The Rosary. Florence L. Barclay
to its notes, or it lends itself better to my way of playing."
"Thank you, Myra," said Jane. "I fancy Dal and I will like the Bechstein."
"And if you want something really exciting in the way of music," continued Lady Ingleby, "you might attend some of the rehearsals for this 'service of song' they are getting up in aid of the organ deficit fund. I believe they are attempting great things."
"I would sooner pay off the whole deficit, than go within a mile of a 'service of song,'" said Jane emphatically.
"Oh, no," put in Garth quickly, noting Myra's look of disappointment. "It is so good for people to work off their own debts and earn the things they need in their churches. And 'services of song' are delightful if well done, as I am sure this will be if Lady Ingleby's people are in it. Lawson outlined it to me this morning, and hummed all the principal airs. It is highly dramatic. Robinson Crusoe—no, of course not! What's the beggar's name? 'Uncle Tom's Cabin'? Yes, I knew it was something black. Lawson is Uncle Tom, and the vicar's small daughter is to be little Eva. Miss Champion, you will walk down with me to the very next rehearsal."
"Shall I?" said Jane, unconscious of how tender was the smile she gave him; conscious only that in her own heart was the remembrance of the evening at Overdene when she felt so inclined to say to him: "Tell me just what you want me to do, and I will do it."
"Pauline will just love to go with you," said Mrs. Parker Bangs. "She dotes on rural music."
"Rubbish, aunt!" said Miss Lister, who had slipped into an empty chair near Myra. "I agree with Miss Champion about 'services of song,' and I don't care for any music but the best."
Jane turned to her quickly, with a cordial smile and her most friendly manner. "Ah, but you must come," she said. "We will be victimised together. And perhaps Dal and Lawson will succeed in converting us to the cult of the 'service of song.' And anyway it will be amusing to have Dal explain it to us. He will need the courage of his convictions."
"Talking of something 'really exciting in the way of music,'" said Pauline Lister, "we had it on board when we came over. There was a nice friendly crowd on board the Arabic, and they arranged a concert for half-past eight on the Thursday evening. We were about two hundred miles off the coast of Ireland, and when we came up from dinner we had run into a dense fog. At eight o'clock they started blowing the fog-horn every half-minute, and while the fog-horn was sounding you couldn't hear yourself speak. However, all the programmes were printed, and it was our last night on board, so they concluded to have the concert all the same. Down we all trooped into the saloon, and each item of that programme was punctuated by the stentorian BOO of the fog-horn every thirty seconds. You never heard anything so cute as the way it came in, right on time. A man with a deep bass voice sang ROCKED IN THE CRADLE OF THE DEEP, and each time he reached the refrain, 'And calm and peaceful is my sle-eep,' BOO went the fog-horn, casting a certain amount of doubt on our expectations of peaceful sleep that night, anyway. Then a man with a sweet tenor sang OFT IN THE STILLY NIGHT, and the fog-horn showed us just how oft, namely, every thirty seconds. But the queerest effect of all was when a girl had to play a piano-forte solo. It was something of Chopin's, full of runs and trills and little silvery notes. She started all right; but when she was half-way down the first page, BOO went the fog-horn, a longer blast than usual. We saw her fingers flying, and the turning of the page, but not a note could we hear; and when the old horn stopped and we could hear the piano again, she had reached a place half-way down the second page, and we hadn't heard what led to it. My! it was funny. That went on all through. She was a plucky girl to stick to it. We gave her a good round of applause when she had finished, and the fog-horn joined in and drowned us. It was the queerest concert experience I ever had. But we all enjoyed it. Only we didn't enjoy that noise keeping right on until five o'clock next morning."
Конец ознакомительного фрагмента.
Текст предоставлен ООО «ЛитРес».
Прочитайте эту книгу целиком, купив полную легальную версию на ЛитРес.
Безопасно оплатить книгу можно банковской картой Visa, MasterCard, Maestro, со счета мобильного телефона, с платежного терминала, в салоне МТС или Связной, через PayPal, WebMoney, Яндекс.Деньги, QIWI Кошелек, бонусными картами или другим удобным Вам способом.