Lady Chatterley's Lover & Sons and Lovers. D. H. Lawrence
to carry him to the cradle.
“But I'll say nothing, whatever time he comes,” she said. “It only works me up; I won't say anything. But I know if he does anything it'll make my blood boil,” she added to herself.
She sighed, hearing him coming, as if it were something she could not bear. He, taking his revenge, was nearly drunk. She kept her head bent over the child as he entered, not wishing to see him. But it went through her like a flash of hot fire when, in passing, he lurched against the dresser, setting the tins rattling, and clutched at the white pot knobs for support. He hung up his hat and coat, then returned, stood glowering from a distance at her, as she sat bowed over the child.
“Is there nothing to eat in the house?” he asked, insolently, as if to a servant. In certain stages of his intoxication he affected the clipped, mincing speech of the towns. Mrs. Morel hated him most in this condition.
“You know what there is in the house,” she said, so coldly, it sounded impersonal.
He stood and glared at her without moving a muscle.
“I asked a civil question, and I expect a civil answer,” he said affectedly.
“And you got it,” she said, still ignoring him.
He glowered again. Then he came unsteadily forward. He leaned on the table with one hand, and with the other jerked at the table drawer to get a knife to cut bread. The drawer stuck because he pulled sideways. In a temper he dragged it, so that it flew out bodily, and spoons, forks, knives, a hundred metallic things, splashed with a clatter and a clang upon the brick floor. The baby gave a little convulsed start.
“What are you doing, clumsy, drunken fool?” the mother cried.
“Then tha should get the flamin' thing thysen. Tha should get up, like other women have to, an' wait on a man.”
“Wait on you—wait on you?” she cried. “Yes, I see myself.”
“Yis, an' I'll learn thee tha's got to. Wait on ME, yes tha sh'lt wait on me—”
“Never, milord. I'd wait on a dog at the door first.”
“What—what?”
He was trying to fit in the drawer. At her last speech he turned round. His face was crimson, his eyes bloodshot. He stared at her one silent second in threat.
“P-h!” she went quickly, in contempt.
He jerked at the drawer in his excitement. It fell, cut sharply on his shin, and on the reflex he flung it at her.
One of the corners caught her brow as the shallow drawer crashed into the fireplace. She swayed, almost fell stunned from her chair. To her very soul she was sick; she clasped the child tightly to her bosom. A few moments elapsed; then, with an effort, she brought herself to. The baby was crying plaintively. Her left brow was bleeding rather profusely. As she glanced down at the child, her brain reeling, some drops of blood soaked into its white shawl; but the baby was at least not hurt. She balanced her head to keep equilibrium, so that the blood ran into her eye.
Walter Morel remained as he had stood, leaning on the table with one hand, looking blank. When he was sufficiently sure of his balance, he went across to her, swayed, caught hold of the back of her rocking-chair, almost tipping her out; then leaning forward over her, and swaying as he spoke, he said, in a tone of wondering concern:
“Did it catch thee?”
He swayed again, as if he would pitch on to the child. With the catastrophe he had lost all balance.
“Go away,” she said, struggling to keep her presence of mind.
He hiccoughed. “Let's—let's look at it,” he said, hiccoughing again.
“Go away!” she cried.
“Lemme—lemme look at it, lass.”
She smelled him of drink, felt the unequal pull of his swaying grasp on the back of her rocking-chair.
“Go away,” she said, and weakly she pushed him off.
He stood, uncertain in balance, gazing upon her. Summoning all her strength she rose, the baby on one arm. By a cruel effort of will, moving as if in sleep, she went across to the scullery, where she bathed her eye for a minute in cold water; but she was too dizzy. Afraid lest she should swoon, she returned to her rocking-chair, trembling in every fibre. By instinct, she kept the baby clasped.
Morel, bothered, had succeeded in pushing the drawer back into its cavity, and was on his knees, groping, with numb paws, for the scattered spoons.
Her brow was still bleeding. Presently Morel got up and came craning his neck towards her.
“What has it done to thee, lass?” he asked, in a very wretched, humble tone.
“You can see what it's done,” she answered.
He stood, bending forward, supported on his hands, which grasped his legs just above the knee. He peered to look at the wound. She drew away from the thrust of his face with its great moustache, averting her own face as much as possible. As he looked at her, who was cold and impassive as stone, with mouth shut tight, he sickened with feebleness and hopelessness of spirit. He was turning drearily away, when he saw a drop of blood fall from the averted wound into the baby's fragile, glistening hair. Fascinated, he watched the heavy dark drop hang in the glistening cloud, and pull down the gossamer. Another drop fell. It would soak through to the baby's scalp. He watched, fascinated, feeling it soak in; then, finally, his manhood broke.
“What of this child?” was all his wife said to him. But her low, intense tones brought his head lower. She softened: “Get me some wadding out of the middle drawer,” she said.
He stumbled away very obediently, presently returning with a pad, which she singed before the fire, then put on her forehead, as she sat with the baby on her lap.
“Now that clean pit-scarf.”
Again he rummaged and fumbled in the drawer, returning presently with a red, narrow scarf. She took it, and with trembling fingers proceeded to bind it round her head.
“Let me tie it for thee,” he said humbly.
“I can do it myself,” she replied. When it was done she went upstairs, telling him to rake the fire and lock the door.
In the morning Mrs. Morel said:
“I knocked against the latch of the coal-place, when I was getting a raker in the dark, because the candle blew out.” Her two small children looked up at her with wide, dismayed eyes. They said nothing, but their parted lips seemed to express the unconscious tragedy they felt.
Walter Morel lay in bed next day until nearly dinner-time. He did not think of the previous evening's work. He scarcely thought of anything, but he would not think of that. He lay and suffered like a sulking dog. He had hurt himself most; and he was the more damaged because he would never say a word to her, or express his sorrow. He tried to wriggle out of it. “It was her own fault,” he said to himself. Nothing, however, could prevent his inner consciousness inflicting on him the punishment which ate into his spirit like rust, and which he could only alleviate by drinking.
He felt as if he had not the initiative to get up, or to say a word, or to move, but could only lie like a log. Moreover, he had himself violent pains in the head. It was Saturday. Towards noon he rose, cut himself food in the pantry, ate it with his head dropped, then pulled on his boots, and went out, to return at three o'clock slightly tipsy and relieved; then once more straight to bed. He rose again at six in the evening, had tea and went straight out.
Sunday was the same: bed till noon, the Palmerston Arms till 2.30, dinner, and bed; scarcely a word spoken. When Mrs. Morel went upstairs, towards four o'clock, to put on her Sunday dress, he was fast asleep. She would have felt sorry for him, if he had once said, “Wife, I'm sorry.” But no; he insisted to himself it was her fault. And so he broke himself. So she merely left him alone. There was this deadlock of passion between them, and she was stronger.
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