, resembles the Neo-Latin races, and, above all, the French. He rarely exists collectively, except in Ireland, and some mountainous districts of Wales and Scotland. His cranium and features indicate artistic aptitudes. He prefers Christianity in the Anglican Catholic form. Like the old Gauls, he delights in wine, laughter, gaming, dancing, conversation, raillery, and fighting. He is spirited and fond of joking, frank and hospitable; but his versatility renders him incapable of steadily pursuing an enterprise to the end, of careful reflection, or of thought for the future. Through his powerlessness to combine his powers and act collectively, he has become a prey to enemies, who were superior to him neither in number, courage, nor even in intelligence. Old and joyous England and Ireland became subject to the Dane, the Saxon, and the Norman: they lost their proverbial gaiety, their bards, their democratic tendency, and their civilization.
“The physical and moral differences between the modern conquerors of England were but slight. They all came from the coasts of the Baltic Sea, and all possessed the elementary characteristics of the German and Scandinavian, and the aptitudes which they inherited from the old Sea Kings. They had, moreover, strength, which bade them regard conquest as a right, and take what they desired; pride, which bade them hold up their head even against the storm; individual initiative, which demanded, above all things, personal liberty; a tenacity, that nothing discouraged; an intelligence, capable of every subtlety; a general sensuality, which converted the bodily necessities into a means of enjoyment; a lack of sentiment, which pre-supposed a want of aptitude for art; and, lastly, a temperament which was calm and robust under all circumstances.
“This type, which is still found among all branches of society, not excepting the aristocracy, has been modified by its combination with the Celtic element, but it still remains predominant. The Saxon, as a rule, absorbs or destroys the other races; we may say, he drinks in their vitality, but is unable to assimilate himself to their temperament.
“We must, therefore, expect to find the customs of England proper, more Scandinavian than Celtic. The pleasures of olden time have fallen off; the merry gossips of those days find no place but in literature; raillery, when it comes from Saxon lips, is armed with sharp teeth, and tears away the morsel it attacks.
“When intelligence is averted from the ideal, and constantly directed towards the positive matters of life, it acquires the habit of considering in all things the question of profit and loss; it becomes averse to waste, which destroys property unprofitably, and loves order, without which, material prosperity is impossible; it guides the organic forces to productive industry, agriculture, and commerce, where they are fostered and matured; and last of all, to speculation, which anticipates the greater part of the fruits of commerce, agriculture, and manufacture. The Saxon finds everywhere the means of speculating, aided in his manœuvres by the intricacy of his commercial laws. As a consequence of his phlegmatic temperament, he gives way neither to the snares of enthusiasm, nor to the deceptions of discouragement. He reasons aright, both for the present and the future. In dealing craftily with his antagonist, he is well able to guard himself against the weaknesses of feeling. His face rarely betrays his convictions, and his features are devoid of the mobility which would prove disadvantageous.
“Thus it is that the Englishman joins subtlety to will; hence his practical power. Being strong and able, he acquires a confidence in himself which easily degenerates into pride, and saves him from smallness of character. He is neither obsequious, nor prone to flattery; he casts on one side the refinements of politeness, which he regards as humiliating in one who employs them; he keeps his word, and considers that he would be dishonoured in breaking it; but he makes the best of all his advantages. For him, life is a struggle for triumph, without regard for those who are unable to contend, and who succumb in the attempt. He asks no pity, and gives but little; he cannot be called cruel, for cruelty is a form of weakness; but he does not hesitate to oppress an enemy, when to do so would be productive of material advantage. In attaching to an Englishman the characteristic of individual initiative, which is met with among all the branches of the Germanic tree, we rightly expect to find him fond of liberty, without which his powers would have no vent.
“But this liberty would soon lead him to destruction, did he not join to it the spirit of propriety, and temper it with the love of order, which he acquires in his industrial and commercial pursuits.
“. … His arts are wanting neither in talent, observation, delicacy, nor humour; they represent men and things with the most scrupulous accuracy; but they lack feeling, warmth, and ideality; they know not how to bring the passions into play, and are unable to soar above the descriptive. His stage is a failure, as is his music, both in themselves pure creations of feeling; and his architecture is governed by the nature of materials, and the application of his buildings to the needs of life. This rage for practical convenience, which makes the London houses so unsightly, has also been instrumental in simplifying his language to amphibology, and curtailing the accent to such an extent as to create discord. When harmony in the means of expressing thought is wanting, the art of talking well is no longer exercised in conversation, but becomes concentrated in discourse. There is scarcely an intermediate between the latter form of speech, and incorrect conversation among individuals. The result of this is, that the Englishman, on almost every occasion, expresses himself in speeches, which are listened to and commented upon with an imperturbable patience, but which have the grave fault of imparting to social relations a tone of pedantry and stiffness. As soon as that exists, there is no longer any room for fun and humour. Following out the spirit of formality, many things become no longer permissible, or cannot be dealt with except by reference to strict rules. Propriety, therefore, includes, over and above pure politeness, a number of conventionalities which in themselves constitute nothing less than a social tyranny. An act, which, everywhere else, would be regarded as perfectly natural, easily becomes food for scandal; and in society, by far the greater number of those one meets abstain from action, speech, or gesticulation. An icy reserve is the tone generally assumed.
“In such society as this, indiscretion and flippancy are almost out of the question. But, although the English scorn a lie, they cannot speak the whole truth: they find it necessary to reserve a portion, and frequently the most important part. The result is a peculiar form of hypocrisy which bears the name of cant, and which is really the bane of English society. Owing to this, social life is enclosed in a circle of intolerance which imparts to it a painful uniformity. Each person is obliged to do as every one else, to such an extent, that in the land of liberty, the spirit is oppressed and dejected to a degree suggestive of suicide. Hence it is that so many English, in order to escape spleen, are forced to leave their country.
“The Englishwoman is tall, fair, and strongly built. Her skin is of dazzling freshness; her features are small and elegantly formed; the oval of her face is marked, but it is somewhat heavy toward the lower portion; her hair is fine, silky, and charming; and her long and graceful neck imparts to the movements of her head a character of grace and pride.
“So far, all about her is essentially feminine; but upon analyzing her bust and limbs, we find that the large bones, peculiar to her race, interfere with the delicacy of her form, enlarge her extremities, and lessen the elegance of her postures and the harmony of her movements.
“Woman moves about two centres, which are the head and the heart. The latter deals with bodily grace, roundness and delicacy of form, inspiration in feeling, devotion in love, sympathy, a manifold and undefinable seductiveness, a sort of divine radiance, which is