The Human Race. Figuier Louis
want of discipline among the soldiers and non-commissioned officers, conduces to desertion to these irregular bodies, and the result is that unhappy Spain is continually in a state of local insurrection, the suppression of which invariably leads to bloodshed without producing any permanent settlement.
The passion which a Spaniard evinces in all he does, is not wanting in his religion. His piety is exalted, and the violence to which this piety frequently leads him, has had mournful results. It is this religious fury which accounts for the cruelty of the Spaniards to the Saracens and Jews; and which, later on, lit the faggots of the Inquisition, and produced the most savage intolerance. Spain has burnt, in the name of a God of peace and love, thousands of innocent creatures; and for the honour and good of the Catholic faith, has proscribed, strangled, and tortured.
This passionate exaggeration of Catholicism has proved the ruin of Spain in modern times. It is marvellous to see how this nation, so powerful in the sixteenth century, and which, under Charles V., dictated laws to all Europe, has fallen; until at the present day, it ranks among the states of the lowest class in this part of the world. But it will be seen that the multiplication of convents, both for men and women, has had the effect of rapidly depopulating the country; that the proscription of the Moors, the Jews, and lastly, of the Protestants, has proved destructive of productive industry; that the courts of the Inquisition, and the auto-da-fé, have led to a feeling of sadness and mistrust among the people; that the abuse of religion and its symbols, has produced a bigotry which can be likened only to idolatry; and that the fear of offending an intolerant and self-asserting religion, has arrested all moral progress, and effectually set aside all development of science, which of necessity presupposes free investigation.
This is how progress, activity, and thought, have met with their end, and how material prosperity has become extinguished in that portion of Europe, most marvellously endowed with natural gifts. Thus it is that commerce has become a bye-word in a land, whose geographical position is unrivalled, and which possessed in the New World the most flourishing and powerful colonies; and that literature and science, the two great words which indicate liberty and progress, have fallen away in the home of Michael Cervantes.
How is Spain to recover her former splendour? What remedies must be applied to these crying evils? We reply, religious toleration, and political liberty.
The type of the Spanish woman is so well known, that we need hardly recall it. She is generally brunette, although the blond type occurs much more frequently than is usually supposed. The Spanish woman is almost always small of stature. Who has not observed her large eyes, veiled by thick lashes, her delicate nose, and well-formed nostrils. Her form is always undulating and graceful; her limbs are round and beautifully moulded, and her extremities of incomparable delicacy. She is a charming mixture of vigour, languor, and grace.
Love is the great object of the Spanish woman. She loves with passion but with constancy, and the jealousy she feels is but the legitimate compensation for the attachment she bestows.
The Spanish woman, faithful as a wife, is an excellent mother. Few women can equal her as a nurse, or in the attention and patience which are called for by the care of children. The mother lavishes upon her young family her whole life, and if she fails to instruct them, it is, alas! that she lacks the power to do so; for she is no better educated than the French woman, and, as regards ignorance, is a meet companion for her in every respect.
We have said that, in France, women exercise a very manifest influence upon the course of events. The Spanish woman is not, however, in possession of this useful influence. She commands the attention of those around her only during the short period of her beauty. When, arrived at maturity, her judgment formed by experience, and her views enlarged by observation or practice, she might soothe the passion of her friends, assist them with her counsel, or unite them around her hearth, the Spanish woman retires into obscurity, and the knowledge she has gained is lost to society.
Having thus given a general view of Spanish manners, we will say something with respect to the most characteristic physiognomies of this country.
22.—SPANISH LADY AND DUENNA.
The Moorish type is met with in a marked degree in the province of Valencia. The peasants have swarthy complexions. Their head-dress consists of a handkerchief in bright colours, rolled around the head and rising to a point: strongly reminding the observer of the turban worn by Eastern nations. They sometimes wear, in addition to this, a hat formed of felt and black velvet, with the edges turned up. On fête-days they don a waistcoat of green or blue velvet, with numerous buttons formed of silver or plated copper. In lieu of trowsers, they wear full drawers of white cloth, which reach as far as the knees, and are kept up by a broad belt of silk or brightly striped wool. The hose consist of gaiters, kept in place by means of a broad blue riband wound round the leg. A long piece of woollen material, striped with bright colours, is thrown over the shoulders or wound round the body: this is the cloak.
23.—THE FANDANGO.
The peasants are to be seen to best advantage in the market-place, whither they bring their oranges, grapes, and dates.
The women of Valencia are sometimes of remarkable beauty. Their black hair is rolled into bunches above the temples, and carried to the back of the head, where it forms an enormous chignon, through which passes a long needle of silver-gilt.
In some of the preceding cuts we have given the costumes of the inhabitants of Valencia, Xeres, Cordova, Toledo, and Madrid, as also types of Spanish physiognomy.
In Spain, dancing is a national feature. The dance scarcely varies in different provinces, but generally reflects the character of the people, who accompany it with songs and national melodies. They can hardly have enough of singing and dancing the Fandango (fig. 23), and the Bolero (fig. 24).
Portugal abuts on Spain, and its people merit some portion of our consideration.
The Portuguese women are frequently pretty, and sometimes actually beautiful. They have abundant hair, their eyes are earnest, soft, and penetrating, and their teeth excellent. Their feet are rather large, but their hands are very delicate. Their forms are well set, and strongly, though somewhat sturdily built; their joints are small, their complexion sallow, their movements are confident. Their well shaped heads are well placed, and the modest ease with which they wear the short jupon and broad felt hat, imparts to these articles of dress a certain elegance.
The inhabitants of Ponte de Lima are of small stature, and possess fine vigorous forms. The country people are worthy of special notice, they make brave and steady soldiers, who are easily amenable to discipline, and robust and intelligent workmen.
24.—THE BOLERO.
There is nothing very noteworthy about the dress of the peasantry, except as regards that of the women. The petticoat is plaited, short, and sometimes rolled up, so as to expose to view their legs, which are usually bare. The bodice, which is furnished with two or three silver buttons, displays the form. Being separated from the petticoat, it permits the chemise to puff out around the body, while the sleeves of that garment are wide and usually worn turned up. The head-dress consists of a large black felt hat, frequently adorned with bows of ribbon, and almost always furnished with a white kerchief, the folds of which fall down over the neck and shoulders. Long earrings, and even necklaces and chains of gold, complete the picturesque costume in which yellow, red, and bright green, predominate.
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