The Pioneer Women Trilogy: The Coast of Bohemia, Dr. Breen's Practice & Annie Kilburn. William Dean Howells

The Pioneer Women Trilogy: The Coast of Bohemia, Dr. Breen's Practice & Annie Kilburn - William Dean  Howells


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of the æstheticism of the picturesque gown she wore at the Synthesis; that had originality, but Cornelia perceived with the eye trained to see such differences, that this had authority. Charmian could not help holding and carrying herself differently in it, too. She was exquisitely gloved, and Cornelia instinctively felt that her hat was from Paris, though till then she had never seen a Paris hat to know it. She might have been a little overawed by it, if the wearer had not abruptly asked her what she thought of it.

      "Well," said Cornelia, with her country directness, which was so different from the other's abruptness, "I think it's about the most perfect thing I ever saw."

      Charmian sighed. "I saw you looking at it. Yes, it is a dream. But it's a badge of slavery. So's the whole costume. Look how I'm laced!" She flung open the jacket and revealed a waist certainly much smaller than she had earlier in the day. "That's the way it goes through my whole life. Mamma is dead set against the artistic, and I'm dead set against the fashionable. As long as I'm at the Synthesis, I do as the Synthetics do. I dress like the Synthesis, and I think like it, and I act like it. As soon as I get home in the afternoon, I have to be of the world worldly. I put on a Worth frock, and mamma would make me put on a Worth spirit, if she could. I do my best to conform, because it's the bargain, and I'll keep my word if it kills me. Now you see what a double life I lead! If I could only be steeped in hopeless poverty to the lips! If I could have a room like this, even! Sometimes I'm so bewildered by the twofold existence I'm leading, I don't really know what I'm saying. Those your things, of course?" She sprang from Cornelia's trunk, which she had sank down upon again, and swiftly traversed the sketches Cornelia had pinned about the wall. "What touch! Yes, you merely have to live on, to be anything you like. It'll do itself for you. Well, I suppose you'll have to see her." She turned about to Cornelia with an air of deprecation. "Mamma, you know. She's down stairs waiting for us. She thinks it right to come with me always. I dare say it is. She isn't so very bad, you know. Only she insists upon knowing all the girls I take a fancy to, herself. You needn't be afraid of her."

      "I don't know why I should be afraid of anybody," said Cornelia.

      The darker corner of the long parlor was occupied by a young couple in the earnest inquiry into each other's psychological peculiarities which marks a stage of the passion of love. It obliged them to get very close together, where they sat, she on a lounge and he in the chair, which he kept pulling nearer and nearer; they fulfilled these conditions and exchanged their observations with a freedom that ignored the presence of the lady sitting somewhat severely upright between the two long, front windows, exactly midway of the dingy lace curtains, trained fan-wise on the carpet. They were not disturbed when Cornelia and Charmian appeared; the young lady continued to dangle the tassel of a cushion through her fingers, and the young man leaned toward her with his face in his hand, and his elbow sunk in the arm of the lounge; but the other lady rose at once and came quickly forward, as if escaping from them. Beside the tall girls she looked rather little, and she was decidedly blonde against their brunette color. She wore a veil that came just between her upper and her lower lip, and that stirred lightly when she spoke. She was dressed with the same authoritative fashion as Charmian, but not so simply.

      She did not wait for her daughter to speak, but took Cornelia's hand, and said in a soft voice, "Miss Saunders? I am very glad we found you at home. My daughter has been speaking to me about you, and we hoped to have come sooner, but we couldn't manage together before."

      "Won't you sit down?" asked Cornelia.

      "No, I thank you," Mrs. Maybough returned, with a velvety tenderness of tone that seemed to convey assent. "We shall be rather late, as it is. I hope you're comfortably situated here."

      "Oh, very," said Cornelia. "I've never been away from home before, and of course it isn't like home."

      "Yes," said Mrs. Maybough, "one misses the refinements of home in such places." She turned and swept the appointments of the room, including the students of psychology, with a critical eye.

      "I wish I could come here," sighed the daughter. "If I could have a room like Cornelia's, mamma! I wish you could see it."

      "I'm glad you're pleasantly placed, Miss Saunders. I hope you're not working too hard at the Synthesis. I understand the young ladies there are so enthusiastic."

      "Oh, no," Cornelia protested.

      "Of course she is!" said Charmian. "Everybody works too hard at the Synthesis. It's the ideal of the place. We woke her out of a nap, and I know she was tired to death."

      Cornelia could not deny it, and so she said nothing.

      "Oh!" said Mrs. Maybough, non-committally; "that won't do." She paused, without intermitting the scrutiny which Cornelia felt she had been subjecting her to from the first moment through her veil. "You mustn't wear yourself out." She paused again, and then while Charmian turned away with an effect of impatience, she asked, "Do you ever go out on Sundays?"

      "Why, I don't know," Cornelia began, not certain whether Mrs. Maybough meant walking out or driving out; young people did both in Pymantoning.

      Mrs. Maybough pursued: "We receive on Thursdays, but we have a few friends coming in to-morrow afternoon, and we should be very glad to see you, if you have nothing better."

      The invitation was so tentatively, so gingerly offered in manner, if not in words, that Cornelia was not quite sure it had been given. She involuntarily searched her memory for something better before she spoke; for the first time in her life she was about to invent a previous engagement, when Charmian suddenly turned and laid her arms about her neck.

      "You'll come, of course!"

      "Charmian!" said Mrs. Maybough. It would have been hard to tell whether she was reproving the action or the urgence. "Then we shall hope to see you?"

      "Yes, thank you," said Cornelia.

      "Do come!" said Charmian, as if she had not yet accepted. "I can't let it be a whole day and two nights before I see you again!" She put her arm round Cornelia's waist, as the girl went with them to the outer door, to open it for them, in her village fashion. In the hall, Charmian whispered passionately, "Don't you envy them? Oh, if I could live in such a house with you, and with people like that just to look at!"

      "My dear!" said Mrs. Maybough.

      "They seem to be engaged," said Cornelia placidly, without sense of anything wrong in the appearance of the fact.

      "Evidently," said Mrs. Maybough.

      "I shouldn't care for the engagement," said Charmian. "That would be rather horrid. But if you were in love, to feel that you needn't hide it or pretend not to be! That is life! I'm coming here, mamma!"

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      Mrs. Maybough had an apartment in the Mandan Flats, and her windows looked out over miles of the tinted foliage of the Park, and down across the avenue into one of the pretty pools which light up its woodland reaches. The position was superb, and the Mandan was in some sort worthy of it. The architect had done his best to give unity and character to its tremendous mass, and he had failed in much less measure than the architects of such buildings usually do. Cornelia dismounted into the dirty street in front of it from a shabby horse-car, and penetrated its dimmed splendors of mosaic pavement and polished granite pillars and frescoed vaults, with a heart fluttered by a hall-boy all over buttons, and a janitor in blue and silver livery, and an elevator-man in like keeping with American ideals. She was disgusted with herself that she should be so scared, and she was ashamed of the relief she felt when a servant in plain clothes opened Mrs. Maybough's door to her; she knew he must be a servant because he had on a dress-coat and a white tie, and she had heard the Burtons joke about how they were always taking the waiters for clergymen at first in Europe, He answered her with subdued respectfulness when she asked for the ladies, and then he went forward and for the first time in her life she heard her name called into a drawing-room, as she had read it was done in England, but never could imagine


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