THE COMPLETE MISS MAPP & QUEEN LUCIA SERIES: 6 Novels and 2 Short Stories. E. F. Benson
Preface
I lingered at the window of the garden-room from which Miss Mapp so often and so ominously looked forth. To the left was the front of her house, straight ahead the steep cobbled way, with a glimpse of the High Street at the end, to the right the crooked chimney and the church.
The street was populous with passengers, but search as I might, I could see none who ever so remotely resembled the objects of her vigilance.
E. F. BENSON.
Lamb House, Rye
Chapter One
MISS ELIZABETH MAPP might have been forty, and she had taken advantage of this opportunity by being just a year or two older. Her face was of high vivid colour and was corrugated by chronic rage and curiosity; but these vivifying emotions had preserved to her an astonishing activity of mind and body, which fully accounted for the comparative adolescence with which she would have been credited anywhere except in the charming little town which she had inhabited so long. Anger and the gravest suspicions about everybody had kept her young and on the boil.
She sat, on this hot July morning, like a large bird of prey at the very convenient window of her garden-room, the ample bow of which formed a strategical point of high value. This garden-room, solid and spacious, was built at right angles to the front of her house, and looked straight down the very interesting street which debouched at its lower end into the High Street of Tilling. Exactly opposite her front door the road turned sharply, so that as she looked out from this projecting window, her own house was at right angles on her left, the street in question plunged steeply downwards in front of her, and to her right she commanded an uninterrupted view of its further course which terminated in the disused grave-yard surrounding the big Norman church. Anything of interest about the church, however, could be gleaned from a guidebook, and Miss Mapp did not occupy herself much with such coldly venerable topics. Far more to her mind was the fact that between the church and her strategic window was the cottage in which her gardener lived, and she could thus see, when not otherwise engaged, whether he went home before twelve, or failed to get back to her garden again by one, for he had to cross the street in front of her very eyes. Similarly she could observe whether any of his abandoned family ever came out from her garden door weighted with suspicious baskets, which might contain smuggled vegetables. Only yesterday morning she had hurried forth with a dangerous smile to intercept a laden urchin, with inquires as to what was in "that nice basket". On that occasion that nice basket had proved to contain a strawberry net which was being sent for repair to the gardener's wife; so there was nothing more to be done except verify its return. This she did from a side window of the garden-room which commanded the strawberry beds; she could sit quite close to that, for it was screened by the large-leaved branches of a fig tree and she could spy unseen.
Otherwise this road to the right leading up to the church was of no great importance (except on Sunday morning, when she could get a practically complete list of those who attended Divine Service), for no one of real interest lived in the humble dwellings which lined it. To the left was the front of her own house at right angles to the strategic window, and with regard to that a good many useful observations might be, and were, made. She could, from behind a curtain negligently half-drawn across the side of the window nearest the house, have an eye on her housemaid at work, and notice if she leaned out of a window, or made remarks to a friend passing in the street, or waved salutations with a duster. Swift upon such discoveries, she would execute a flank march across the few steps of garden and steal into the house, noiselessly ascend the stairs, and catch the offender red-handed at this public dalliance. But all such domestic espionage to right and left was flavourless and insipid compared to the tremendous discoveries which daily and hourly awaited the trained observer of the street that lay directly in front of her window.
There was little that concerned the social movements of Tilling that could not be proved, or at least reasonably conjectured, from Miss Mapp's eyrie. Just below her house on the left stood Major Flint's residence, of Georgian red brick like her own, and opposite was that of Captain Puffin. They were both bachelors, though Major Flint was generally supposed to have been the hero of some amazingly amorous adventures in early life, and always turned the subject with great abruptness when anything connected with duelling was mentioned. It was not, therefore, unreasonable to infer that he had had experiences of a bloody sort, and colour was added to this romantic conjecture by the fact that in damp, rheumatic weather his left arm was very stiff, and he had been known to say that his wound troubled him. What wound that was no one exactly knew (it might have been anything from a vaccination mark to a sabre-cut), for having said that his wound troubled him, he would invariably add: "Pshaw! that's enough about an old campaigner"; and though he might subsequently talk of nothing else except the old campaigner, he drew a veil over his old campaigns. That he had seen service in India was, indeed, probable by his referring to lunch as tiffin, and calling to his parlour-maid with the ejaculation of "Quai-hai". As her name was Sarah, this was clearly a reminiscence of days in bungalows. When not in a rage, his manner to his own sex was bluff and hearty; but whether in a rage or not, his manner to the fairies, or lovely woman, was gallant and pompous in the extreme. He certainly had a lock of hair in a small gold specimen case on his watch-chain, and had been seen to kiss it when, rather carelessly, he thought that he was unobserved.
Miss Mapp's eye, as she took her seat in her window on this sunny July morning, lingered for a moment on the Major's house, before she proceeded to give a disgusted glance at the pictures on the back page of her morning illustrated paper, which chiefly represented young women dancing in rings in the surf, or lying on the beach in attitudes which Miss Mapp would have scorned to adjust herself to. Neither the Major nor Captain Puffin were very early risers, but it was about time that the first signals of animation might be expected. Indeed, at this moment, she quite distinctly heard that muffled roar which to her experienced ear was easily interpreted to be "Quai-hai!"
"So the Major has just come down to breakfast," she mechanically inferred, "and it's close on ten o'clock. Let me see: Tuesday, Thursday, Saturday — Porridge morning."
Her penetrating glance shifted to