Zones of the Spirit: A Book of Thoughts. August Strindberg
but worthless.
And the most interesting fact about both these men is, that they discovered their errors, declared themselves bankrupt, and finally used their reason. But there the "Beans" can no longer follow them.
"Beans" is a classical name for the Philistines who worshipped Dagon, the fish-god, and Beelzebub, the god of dung.
The Hoopoo, or An Unusual Occurrence.—Johann was one day on his travels, and came to a wood. In an old tree he found a bird's nest with seven eggs, which resembled the eggs of the common swift. But the latter bird only lays three eggs, so the nest could not belong to it. Since Johann was a great connoisseur in eggs, he soon perceived that they were the eggs of the hoopoo. Accordingly, he said to himself, "There must be a hoopoo somewhere in the neighbourhood, although the natural history books assert that it does not appear here."
After a time he heard quite distinctly the well-known cry of the hoopoo. Then he knew that the bird was there. He hid himself behind a rock, and he soon saw the speckled bird with its yellow comb. When Johann returned home after three days, he told his teacher that he had seen the hoopoo on the island. His teacher did not believe it, but demanded proof.
"Proof!" said Johann. "Do you mean two witnesses?"
"Yes!"
"Good! I have twice two witnesses, and they all agree: my two ears heard it, and my two eyes saw it."
"Maybe. But I have not seen it," answered the teacher.
Johann was called a liar because he could not prove that he had seen the hoopoo in such and such a spot. However, it was a fact that the hoopoo appeared there, although it was an unusual occurrence in this neighbourhood.
Bad Digestion.—When one adds up several large numbers, one owes it to oneself to doubt the correctness of the calculation. In order to test it, one generally adds the figures up again, but from the bottom to the top. That is wholesome doubt.
But there is an unwholesome kind of doubt, which consists in denying everything which one has not seen and heard oneself. To treat one's fellow-men as liars is not humane, and diminishes our knowledge to a considerable degree.
There is a morbid kind of doubt, which resembles a weak stomach. Everything is swallowed, but nothing retained; everything is received, but nothing digested. The consequence is emaciation, exhaustion, consumption, and premature death.
Johann Damascenus[1] had passed through several years of wholesome doubt, proving the truths of faith by systematic denial. But when, after minutely checking his calculation, he had become sure of their asserted values, he believed. Since then, neither fear of men, love of gain, contempt, or threats could cause him to abandon his dearly purchased faith. And in that he was right.
The Song of the Sawyers.—As Damascenus wandered in Qualheim, he came to a saw-mill. Outside it, on the edge of a stream, sat two men, and sawed a steel rail with a double saw. They accompanied their sawing with a rhythmic chant in two voices, and somewhat resembled two drinkers quarrelling.
"What are you singing about?" asked Damascenus.
"About faith and knowledge," answered one. And then they recommenced. "What I know, that I believe; therefore knowledge is under faith, and faith stands above it."
"What do you know then? What you have seen with your eye?"
"My eye sees nothing of itself. If you were to take it out, and lay it down here, it would see nothing. Therefore, it is my inner eye which sees."
"Can I then see your inner eye?"
"It is not to be seen. But you see with that which is itself invisible. Therefore, you must believe on the invisible! Now you know."
"Yes, yes, yes, but, but, but. … Have you seen God?"
"Yes, with my inner eye. Therefore, I believe on Him. But it is not necessary for you to see Him, in order for me to believe on Him."
"But knowledge is the highest."
"Yes, but faith is the highest of all."
"Do you know what you believe?"
"Yes, although you don't know it."
"Prove it."
"By two concurring witnesses? Here in this district alone I can collect two million witnesses. That must be sufficient proof for you."
"But, but, but, but" … And so on.
[1] Strindberg gives himself this name, probably in allusion to his mystery-play, To Damascus (1900).
Al Mansur in the Gymnasium.—Damascenus came into a large gymnasium, which at first he thought was empty. But presently he noticed that men stood along the walls with their backs turned towards him, so that he only saw their perukes and red ears. "Why do they stand and look at the wall, and why do they have such red ears?" he asked his teacher.
"They are ashamed of themselves," answered the teacher. "During their lifetime they were regarded as very clever fellows, but now they have discovered their stupidity."
"What is stupidity?"
"He is stupid, in the first place, who is unpractical. These have practised gymnastics all their lives, but never used the strength which they have gained. Furthermore, he is stupid who finds it difficult to comprehend simple propositions, self-evident propositions or axioms; for instance, the axiom of the existence of God. He is also stupid who cannot understand a logical proof; he who cannot accept reasonable premises, can draw no correct inferences. But the height of stupidity is, not to be able to accept an explanation founded on fact. When the Apostles told Thomas that Christ, the Son of God, was risen from the dead, he could not receive the new truth, because it was beyond his horizon. Such a man is usually called thick-headed, is he not?"
Damascenus did not answer, but his ears grew red, for he saw behind on the spring-board a man whom he thought he recognised by his broad neck and small ears.
"What are you looking at?" asked the teacher.
"Who is the man there?"
"He was, or was called Al Mansur, the Victorious, because he lost all battles but one—the battle with himself. By the Greeks he is called Chrysoroas, or 'Golden Stream'; by the Romans, John of Damascus."
The Nightingale in the Vineyard.—Johann went with his teacher through a vineyard, at the season when the vines were flourishing and exhaling their delicious perfume, which resembles that of the mignonette. "Do you notice the fine scent?" asked the teacher. "Oh yes; it is the scent of the vines." "Can you see it?" "No, it is invisible." "Then you can believe in what is invisible, as well as enjoy it. You are, then, on the way."
A nightingale was singing in a pomegranate tree. "Can you see her notes?" asked the teacher. "But you are delighted by them. Similarly, I delight in the invisible God through His way of revealing Himself in beauty, goodness, and righteousness. Do you think God cannot reveal Himself, like the nightingale, by invisible but audible tones?" "Yes, certainly." "Then you believe in revelations?" "Yes, I am obliged to." "You believe that God is a Spirit?" "Yes." "Then you believe in spirits?" "That is an incorrect inference. I believe in one Spirit." "Have not men spirits or souls in their bodies?" "Certainly." "Then you believe in spirits, i.e. in the existence of spirits?" "You are right; I believe in spirits." "Don't forget that the next time one asks you. And don't be afraid when the Lord of Dung comes and threatens you with the loss of bread, honour, wife, and child."
The Miracle of the Corn-crakes.—One summer evening the teacher went with Johann through the clover-fields. There they heard a sound, "Crex! crex!" "What is that?" asked the teacher. "The corn-crake, of course." "Have you seen the corn-crake?" "No." "Do you know a man who has seen it?" "No." "How do you know, then, that it is it?" "Everyone says so."